%eadnotat; ]> PUBLIC "-//Stanford University::Libraries::Dept. of Special Collections//TEXT (US::CSt::M0192::Delmer Daves Papers)//EN" "m0192.sgm"Guide to the Delmer Daves Papers, 1930-1965Department of Special Collections
Green LibraryStanford University LibrariesStanford, CA 94305-6004 Phone: (650) 725-1022Email: speccoll@sulmail.stanford.eduURL: http://www-sul.stanford.edu/depts/spc/
© 1999

The Board of Trustees of Stanford University. All rights reserved.

Text converted and initial EAD tagging provided by Apex Data Services, 1999 May 11. Supplementary encoding and revision supplied by Steven Mandeville-Gamble.Finding aid is written in English.Guide to the Delmer Daves Papers, 1930-1965Collection number: M0192Department of Special Collections Stanford University Libraries Stanford, CaliforniaContact InformationDepartment of Special CollectionsGreen LibraryStanford University LibrariesStanford, CA 94305-6004 Phone: (650) 725-1022Email: speccoll@sulmail.stanford.eduURL: http://www-sul.stanford.edu/depts/spc/Special Collections staff1970 Nov.

© 1999 The Board of Trustees of Stanford University. All rights reserved.

Descriptive SummaryDelmer Daves Papers, 1930-1965Special Collections M0192Daves, Delmer, 1904-1977.38.5 linear ft.Stanford University. Libraries. Dept. of Special Collections.Administrative InformationAccess Restrictions

None.

Publication Rights

Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections.

Provenance

Gift of Delmer Daves, 1969, John Lea McDaniels, 1984, and the Associates of Stanford University Libraries, 1984.

Preferred Citation:

[Identification of item] Delmer Daves Papers, M0192, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif.

Biographical Note

Writer, director, and producer Warner Brothers (1943-1967). Director, writer, and producer Twentieth Century Fox (1949, 1954). Graduate of Stanford University (1927).

Scope and Content

Correspondence, play and film scripts, treatments of novels, adaptations, drafts, lists, photographs, diagrams and working papers of Mr. Daves' career in the motion picture industry in Hollywood from 1930 to 1965. Mr. Daves was a writer, director and producer. The collection contains correspondence with many of the industry's leading figures. The contents are important in relating the history, methods and trends of the industry as well as a biographical source on Mr. Daves.

A cartoon collection is listod. Extent : 6 legal file drawers.

KEY

1. All hand notations are Delmer Daves' unless otherwise specified.

2. All sheets are quarto size, written on one side only unless otherwise specified.

3. All sheets consist of one typed page unless otherwise specified.

4. Descriptive symbols can be combined ad libitum, i.e. OPpNAD-Occasional Pen and pencil Notes, Additions, Deletions.

AAutographALSAutograph Letter SignedANSAutograph Note SignedBWBlack and WhiteCCarbonDDDelmer DavesFFrequentIOCInter-office CommunicationIOC-SInter-office Communication, SignedJBJulian BlausteinJIBJoseph I. BreenJLWJack L. WarnerJSJCol. Jason S. JoyJWJerry WaldLegal8 1/2" × 14"LSLew SchreiberMMimeographedMisc.MiscellaneousMMMolly MandavilleNNotesNDNo DateOOccassionalPPenPpencilphphotocopyPNADPen Notes, Additions, DeletionspNADpencil Notes, Additions, DeletionsPpNADPen and pencil Notes, Additions, DeletionsPrelim.PreliminaryRAKRay A. KluneRev.RevisedRev. Temp.Revised TemporaryRLHL.R. L. HoughSize X7 1/4" × 10 1/2"SPScreenplaySTSteve TrillingTTypedTLSTyped Letter SignedTNSTyped Note Signedvso.versoWBWarner Brothers8vo.octavo size20CF20th Century Fox[]information not included but determined by readerContainer List1930Shipmates (Anchors Aweigh) MGM-19311110/21/30Original story by Delmer Daves and Lou Edelman, with 2nd treatments. Ribbon typescript with scattered holograph changes and corrections, including some on verso of same pages. ca. 40 pages Carbon typescript of another treatment.16 pages12111/5/301st temperary complete screenplay, with treatment. 1st draft carbon typescript with scattered pencil changes, directions, and comments.14Inserted are 11 additional legal size pages of ribbon typescript.Total ca. 250 pages13Included in above: an interpolation of Maskee by Ernest Paynter (8/23/30)152nd treatment by Paynter in collaboration with Richard Schayer (9/11/30).1612/6/303rd temporary complete script, original story by Daves and Edelman. Adaptation by R. Sohrock and M.S. Boylan.Mimeo-130 pages1712/17/304th temporary script with interpolation by Paynter. Mimeo-with holograph and typescript changes and additions. Signed by Daves on page 117.ca. 135 pages181/3/31Navy Department, Bureau of Navigation dispatch to Captain William S. Miller.1/4/31U.S. Naval message concerning Captain William S. Miller.1932Clear All Wires1912/13/32Final script, adaptation by Bella and Samuel Spewack; screenplay by Delmer Daves. Mimeo-with scattered pencil changes. 182 pages Front cover: (Delmer L. Daves), hand-lettered by Delmer Daves. Back cover: short lists-price, expense, reminders, etc. Sketch of cabin labeled Sanctuary', hand-lettered four times. Name `Geo. Hill' hand-lettered above cabin. Sketch of women in hat with single flower protruding. All drawn and written by Delmer Daves.1932Divorce in the Family1105/6/32First draft “Divorce in the Family”, (Father and Sons working title). Dialogue continuity by Delmer Daves. Front page: signed by Delmer DavesMimeo- 112 pages1116/11/322nd Draft “Divorce in the Family”, screenplay by Delmer Daves.Mimeo- 119 pages2111/25/31Screenplay treatment of “My Kid Brother” by Delmer Daves. On verso page 70- holograph notations and suggestions by Delmer Daves.Mimeo- 70 pages2212/14/312nd treatment “My Kid Brother”. Continuity and dialogue treatment by Delmer Daves.Mimeo- 70 pages236/22/32Shooting script: titled “Father and Son”. Original story by Maurice Rapf, screenplay by Delmer Daves. On verso page 126, holograph addition to script by Delmer Daves.Mimeo- 126 pages24N.D.Photograph- unknown man in desert gear, asleep in the shade of a cliff.1933No More Women (Paramount 1934)25N.D.Dialogue continuity treatment by Delmer Daves and Grant Leenhouts. Carbon typescript on legal paper.ca. 55 pages2611/2/33First draft screenplay by Delmer Daves and Grant Leenhouts. Additional dialogue by Lou Breslow. Directed by Albert Rogell. Carbon typescript on legal paper.ca. 114 pages2710/17/33Original story and treatment by Delmer Daves and Grant Leenhouts. Carbon typescript. Carbon typescript.29 pages28N.D.Second story. Ribbon typescript with scattered pencil holograph changes, and typed commentary and suggestions on page 4.10 pages2910/33Original story and treatment by Delmer Daves and Grant Leenhouts. Ribbon typescript with scattered pencil and ink holograph changed.ca. 56 pages210N.D.First rough draft by Delmer Daves and Grant Leenhouts. Carbon typescript on legal paper.ca. 30 pages21111/9/33First script by Delmer Daves and Grant Leenhouts. Screenplay by Delmer Daves, additional dialogue by Lou Breslow. Front cover: signed and addressed by Delmer Daves. Private and confidential statement by A.M. Botsford, including notation `This script is the personal property of Paramount Productions'.ca. 145 pages1934Flirtation Walk (Warner Brothers 1934)31N.D.First draft screenplay by Delmer Daves. Pages 1-49 mimeo with frequent holograph changes. Pages 50-114 carbon typescript with frequent holograph changes, probably by Lord with some unidentified writing. Front cover: `Lord's copy' holograph on top of page.114 pages322/14/34Temporary screenplay by Delmer Daves. Mimeo- 120 pages Front cover: signed by Delmer Daves.335/3/343rd temporary screenplay by Delmer Daves, supervisor: Robert Lord. Mimeo- 120 pages Front cover: handlettered `Mr. Daves'.346/22/342nd final screenplay. Story by Delmer Daves and Lou Edelman. Screenplay by Delmer Daves. Mimeo- ca. 125 pages with scattered pencil holograph changes probably by Lord. Front cover: `Mr. Lord' handlettered top of page.N.D.Script treatments.35a.) carbon typescript36 pages36b.) carbon typescript23 pages37N.D.“The Red Cagle Story” (West Point) First rough draft by Delmer Daves of early treatment. Front cover: `Cagle story, only copy' hand-lettered and underlined on top of page. Ribbon typescript34 pages38N.D.Development steps of Flirtation Walk1/30Synopsis of story entitled “Forward March” by Lou Edelman and Delmer Daves. Carbon typescript on legal paper.3 pagesN.D.b.) Synposis of “Forward March” submitted to M.G.M. in June 1930, revised and retitled “Eyes Right”. In 1930 again retitled “Flirtation Walk”, by Lou Edelman and Delmer Daves. Carbon typescript on legal paper with scattered ink underlinings.5 pagesN.D.c.) Synopsis of “Eyes Right” by Lou Edelman and Delmer Daves. In 1933 revised and retitled “Flirtation Walk”. Carbon typescript on legal paper with scattered ink underlinings and margin notes.6 pagesN.D.d.) Synopsis of “Flirtation Walk” by Lou Edelman and Delmer Daves. Note made: “Sold to Warner Brothers Pictures, Inc. in 1933 for $2,500”. Carbon typescript on legal paper.6 pagesN.D.e.) Synopsis of 2nd revised final motion picture scenario of “Flirtation Walk”. Carbon typescript on legal paper.10 pages39N.D.Notes on West Point Story. Two copies, ribbon and carbon typescript. Carbon copy has pencil holograph notation, “Copies, other taken to trial”.5 pages3102/17/32“Flying Cadet” first rough treatment by Delmer Daves. Pencil holograph notation on page 1, partiallly torn off but probably said, “Copies, others taken to trial”. Carbon typescript.22 pages31112/9/33&12/21/33Typed excerpts from Delmer Daves' journal, transcribed and signed by Muriel Edgarton.2 paged.312N.D.Statement of Delmer Daves court interrogatory in case involving “Flirtation Walk”. Ribbon typescript.25 pages3131/22/31Typed letter (carbon): From Delmer Daves to Paul Bern (MGM-Culver City Calif.) 5 pages, 3 copies Envelope addressed to “Lou” (Edelman) by Delmer Daves and making note of contents of letter-10 report to Paul Bern, 2) Edelman's cable to Delmer Daves, 3) Research film lists on Shipmates.12/11/33Radiogram, Lou Edelman to Delmer Daves, Sent to 5/5 Lurline confirming purchase of “Flirtation Walk” by Warner Brothers.9/1830U.S. Navy Recruiting Bureau, N.Y. Film continuity, and lists of stock film shots to be used and their placement, for “Aochors Aweigh”. Part 1: Carbon typescript, legal paper, 2 pages. Part 2: Ribbon typescript, legal paper, with frequent pencil and ink checks, underlinings and commernts.3 pages1934Dames and Miss Pacific Fleet, 1935 Stfanded and Shipmates Forever (all Warner Brothers)3142/25/34“Dames” by Robert Lord and Delmer Daves. Rough Draft. Carbon typescript.29 pages315N.D.Photographs- U.S. Naval Academy. All 8×10 inches. a.) Main dining hall-two views. b.) Lowering life boat by cadets. c.) Entrance exam. d.) Swimming pool. e.) Smoke Park and Bancroft Hall f.) USNA Band. g.) Graduating class in Armory. h.) Memorial Hall.3164/6/35“Anchors Aweigh”, Naval Academy s story. Outline by Delmer Daves. Ribbon typescript.9 pages317N.D.Sheet of strength requirements for entrance into USNA.2 copies4/23/35Western Union telegram from Hal Wallis to Delmer Daves.4/23/35Western Union telegram from Lou Edelman to Delmer Daves.4/29/35Western Union telegram from Hal Wallis to Delmer Daves.4/22/35Postal Telegram from Thomas and Friedman, attorneys for Warner Brothers, NYC. to Delmer Daves.3184/35“Anchors Aweigh” original story by Delmer Daves written at the U.S. Naval Academy, Annapolis, Maryland. Ribbon typescript with scattered pencil and ink holograph changes.50 pages3195/3/35“Anchors Aweigh” by Delmer Daves. Carbon typescript. 63 pages Front cover: `Daves' handlettered in pencil.41N.D.“Shipmates Forever” (Anchors Aweigh). Sole copy of original screenplay by Delmer Daves. Ribbon typescript with frequent pencil and ink holograph changes.162 pages429/15/34“Stranded” adaptation by Delmer Daves, preliminary screenplay. Ribbon typescript with occasional pencil changes.4310/20/34“Stranded” final screenplay. Carbon typescript with scattered pencil changes.44N.D.“Miss Pacific Fleet” suggested s story outline by Delmer Daves. Ribbon typescript..14 pages On verso page 14 lettered in blue pencil: `HE2474 Hope'.45N.D.“Miss Pacific Fleet” synopsis adaptagtation by Delmer Daves. Carbon typescript.29 pages4611/27/34“Miss Pacific Fleet” adaptation and screenplay by Delmer Daves. Carbon typescript with frequent ink holograph changes. 136 pages Also included, 2 pages ribbon typescript `nautical phrase for use in screenplay. Front Cover: `Delmer Daves' hand-lettered (ink).1935-36Page Miss Glory; Slim; The Petrified Forest; The Go Getter. (All Warner Brothers).47N.D.“It Shall Be Done” (The Go Getter) synopsic treatment by Delmer Daves based on Peter B. Kynes' story “The Go Getter”. Carbon typescript.6 pagesN.D.Background notes on loss of dirigible `Macon'. Ribbon typescript.4 pagesN.D.Descriptions of U.S. Navy dirigibles `Macon' and `Akron'. Ribbon typescript.3 pagesN.D.Background notes on los of dirigible `Akron'. Ribbon typescript..5 pagesN.D.Background notes on Army and Navy pensions for those who have lost limbs in service. Ribbon typescript.1 pageN.D.Background note on lumber strike of 5/18/35. Ribbon typescript with holograph notations in margin.1 page.48N.D.Treatment of “It Shall Be Done” by Delmer Daves. Ribbon typescript with holograph notation by Delmer Daves on page 19.24 pages49N.D.“The Go Getter” by Peter B. Kyne. Chapter 1. Carbon typescript.42 pages4101/7/36“The Go Getter” adaptation and screenplay by Delmer Daves. Carbon typescript.126 pages4111/14/36“The Go Getter” temporary copy of script.Mimeo- ca. 126 pages4121934“The Petrified Forest” a play in two acts by Robert E. Sherwood. Copyright 1934.Mimeo- ca. 126 pages413N.D.“Slim” treatment by Delmer Daves. Ribbon typescript with scattered holograph changes by Delmer Daves. Front cover: some multiplication and divison done in pencil.29 pages4141/2/47Inter-office communication: from Heny Blanke to Delmer Daves. Sends copy of “The Petrified Forest” to Daves for his files.5111/11/35Slim” screenplay by Delmer Daves from the novel by William Wister Haines. Carbon typescript.141 p pages.52N.D.“Slim” screenplay by Delmer Daves. Ribbon typescript with scattered holograph changes by Daves. Front cover: `Delmer Daves' written in pencil and underlined.ca. 141 pages531/23/35“Page Miss Glory” story outline by Delmer Daves and Robert Lord. Front cover: `Daves' hand-letterd in ink on top of page.Mimeo- 87 pages1936The Sea Hawk (Warner Brothers-1940)54N.D.Adaptation and screenplay by Delmer Daves. Ribbon typescript with occasional holograph changes. Front cover: title “The Sea Hawk” and drawing of sailing ship in ink.Mimeo- 196 pages55N.D.Dialogue and continuity treatment by Delmer Daves. Ribbon typescript with occasional holograph changes. 147 pages Also included: `Language of the 16th Century' ribbon typescript 2 pages.562/18/36Notes and notes on treatment by Delmer Daves. Ribbon typescript with holograph changes [probably by Daves].ca. 43 pages57N.D.1st synopsic treatment..Ribbon typescript with scattered pencil and ink holograph changes and corrections, including some on verso of same pages. On verso of page 5: Pencil sketch of [Moorish costume].21 pages581/30/402nd revised final script. Screenplay by Seton I. Miller and Howard Koch.Mimeo- ca. 150 pages1936-37Collusion (play); La Belle Marseillles (play) It All Came True (novel) (Warner Brothers)6112/31/35“And It All Came True”, copy of n novel by Louis Bromfield. Mimeo-with scattered pencil changes signifying what is to be omitted. Front cover: original title “Better than Life” crossed out and “It All Came True” written above in blue crayon.230 pages62N.D.“And It All Came True”, preliminary treatment and synopsis by Delmer Daves. Carbon typescript. 31 pages Following above: notes1 page of ribbon typescript.N.D.Notes on “Collusion” with suggested adaptatation by Delmer Daves.63Notes, ribbon typescript,11 pages

(also, Title Page for all 3 parts in Folder 3)

64Suggested adaptation, carbon typescript,28 pages.65General notes on adapting “Collusion” by Delmer Daves, carbon typescript,4 pages.6612/9/36“Collusion” bby J.E. Harold Terry. Typed copy from author's original manuscripts. Carbon typescript.ca. 135 pagesN.D.“La Belle Marseilles” a play by Pierre Berton; adapted by Madeleine Wcette Ryley.Mimeo- ca. 136 pages1936-37The Singing Marine (Warner Brothers)679/20/23“Hong Kong Daily Press” 18×22 i inches.12 pagesN.D.Marine Corps radio narrative, “The Yangtze Patrol” no. 5. Mimeo- with holograph changes and deletions. 1st page: `Marine Corps Gazette' penciled above title.8 pagesN.D.Script for Major Bowes' routine. Ribbon typescript.8 pagesN.D.Character notes, based on actual Shanghai characters. Ribbon typescript.2 pagesN.D.Character outlines. Ribbon typescript.4 pages7/22/24San Diego notes, procedures for a San Diego based Marine. Ribbon typescript.3 pagesN.D.Pencil sketch of a Marine Corps barracks room.1 pageN.D.Loose pages taken from screenplay. Ribbon typescript.2 pages68N.D.Partial screenplay (pages 106-173). Ribbon typescript with scattered holograph changed and corrections, including one on verso same page (168).ca. 107 pages697/29/36Typed letter signed: Henry S. Griffin, Pfc. USMC, to Delmer Daves. Concerning Chiness/Marine Corps background information.8/11/36Typed letter signed: H.S. Griffin to Delmer Daves concerning possible nicknames for characters.610N.D.[UNK] synopsis, “The Singing Marine” byuDelmer Daves. Ribbon typescript with pencil holograph changes and corrections.22 pagesN.D.Revised treatment by Delmer Daves. Ribbon typescript with pencil holograph notes on verso page 13.13 pages611N.D.Short sunopsis, “The Singing Marine”, by Delmer Daves. Carbon typescript.ca. 50 pages6127/23/36Short synopsis, “The Singing Marine” by Delmer Daves. Ribbon typescript with scattered pencil holograph changes, including some on verso of same pages.34 pages

also: two names on inside of back cover

613N.D.Dialogue continuity treatment by Delmer Daves. Ribbon typescript with scattered holograph changes and corrections by Daves, including some on verso of same pages.139 pages71N.D.Character outlines by Delmer Daves. Ribbon typescript. Front cover: signed by Daves.41 pages72N.D.1st draft of original screenplay by Delmer Daves. Ribbon typescript with pencil and ink holograph changes including some on verso of same pages.174 pages1937-38She Married an Artist (Columbia); Professor, Beware!; Moonlight Madness (both Paramount)N.D.“Moonlight and Honeysuckle” a play in three acts by George Scarborough. (each act in separate folder)73a.) Act 1: Ribbon typescript with all stage directions underlined in red ink. Front cover: `Only copy' in pencil.47 pages74b.) Act 2: Ribbon typescript with all stage directions underlined in red ink. Front cover: `Only copy' in pencil, top left corner.52 pages75c.) Act 3: Ribbon typescript with all stage directions underlined in red ink. Front cover: `Only copy' in pencil, top left corner.19 pages76N.D.“Moonlight Madness” screenplay treatment by Delmer Daves. Ribbon typescript.61 pages776/16/38Screenplay treatment of “Moonlight Madness” by Delmer Daves. Carbon typescript. Carbon typescript.57 pages786/16/38Synopsis of treatment for “Moonlight and Honeysuckle” by Delmer Daves. Ribbon typescript.19 pages797/7/38Revised synopsis “Moonlight Madness” by Delmer Daves. Carbon typescript.13 pages7/9/38Typed letter from Delmer Daves to `Andy' concerning revisions in “Moonlight Madness”. Carbon typescript.4 pagesN.D.Holograph noted by Delmer Daves on “Moonlight Madness”. On 16 m.o.10 pagesN.D.“I Married an Artist” treatment and first draft screenplay by Delmer Daves.710a.) Treatment: Ribbon typescript with holograph changes and corrections, including some on verso same pages.15 pages711b.) 1st draft screenplay: Carbon typescript (pages 1-41), ribbon typescript (pages 41-69).Total: 69 pages7122/15/37“I Married an Artist” 1st draft screenplay by Gladys Lehman and Robert Buckner. Carbon typescript. 131 pages Included in above: Note by Delmer Daves concerning his role in writing script. On 16 m.o.

Also: “Mr. Elias” in pencil on front cover

713N.D.“Professor Beware.” synopsis of finish by Delmer Daves. Ribbon typescript.6 pages714N.D.Professor Beware.” 1st draft screenplay by Delmer Daves. Ribbon typescript.21 pages

Also: drawing (?) on [UNK] of Paper (3"×5") (Probably unimportant [UNK] has been kept with collection)

715N.D.“Professor Beware.” outline by Delmer Daves. Ribbon typescript with one holograph addition on page 5. 14 pages Following above: Holograph notes by Daves [UNK] octavo. 1 page71610/29/37“Professor Beware.” screenplay, revised by Delmer Daves. Carbon typescript with scattered holograph changes and corrections.ca. 158 pages717N.D.Memorandum from Joseph Breen office-Production code (censors) re: acceptibility of “Professor Beware”. Carbon typescript.4 pagesLove Affair (RKO)81N.D.1st draft screenplay by Delmer Daves. Legal size paper; complrtrly holograph by Delmer Daves in pencil, including some on verso.ca. 123 pages82N.D.Work sheets, on legal paper. Completely holographnin pencil by Delmer Daves. Includes hand notes and scratch work. Some scratch work includes names of actors in “Love Affair”, title of picture, and name of director hand-lettered in ink by Daves.ca. 37 pages8312/13/38Revised final script, screenplay by Delmer Daves and Donald O. Stewart. Mimeo- 106 pages Front cover: Ink holograph note by Delmer Daves, exact text as follows: “Don had one line left in script after being hired a few weeks to work alone-offer fresh viewpoint-but only viewpoint Leo McCarey could accept had to be w with his own sharing in concept so-we gave Don co-credit in place of Leo's who deserved it-so I gave Mildred Crain my share of original story credit (the basic story happened to me -the girl confessed her life story on the S.S. Chaumplain!)”N.D.Folio containing “Love Affair” worksheets, dialogue rewrites, notes, and scratch work. Includes:84a.) 1 page synopsis of story, ribbon typescript.b.) Dialogue rewrites-4 different sections, all incomplete. Ribbon typescript with holograph changes and deletions. ca. 24 pages 1st page of one section: signed by Delmer Daves with notation `only copy'.85c.) Expanded synopsis of story. Ribbon typescript with scattered holograph changes. ca. 9 pages (incomplete).86d.) Worksheets on yellow scratch paper, in pencil and ink holograph by Delmer Daves. Included in above: sketches by Daves of Santa Claus, a plane, flower, chair, horseshoe, and the name `Leo McCarey' ornately hand-lettered.ca. 44 pagese.) Dialogue rewrite holograph notes by Delmer Daves on 16 m.o.13 pages

incl, in Folder # 5

f.) List of philosophers and quotes of their definition of goodness. Legal paper.1 page

incl, in Folder # 5

87N.D.Synopsis of story by Delmer Daves. Ribbon typescript with scattered pencil holograph changes and corrections.ca. 27 pages88N.D.Screenplay by Delmer Daves and Leo McCarey. Carbon typescript- first 38 pages. Mimeo- next 32 pages with occasional pencil holograph changes. Ribbon typescript- last 43 pages with occasional pencil holograph changes. Total: ca. 113 pages1939The Farmer's Daughter; Safari (Paramount)89N.D.“The Farmers Daughter” notes and changes by Delmer Daves. Collection includes:a.) List of important happenings in play. Ribbon typescript.4 pagesb.) Copies (ribbon and carbon) of synopsis of story. Ribbon copy has scattered pencil holograph changes.11 pages eachc.) Draft of screenplay. Ribbon typescript with frequent ink holograph changes and deletions. (incomplete)28 pagesd.) 2nd draft of original screenplay. Dated 10/39. Carbon typescript. (incomplete)27 pagese.) Miscellaneous pages of synopsis. Carbon typescript.2 pages6/10/39“The Farmer's Daughter” original screenplay by Delmer Daves. Carbon typescript.126 pages8106/39The Farmer's Daughter” 2nd draft of original screenplay by Delmer Daves. Pages 1-3 ribbon typescript with ink holograph changes and corrections. Pages 4-126 carbon typescript.Total: 126 pages91N.D.“Cherry Tree Lane” synopsis of original musical story by Delmer Daves (sold to Paramount for “The Farmer's Daughter”). Includes a list of possible characters with their models printed in pencil below the character name (Ruby Keller, Spring Byington, Dick Bowell, etc.). Ribbon typescript.43 pages9210/10/39“Safari” screenplay by Delmer Daves. Mimeo- with frequent pencil holograph additiond and deletions. On verso page 107: notes by Daves, in pencil; also `Safari' hand-lettered 4 times, sketch of a flower, and drawings of assorted alphabet letters. 127 pages Included with above: Partial scene synopsis, on legal paper. Ribbon typescript. 2 pages Front cover: Private and confidential statement from Paramount Pictures.9310/18/39“Safari” revised white script. Mimeo-124 pages Front cover: Private and confidential statement from Paramount Pictures, Inc.1939-40The Night of January 16th (Paramount)94N.D.“The Oblique Attack” story idea with notes. Ribbon typescript on octavo, with pencil and ink holograph notes by Delmer Daves.11 pages9511/17/39“Night of January 16th” synopsis by Delmer Daves. Ribbon typescript. 23 pages Included with above: Notes by Daves, in pencil holograph, on 16 m.o. 2 pages12/21/39Synopsis to finish by Delmer Daves. 2 copies; ribbon and carbon typescript.7 pagesN.D.Synopsis to end by Delmer Daves. Ribbon typescript.8 pages9611/30/39Screenplay by Delmer Daves. Carbon typescript.72 pages971/29/40Revised buff script.Mimeo- 69 pages981/31/40Additions to buff script by Joseph Sistrom and Anne M. Chapin. Pages 1-9, carbon typescript. Pages 10-52, mimeo. Total revised buff script: 121 pages.99N.D.1st draft screenplay by Delmer Daves. Ribbon typescript with scattered pencil holograph changes.47 pages91011/28/391st draft screenplay by Delmer Daves. Carbon typescript with frequent pencil holograph changes, including some on verso of same pages.71 pagesN.D.Screenplay treatments divided into sequences; A,B,C,D, and Trial.911a.) A sequence: 2 copies both carbon typescript.15 pages912b.) B sequence: 2 copies. Ribbon typescript with scattered pencil holograph changes. 58 pages Carbon typescript ca. 29 pages (incomplete).913c.) C sequence: Carbon typescript.69 pages914d.) D sequence: Carbon typescript.8 pages915e.) Trial sequence: Carbon typescript.42 pages916f.) Miscellaneous sequences: Ribbon typescript. 6 apges Carbon typescript.17npages1939$1000 A Touchdown (Paramount); Rise and Shine (20th Century Fox, canceled)1013/28/39“$1000 A Touchdown” original screenplay by Delmer Daves. Ribbon typescript with pencil and blue pencil holograph changes and deletions.136 pages5/25/39“$1000 A Touchdown” script, divided into 4 sequences.Mimeo-93 pages102A Sequence103B Sequence104C Sequence105D Sequence6/7/39“$1000 A Touchdown” script, divided into 5 sequences. Mimeo-115 pages Front cover: `Mr. Daves' holograph top of page.106A Sequence107B Sequence108C Sequence109D Sequence1010E Sequence1011also has Title Page1012-149/28/40“Rise and Shine” screenplay re-writes by Delmer Daves.a.) Carbon typescript.34 pagesb.) Ribbon typescript ca. 125 pages Front cover: `Mr. Daves' holograph top of page10159/8/40“Rise and Shine” screenplay by Delmer Daves. Carbon typescript with scattered pencil holograph additions and deletions.ca. 145 pages101610/9/1940“Rise and Shine” first draft s screenplay by Delmer Daves. Carbon typescript.163 pages1017N.D.“Yankee Doodle Goes to Plattsburg” (Rise and Shine). Synopsis treatment by Delmer Daves. Ribbon typescript.34 pages1018N.D.“Yankee Doodle Goes to Plattsburg” 2nd synopsis treatment by Delmer Daves. Ribbon typescript. 55 pages Included in above: Pencil holograph notes by Daves on legal paper. 6 pages1019N.D.Notes for comedy routine in “Yankee Doodle Goes to Plattsburg”.a.) 1 page, including on verso, pencil holograph on yellow scratch paper.b.) Notes- ribbon typescript.2 pagesc.) Suggested comedy routine. Carbon typescript.5 pagesd.) Pencil holograph noted by Delmer Daves on 16 m.o.12 pages1940The Stuff of Heroes (Warner Brothers)N.D.“Stuff of Heroes” folder includes:N.D.1020a.) Original story by Harold Titus Carbon typescript.15 pagesN.D.1021b.) “The Battle with the Slums” paragraph by Jacob A. Riis. Ribbon typescript.1 page2/1/40c.) Notes on “Stuff of Heroes” by Delmer Daves. Ribbon typescript.7 pages2/13/401022, 23d.) Outline treatment by Daves and Finkel. Carbon typescript.38 pages

2 copies

2/22/401024e.) Notes by Delmer Daves. Ribbon typescript.19 pages111N.D.1st draft screenplay by Delmer Daves. Ribbon typescript with pencil holograph changes and corrections including some on verso of same pages. 164 pages Front cover: Title and words `First Draft' (underlined) hand-lettered by Delmer Daves in ink.1123/5/40Treatment by Delmer Daves and Abem Fibkel. Carbon typescript..75 pages1132/20/40Rough outline by Daves and Finkel. Carbon typescript.38 pages (same as 1d)114N.D.Partial screenplay, scenes 114-228. Carbon typescript with pencil holograph changes.ca. 82 pages115N.D.Partial screenplay, scenes 114-131 (revised). Ribbon typescript with scattered pencil holograph additions and deletions.9 pages on blue paper, 10 pages on white. Total: 19 pages116N.D.Miscellaneous parts of screenplay, including partial copy of the 1st draft. Ribbon typescript with scattered pencil holograph changes.ca. 47 pages117N.D.List of objections to using `Want Ads'.Mimeo- 2 pages118N.D.Preliminary sketch of story continuity. Pencil holograph by Delmer Daves on legal paper.ca. 51 pages1192/8/40Newspaper article from L.A. Examiner “Two More Slum Projects Get Council OK”N.D.Preliminary notes:a.) Pencil holograph notes by Delmer Daves on 8×9½2 paper.3 pagesb.) Pencil holograph notes on verso L.A. Examiner `Want Ad' advertisement.c.) Unidentified quotes (2) on slum conditions and clearance.16 m.o. paper. 1 paged.) Quote from F.D. Roosevelt on country's obligations tomchildren. Ribbon typescript.1 pagee.) List of rentals [from L.A. Examiner] dated Sunday, January 28, 1940. On 12×17" paper, with pencil holograph notes on verso each page.2 pagesf.) Miscellaneous materials relating to `Want Ads' in L.A. Examiner, including 2 pages pencil holograph notes on 5×7½" paper. Included with above: `Want Ad' forms with pencil holograph notes on verso, and sample ads.2/19/40Typed letter: `Hal' to Henry Blanke re: “Stuff of Heroes”. Carbon typescript.2 pages1940-42Young America Flies (1940-Warner Brothers); You Were Never Lovelier (1942-Colombia)1110N.D.“Young America Flies” notes by Delmer Daves in ribbon typescript and ink holograph, including some on verso of some pages.20 pages1111(1940)“Young America Flies” screenplay by Delmer Daves. Carbon typescript.36 pages1112N.D.“You Were Never Lovelier” screenplay translated from film made in Argentina: “Los Martes, Orguideas” (Orchids Every Tuesday) by Carlos Olivari and Sixto Pondel Rios. Temporary titles used: “The Gay Senorita”; “Carnival in Rio”. Carbon typescript with red and blue pencil lines throughout on margins.108 pages11136/4/42“You Were Never Lovelier” revised final draft of screenplay by Delmer Daves. Mimeo- ca. 116 pages (last 3 pages carbon typescript)1114N.D.Pencil holograph notes by Delmer Daves, including some on Verso of same pages.3 pages1215/19/42“Carnival in Rio” final draft screenplay by Delmer Daves. Mimeo-with occasional pencil and ink holograph changes. ca. 86 pages Included with above: Pencil holograph notes on scene breakdown, and number of speeched credited to Daves. On 4, 4×6” cards.1224/27/42“Carnival in Rio” third draft estimating script. Screenplay by Michael Fessier and Ernest Pagano. Mimeo- with frequent changes throughout in pencil holograph, by Delmer Daves, including some on verso of same pages. 116 pages Included with screenplay: Lyrics to songs by Jerome Kern and Johnny Mercer: “On the Beam”, “Dearly Beloved”, “Duettino”, “I'm Old Fashioned”, “Doing the Shorty George”, “Wedding in the Spring”, and “You Were Never Lovelier”. Carnon typescript. 7 pagesUnexpected Uncle (1941-RKO); Rendezvous (1945-Battle of Britain and American in RAF)123N.D.Notebook (5×8") containing prelimimary notes on scene breakdown for “Rendezvous” (in Heaven). Pencil holograph by Delmer Daves including on verso of same pages.ca. 20 pages1248/9/43“Rendezvous in Heaven” original story by Wally Kline. Mimeo- 38 pages Front cover: Ink holograph notation “I interviewed Gus Daymond (character whose wartime exploits story based on) during writing of script” also “See research (military files stories). “Rendezvous” in pencil holograph circiled above title.1258/44“News Bulletin No. 66”- The War Relief Society of America.(8½×112 paper) 4 pagesNewspaper Articles:8/21/40Los Angeles Times, Page 8 Part 1: picture of Churchill and text of his report on the first year of the war.7/22/b.) London(AP) Text of Radio address by Foreign Secretary Lord Halifax.7/14/c.) London(AP) Text of radio address by Prime Minister Churchill.Sept.d.) London Observer: “Britains Chance to Win” by J.L. Gavin (news commentator).N.D.e.) Editorial: “Not Arms Alone”11/28/44f.) Los Angeles Examiner: Article by William Randolph Hearst, Jr., describing operations of the Ninth U.S. Air Force in Belgium.N.D.g.) Mailing card with pictures of famous names in wartime Britain.1267/22/44Publication #34, British War Relief Society- “Some of Today's clothing Problems”.Mimeo- 3 pages7/4/44Publication #33, British War Relief Society: “Toc H. Clubs”1276/29/44Typed letter (carbon): “Gus” to “Darling Delores” possibly from Major Gregory Augustus Draymondtrue life character described in “Rendezvous in Heaven”6 pages128N.D.a.), Notes on the script “Rendezvous”. Carbon typescript with scattered ink holograph changes.ca. 39 pages129b.) “Rendezvous” revised sequence outline. Carbon typescript.22 pagesc.) “Rendezvous” characterization and story points.3 pagesd.) Pencil holograph notes by Delmer Daves page of “Rendezvous” script.1 page1210N.D.“Unexpected Uncle” 1st draft screenplay by Delmer Daves. Carbon typescript with occasional pencil holograph changes. Scenes 159-202 in pencil typescript with occasional pencil holograph changes-33 pages) Total screenplay: ca. 206 pages12113/10/41“Unexpected Uncle” revised 2nd draft continuity. Screenplay by Delmer Daves. Mimeo- 161 pages Front cover: `Mr. Pommer' ink holograph top right corner.1941-42Manhattan at Midnight (Man in the Street) Paramount12123/11/42Screenplay by Delmer Daves. Text of sequence `A'.Mimeo- 47 pages12133/28/422nd draft screenplay by Delmer Daves. (contains all sequences)Mimeo- 127 pages1317/11/41“Man in the Street” 1st draft screenplay by Delmer Daves. Carbon typescript with scattered pencil holograph changes and deletions.135 pages1324/7/41“Manhattan at Midnight” or “Mam in the Street” radio script by William Bowers and Robertson Holbert, presented over WJZ Radio. Mimeo- with ribbon typescript notes on adapting it as a movie pasted on verso of pages 1,4,10,12,13,15,16,20,21,24.Total 25 pages

Blue folders 3,7

1333/3/42Screenplay in sequences, mimeo, ribbon, and carbon typescript. Mimeo- 7 pages Ribbon typescript- ca. 52 pages Carbon typescript- ca. 72 pages Sequences frequently corrected and changed in pencil and ink holograph. Included in above: Pencil holograph notes and comments by Delmer Daves, some on verso of same pages. ca. 53 pages; pencil holograph notes by Daves on octavo, 2 pages; time schedule, on 8×9½ graph paper, 1 page. Total: ca. 187 pagesN.D.134a.) “Manhattan at Midnight” early treatment, screenplay by Delmer Daves. Ribbon typescript.30 pages135b.) “Man in the Street” rough draft screenplay by Delmer Daves. Ribbon typescript with frequent pencil holograph additions and deletions.ca. 136 pages136c.) List of possible lines for various characters. Characters names in ribbon typescript with dialogue in ink holograph by Delmer Daves.6 pages1377/26/41“Manhattan at Midnight” screenplay by sequence. Carbom typescript with occasional pencil and ink holograph changes. ca. 137 pages Included in above: Additions to script. Ribbon typescript. 3 pages1942-43Stage Door Canteen (RKO and United Artists)13811/25/42Original screenplay by Delmer Daves, final script. Mimeo- with scattered pencil holograph changes. ca. 105 pages Front cover: `Delmer Daves' signed in pencil holograph top right corner by Daves.13911/6/42Revised script.Mimeo- ca. 107 pages131011/12/42Changes appended to revised script by Delmer Daves. Mimeo- ca. 41 pages Page 2: Signed in pencil holograph by Daves, top right of page, including notation `changes'.1311N.D.Program for play reviewers- “Sol Lesser in Association with the American Theater Wing presents Stage Door Canteen”.Mimeo- 4 pages131210/2/42Screenplay by Delmer Daves. Mimeo and carbon typescript with scattered pencil holograph changes. ca. 70 pages mimeo, ca. 34 pages carbon typescript. 1st 11 pages: ragged edges141N.D.Screenplay by Delmer Daves. Carbon typescript.108 pages142N.D.2nd copy screenplay by Delmer Daves. Carbon typescript.101 pages1437/21/421st treatment of original story by Delmer Daves. Ribbon typescript.53 pages1447/21/42Original story and screenplay treatment by Delmer Daves. Ribbon typescript with scattered pencil holograph changes.53 pages1458-11/42Research and notes made at the Stage Door Canteen by Delmer Daves. Folder included:a.) Sketches (ink) by Daves of layout of Stage Door Canteen.2 pagesb.) Notes in ink holograph, including on verso all pages, by Delmer Daves, made at the Stage Door Canteen in 1942.15 pagesc.) Ribbon typescript notes on `Canteen'.3 pages146d.) List of boy meets girl `lines' that soldiers use at Canteen. Ribbon typescript.10 pagese.) Girls `dressing room talk'. Ribbon typescript.6 pages147f.) Anecdotes on happenings at the Canteen i.e. dramatic, comical, on celebrities and staff, etc. Ribbon typescript.23 pagesg.) Typed letter signed: Valerie Hayes to Delmer Daves.2 pages148h.) “Canteen Capers”, Valarie H Hayes' experiences at the Canteen. Ribbon typescript.ca. 23 pages149i.) Photograph of Valarie Hayes(8×10").1410j.) Text of newspaper article by Hoffman in the Reporter. Ribbon typescript.1 pagek.) Letter (carbon typescript): “From the Hostesses of the American Theatre Wing Stage Door Canteen to Our Fighting Men”.7 pages1411-13l.) Rules and regulations of the Stage Door Canteeb.1414N.D.1st outline of story by Delmer Daves. Ribbon typescript. ca. 41 pages Included with above: Ink holograph notes by Daves, spaced between typed pages. 12 pages1415Folder containing additional background material to “Stage Door Canteen”:a.) 4 guest passes to Canteen with Delmer Daves name in them.b.) List of girls of the Canteen and their characteristics. Pencil hplograph by Delmer Daves on legal paper.1 page7/3/42c.) Family Circle article “Broad-ways Best Celler”.3 pagesN.D.d.) Outline of cast vs. appearances, ink holograph by Delmer Daves on “Ritz Tower” stationary.1 pageN.D.e.) Script for act by Elsa Maxwell. Ribbon typescript. 3 pages Top right 1st page: signed by Delmer Daves in pencil.N.D.f.) Notes on character types by Delmer Daves. Pencil holograph on 16 m.o.1 page8/17/42g.) Autographed letter signed: Edytye Freeman to Delmer Daves re: story she wrote about Canteen.1 pageN.D.h.) Autographed letter signed: Noel Mills to Delmer Daves re: anaectress looking for a part. Enclosed with above: clipping from Sunday Mirror Magazine on Miss Mills.2 pagesN.D.i.) Notes [by Delmer Daves] in ink holograph on “Ritz Tower” stationary.1 page8/12/42j.) Western Union telegram: Valarie Hayes to Delmer Daves re: question concerning Canteen.N.D.k.) Stage Door Canteen stationary- lists committees.N.D.l.) Form for application to American Theatre Wing War Service, Inc. (included Eanteen)8/17/42m.) Autographed letter signed: Shirley H. FFine to Delmer Daves re: experiences in Canteen.7/24/42n.) Typed letter: Antoinette Perry to Helene Dumas and Nabcy Douglas re: American Theatre Wing operations. Carbon typescript.4 pageo.) 3×5" card: adress of Col. W. Mason Wright, Jr.N.D.p.) Jokes by Ed Wynn for use at Canteeb. Ribbon typescript.1 page1943Destination Tokyo, (Warner Brothers)1416N.D.“Via U.S. Sub to Japan- and Back” by a Navy submarine skipper as told to Stanton Delaplane. Mimeo-with frequent pencil underlinings and holograph notations.32 pages14173/15/43“West to Japan”, copy of article in Life magazine. Carbon typescript.6 pages14187/31/43Complete shooting script with changes. Mimeo- with scattered pencil and ink holograph additions and deletions. ca. 165 pages Included in above: copy of 23rd Psalm. Carbon typescript. 1 page1516/20/43Script- Part 1. Mimeo- 94 pages, with scattered pencil additions. Front cover: `D. Daves' in pencil holograph probably by Daves top left of page.1527/31/433rd revised temporary script. Mimeo-and carbon typescript with occasional pencil holograph notations. Carbon typescript. ca. 147 pages; Mimeo- ca. 14 pages153N.D.“Destination Tokyo” story by Steve Fisher, screenplay by Delmer Daves. (yellow mimeo copy)Mimeo- 178 pages154N.D.Screenplay by Delmer Daves. Carbon typescript with scattered pencil, holograph changes.156 pages1555/13/43Revised treatment of synopsis by Delmer Daves. Mimeo- 28 pages Front cover: `Delmar Davies' in ink holograph top left of page.1564/6/43Treatment by Steve Fisher. Mimeo- with scattered pencil holograph changes.42 pagesN.D.Story notes, including pencil and ink holograph, ribbon and carbon typescript.157Pencil and ink holograph notes probably by Delmer Daves:ca. 60 pages

(also: note to Commodore Compton From Mary Elliot

158Ribbon typescript notes:ca. 23 pagesCarbon typescript, including:a.) Communication from Navy Department re: script changes,2 pagesb.) Comments on script by Comdr. E.E. Marshall, U.S. Navyc.) Series of poems on the Submarine Service, included within other materials.ca. 10 pagesd.) Remaining story notes.ca. 37 pages1594/12/43Permission granted to Delmer Daves byn Navy Department to visit Mare Island Navy Yard.4/22/43Autographed letter signed: Capt. C.B. Momsen to Delmer Daves: letterhead, “Commander Submarine Force, Pacif Fleet, Administration, Mare Island, California.3/25/43New York Herald Tribune article titled “U.S. Submarine Sank Japanese Underseas Ship”.3/23/40Saturday Evening Post article titled “Prisoner on A Submarine” by Hugo Bleiberg.4 pages5/20/43Inter-office communication: Delmer Daves to Steve Trilling re: regarding dispute of screen credits on “Destination Tokyo”. Carbon typescript.3 pages6/19/43Attached to inter-office communication: final cast list, from Phil Friedman to Daves, et al. Carbon typescript, initialed by Friedman on bottom of page in blue pencil.1 page6/5/43Tentative cast list: from Phil Friedman to Daves, et al. Carbon typescript, initialed by Phil Friedman on bottommof page in blue pencil.1 pageN.D.“Officers and Men- USS Copperfin”, East list. Ribbon typescript 1 page, mimeo 1 page.N.D.Miscellaneous lines, jokes, and dialogue ideas, with a pencil holograph notation “From Jerry” [Wald] or [Comdr. Dyson]. Ribbon typescript.9 pages15106/19/4 0Postal Telegram: T.C.Wright (Warner Brothers) to Chuck Hansen with production unit. On verso: ink holograph [pllne schedule] by Delmer Daves.N.D.Miscellaneous2notes, pencil and ink holograph by Delmer Daves, including sketch of submarine. On quarto and various sized scraps.5 pagesN.D. TestTest scene by Delmer Daves. Ribbon and carbon typescript copies.6 pagesN.D.Test scenes for “Mike and the Kid”, “The Captain”, “Pills”, “Wolf”, and “Tin Can”. Carbon typescript with scattered pencil holograph noyations.15 pages8/25/43Los Angeles Evening Herald-Express: article by Jimmy Star about1Delmer Daves.5/43Ink sketches and floor pland of submarines by Delmer Daves, with a notation in ink holograph: “Sketched from S. type submarine, Mare Island May 1943, Delmer Daves”4 pages1511N.D.“Queries by Delmer Daves”. Questions on actions of script. Ribbon typescript with occasional pencil and ink holograph notations. 11 pages Included with above: Cast of characters in pencil holograph. 2 pages1512N.D.a.) Directorial notes by Delmer Daves. Ribbon typescript with pencil sketch of submarine on 1st page. pages Top right corner 1st page: “Delmer Daves-(since I never directed a test scene before. I had a lot to cram fast!)” written in ink holograph by Delmer Daves.b.) Pencil holograph notes [by Delmer Daves] on 16 m.o.6 pages161N.D.Advertisement for new book by Tom E. Manners- Song of Seas and Tall Ships.1617/8/43Inter-office communication: T.C. Wright to producers and directors re: eliminating continuity sketches. Mimeo, on octavo. 1 page1626/11-6/13/43Pencil and ink sketches of scenes made at Mare Island by Delmer Daves. Each page has 6 sketches 2×2-5/8. Some sketch work on verso of pages, and 2 pages of sketches on complete pages.ca. 109 pagesN.D.163a.) List of camera shots, each with corresponding 2×2-5/8 photocopy of ink and watercolor scene sketch. 4 to a page, on 4×10" sheet of photographic paper. Ribbon typescript.27 pages164b.) List of camera shots, identical to `a.'. Carbon typescript with occasional pencil holograph notations.27 pages1655/14/43Summary of scenes to be shot that require Navy cooperation.4 pagesN.D.Revised camera shot breakdown. Ribbon typescript.6 pagesN.D.List of photographicand information required. Carbon typescript.1 pageN.D.List of camera shots at different locations.Mimeo- 4 pages (2 copies)1665/25/43Scene breakdown of revised temporary script.Mimeo- ca. 144 pages1671943“At work on Destination Tokyo”. Photograph (8×10") of Johnny Garfield, Delmer Daves, Art Lueker, Jerry Wald.N.D.Enlarged (8×10") photocopies of ink and watercolor scene sketches.30 prints1681943Galley proof (first edition) of Battle Below, The War of the Submarines by Robert J. Casey.ca. 127 pages1944The Very Thought of You (Warner Brothers)171N.D.Complete shooting script, screenplay by Alvah Bessie and Delmer Daves from an original story by Lionel Wiggins. Mimeo- with occasional pencil holograph changes, and continuity sketches by Daves in some margins and on verso of same pages. All sketches in pencil, and most 1 ×1½. Included with original script are revisons, also mimeo, on blue paper, with dates of 3/3, 3/4, 3/9, 3/14, 3/21, 3/30, and 4/10/44. Total pages: ca. 190 On verso last page: list of 17 names in pencil holograph probably actors being considered for potential roles in movie. Front cover: typed below title, “Shooting script- with my continuity sketches here and there, primitive rubber-stamp apertures”.17210/4/43Revised temporary script by Alvah Bessie. Mimeo- with some casting suggestions in red pencil holograph on `cast of characters' page. ca. 150 pages Title page: note by Delmer Daves in ink holograph “This is the first script sent to me on completeing “Destination Tokyo”-I liked the love theme, loathed the slum clearance aspect-conferences resulted in 2nd rev. temp. (see) but was still wrong for me-so Jerry Wald asked me to write a final version (see shooting script)” Front page: hand-lettered in ink [by Delmer Daves] “Alvah Bessie Draft #1 (New York City Version), and in pencil holograph top of page, `Jerry Wald' [signiture].1732/3/442nd revised temporary script, screenplay by Alvah Bessie. Mimeo-with pencil shading along margins denoting `Daves' material. ca. 160 pages Introductory page: note by Delmer Daves in ink holograph, “This script was rejected by Warner and Wald-I was asked to do a rewrite and given complete freedom to reject or retain material from this-in the shooting script I wrote I retained 37% of this script in feeling or fact (marked). I had objected to the New York `slum clearance' confusions of the 1st draft-but he changed only to Pasadena at my suggestion as director assigned and too few of my other suggestions-so final screenplay=63% Daves script/37% Bessie-” Fronttcover: ink holograph top of page [by Delmer Daves] “Alvah Bessie Draft #2 (Pasadena)”.1944Hollywood Canteen (Warner Brothers)174N.D.Photographs (8×10") of ink and charcoal sketches for camera shots.19 prints175N.D.Pencil sketches of scenes by Delmer Daves. Each page has 12 sketches, (1-7/8×2-3/8), most sketches labeled in pencil holograph.26 pagesN.D.Cast lists for men and women. Ribbon typescfipt. 2 pages (includes numerous Hollywood `stars')17610/15/43Temporary script, original screenplay by Delmer Daves. Mimeo-with scattered pencil and ink holograph additions and deletions, including some on verso of same pages. Included with original script are revisions, also mimeo, on blue paper, with dates of 10/29; 11/11; 12/10/43. Total pages: ca. 115 pages Pasted in front of title page: one scene (165) in carbon type-script, with pencil holograph changes.17711/27/43Staff and cast list. Mimeo-1 page Bottom of page: note by Delmer Daves, exact text as follows, “The production of “Hollywood Canteen” was postponed until 1944 when the Actors' Guild protested the use of stars in bit roles-demanding they be paid full salary, even if only appearing for one day!! Obviously impossible, -picture was postponed pending change of ruling. Made possible because of the 40% profits to the Canteen (the fund existed for some years invested and growing under Jules Steins' management)-Lasky left WB, so I made the 1944 version with Sottlieb “producer”-”17810/15/43Temporary script. Mimeo- includes same revisions as #6.ca. 115 pages17910/15/43Temporary script (same as #6 and #8)Mimeo- ca. 115 pages1942-45The Mississippi Belle (Warner Brothers)

Note by Delmer Daves on box: “This story was started and stopped twice-even though Cole Porter wrote fine score for it-the decline of the musical plus lack of singing star shelved it in 1945”

18111/27/42Outline for a musical picture based on the novel by Clements Ripley. Mimeo- 76 pages Front cover: `Delmer Daves' in pencil holograph [by Daves] across top right of page.182N.D.Notes on the original material plus the rough draft treatment. Ribbon typescript with scattered pencil holograph additions and deletions, including 1 page of pencil holograph notes by Delmer Daves.ca. 139 pages183N.D.Research for film. Includes:a.) Floor plan of Mississippi steamboat. Photocopies(8½×11") 2 pagesb.) Irish proverbs. Ribbon type-script.3 pagesc.) Research notes for “Mississippi Belle”. Ribbon typescript.ca. 23 pagesd.) Irish exerpts from “O'Malley of Shanganagh”. Ribbon typescript.3 pagese.) Miscellaneous notes. Ribbon typescript. 2 pages Last page: `Mississippi Belle' in ink holograph as title.18411/3/42Revised treatment by Delmer Daves. Carbon typescript.22 pages185-711/2/42Treatment by Delmer Daves. Carbon typescript. 101 pages (3 copies of this treatment, all identical)1945Pride of the Marines (Warner Brothers)18810/15/43Sergeant Schmidt - Marine by Roger Butterfield. M. with “Wald 10/22/43” hand-lettered in pencil on title page.ca. 109 pages.1891942-1943Al Schmidt Correspondence in scrapbook.a) Copies (carbon typescript) of letters to Ruth Hartley (Schmidt's fiancee) and letters to his relatives.ca. 33 pages.b) Copies of newspaper articles on Schmidtca. 40 pages.c) 2 photocopies of newspaper articles on Schmidt and friends.18109/12/44Screenplay by Albert Maltz, adaptation by Marvin Borowsky. Carbon typescript ca. 177 pages. Inside back cover: pencil holograph notes by D.D.1811NDScreenplay by Albert Maltz (unbound). M. with occasional pencil holograph changes.ca. 163 pages.19110/4/44Revised temporary script. M with scattered pencil holograph additions and deletions. ca. 189 pages. Front cover: “Delmer Daves” hand lettered in pencil on top left of page.192, 3, 410/24/44Incomplete final script - screenplay by Albert Maltz from biography by Robert Butterfield. M. ca. 125 pages. Title page: note by DD in ink holograph exact text as follows: “I had numerous suggestions on reading Albert Maltz's October 4, 1944 script - mostly regarding the love scenes - and the need for rough humor amongst the Marines, especially after wounded - Albert said he wasn't good at this, suggested I take over the `sentiment and humor' re: writing - so I did - his commentary on my version follows - (see final shooting script)”

Part I 50pp.

53pp

1/28/44

Part II

11/1/44 17pp.

Part III

19512/2/44Suggestions and criticisms by Albert Maltz. Typed letter signed: Albert Maltz to Jerry Wald. Followed by criticisms: carbon typescript, with scattered holograph notations in charcoal pencil. 18 pgs.196NDComplete shooting script with changes. M. with FPpNAD including some scene sketches (1 × 1 1/2") in margins. Included with original script are revisions, also M., on blue paper with dates 2/8/44 (ca. 39 pgs. of changes).Total script: ca. 162 pgs.

ALSO — 1 page of sketches and notes

197NDInk and charcoal sketches of scenes. 12 per page, 1 7/8 × 2 3/8" each.53 pages.198NDPhotograph (5 × 7") of John Garfield-star of movie.1996/26/45Dialogue transcript copyright 1945. M. Legal. 65 pages. Front cover: “Jerry Wald” in pen top left page. Date “June 26, 1945” in pencil top left.1910ND20 BW photographs of N.Y.C. (3 - 5 × 7 in. ; 17 - 5 × 8 in.). with numbers and some scene references and descriptions in ink.1911NDPhotocopies (8 × 10"), BW, of scene drawings. 6 prints, 2 with typed explanation on vso..1912ND“This Love of Ours” (Pride of the Marines) - Guadalcanal sequence transcriptions by Katherine Lewis. Reels #1 - 3. C. Legal.8 pgs.11/1/44IOC T. C. Wright from DD re: scene shots. C. with pencil numbers and “with principals” added.4 pgs.11/2/44IOC DD to T. C. Wright re: list of sets. C.1/4/45IOC T. C. Wright to all producers and directors re: keys and steriopticon shots. C.4/30/45IOC DD to Jerry Wald to Charles Einfeld re: changing title.12/23/44Crossroads, A. A. F. Redistribution Station No. 4. Vol. 1, No. 5.NDOutline and development of story by scenes.9 pgs.1945Task Force, Part 1 (Warner Brothers)19135/9/45Typed letter: George [Boggs] to Jerry Wald and Delmer Daves re: Navy films. Carbon typescript.9 pages5/10/45Typed letter: George [Boggs] to Jerry Wald re: Navy film. Carbon typescript.6 pages5/13/45Typed letter: George [Boggs] to Jerry Wald. Carbon typescript. 7 pages5/14/45Typed letter: H.B. Miller (Secretary of the Navy-Director of Public Relations), to Chief of the Bureau of Aeronautics re: selecting of classified Navy film for use by Warner Brothers. Carbon typescript.1 page5/15/45Typed letter: George [Boggs] to Jerry Wald re: Navy films. Carbon typescript.4 pages5/16/45Typed letter: George [Boggs] to Jerry Wald re: Navy films about Japanese suicide missions. Carbon typescript.2 pages5/16/45Typed letter: H.A. McDonald, Comdr. USN(ret.), to Chief, Bureau of Aeronautics re: request for stock film. Carbon typescript.1 page5/18/45Typed letter: George [Boggs] to Jerry Wald re: Navy films. Carbon typescript.2 pages1914N.D.Description of sequence with Secretaty of State, Charles Evans Hughes, the Under-Secretaly, and 3 Assistant Secretarys leaving the State, War, and Navy Buildings. Carbon typescript.3 pages6/1/45Typed letter: George [Boggs] to Jerry Wald re: Navy films. Carbon typescript.3 pages5/22/45Typed letter: George [Boggs] to Jerry Wald re: Navy films. Carbon typescript.3 pages6/25/45Typed letter: David Hopkins, Lieut., USNR, to Jerry Wald re Navy films. Carbon typescript.2 pages6/25/45Typed letter: David Hopkins to Jerry Wald re: research material. Carbon typescript.2 pages6/21/45Typed letter: George [Boggs] to Jerry Wald re: footage from “Pathe”, 1920's. Carbon typescript.4 pages6/15/45Typed letter George Boggs to Jerry Wald re: Navy films. Carbon typescript.3 pages6/4/45Typed letter: George [Boggs] and Earl Colgrove to Jerry Wald re: Navy films. Carbon typescript.2 pagesN.D.8 sketches of LSO signals.1 page1915N.D.“Air Force”- list of selected stock film.Mimeo- 21 pages2014/19/45Feature film reviewed and selected by Delmer Daves; list and detailed description of shots. Carbon typescript.ca. 50 pages202N.D.“Notes on Naval Aviation-Its Problems, Etc. From 1922”. Author unknown. Ribbon typescript.20 pages2037/26/45Statement by Lt. Jensen on Midway and Task Force 58. Carbon typescript with scattered pencil changes.6 pages10/3/45List of positions in any CV*9 Class CIC (nerve center of Task Force). Carbon typescript.8 pages9/26/45“Passing of the Word During Ships' Routine”. Ribbon typescript.1 page10/25/48Typed letter signed: Lt. Comdr. Richard Winn, USNR, to George Dorsey re: enclosed copy of Navy Day address by Vice-Admiral Carney.1 pageN.D.Notes on 4 nautical statistics. (3"×5" paper) Hand-lettered in pencil.1 page10/21/48“Fighter Squadron 152”- flight schedule submitted by Lt. Charles Baumeister. Mimeo- 1 page On verso: service and home add dress of two naval officers, hand-lettered in ink.204N.D.Suggested CIC operations. Ribbon typescript with frequent pencil holograph notes, changes, and deletions.11 pages10/3/45Positions in CV-9 Class CIC operations. Carbon typescript.16 pages205N.D.“Pilots and Aircraft Totals by Years-1911 to 1944”. Ribbon typescript.1 page6/44“America's Prime Weapon-Carrier Based Aviation” by Rear Admiral Dewitt C. Ramsey. (reprint from Aviation magazine) Ribbon typescript.4 pages1/42“VPB-The Patrol Bomber” by Rear Admiral John S. MECain (reprint from Flying and Popular Aviation). Ribbon typescript.3 pages1/42“VF-The Fighter” by Lt. Comdr. John B. Pearson, Jr. (reprint from Flying and Popular Aviation). Ribbon typescript.4 pages6/7/45Attached with above: Navy news release: “TigerCat is New Navy Twin-Engine Fighter Bomber”.Mimeo- 1 page1/42“VSB-The Scoyt Bomber” by Lt. Comdr. J.N. Murphy (reprint from Flying and Popular Aviation). Ribbon typescript.3 pages1/42“VT-The Torpedo Plane” by Lt. Comdr. Steadman Teller (reprint from Flying and Popular Aviation). Ribbon typescript.3 pages1/42“VOS VSO-Observation and Scouting” by Lt. Comdr. M.K. Fleming (reprint from Flying and Popular Aviation). Ribbon typescript.2 pages6/15/45Attached with above: Navy news release, “Navy's New Observation Scout Plane Undergoes Baptism In Borneo Invasion”.Mimeo- 3 pages206..Folder containing:a.) Information on 6 U.S. carriers. Ribbon typescript.1 pageb.) Short biography of 2 Navy career officers. Ribbon typescript.1 pagec.) Organizational structure list of Carrier Air Department! Ribbon typescript.1 paged.) Arguements against carriers and carrier planes. Ribbon typescript.1 pagee.) Chronicle of U.S. history by years, 1921-1944. Each yearly report includes fashions, finances, domestic and foreign policy, and naval status.ca. 67 pgs.NDWashington and N. Y. Interviews with various Navy personnel. SpNA.3 pgs.208ND“The Returning Servicemen” by Max Silverstein, Council of Social Agencies, Los Angeles. Paper prepared for the Writers' Congress seminar. M.6 pgs.2097/16/48“Naval Aviation and the Influence of its Missions on Carrier Based Aircraft” - speech made at Annual Summer Meeting, Institute of the Aeronautical Sciences, Los Angeles, by Rear Admiral T. C. Lonnquest, U. S. Navy. M.15 pgs.20107/10/48“Sea Power for Peace” - address delivered before the Chautauqua Institute by Vice-Admiral A. W. Radford. M.7 pgs.20118/4/48Address by Rear-Admiral T. C. Lonnquest before Aviation Division, N. Y. Board of Trade. M.6 pgs.20126/30/48“The Fast Carrier Task Force” - remarks by Rear-Admiral R. A. Ofstie before the Metropolitan Section, Aviation Writers Association, M.11 pgs.20136/1/48Statement of the Honorable John L. Sullivan, Sec. of the Navy, before the Senate Armed Services Committee. M.6 pgs.2014ND [2/13/45]Research notes on “Carrier Story.” Includes: “Carrier Story” by Max Miller; notes about Navy wives by Dorothy Bonney; “Keep Fleet,” Says Rayburn (reprint of newspaper article); “The Story of McCluskey” - notes by DD. M.ca. 219 pgs.2015-16NDPreliminary compilation and research material for “Task Force.” Prepared under the direction of Herman Lissauer - Head of Research Department, by James A. Smith: -- copy of contents following -- approximately 35 typed copies of articles plus relatec photos.

See Contents on next page

211NDNotes on activities and operation of radio and radar room. Pencil. Legal.22 pgs.212Washington and New York Interviews, Delmer Daves.3 pages2115“Will We Choose Naval Suicide Again?” Statement by the Honorable James Forrestal, Secretary of the Navy. United States Government Printing Office, 1944. 12 pages Included in above: photograph (8×10) of Forrestal.

also included - Title page, of item # 43 Contents pages(2), and 1"×3" tag that was on the outside of original notebook

A Navy Flyer's Creed. Carbon typescript.1 pageBackground for War. 1853-1941. Ageton. Naval Officer's Guide. Carbon typescript.7 pagesJapanese History, 1914-1936. Yakhontoff. Eyes on Japan. Carbon typescript.1 pageThe Lansing-Ischii Agreement, 1917. Bisson. American Policies in the Far East. Ribbon typescript.1 pageBackground for War. Wilson's attitude toward Russia. Villard. Fighting Years. Carbon typescript.1 pageRussian Revolution. Barnes. History of Western Civilization. Carbon typescript.1 pageWashington Treaty, 1922-23. Banning. The Fleet Today. Bisson. Op. Cit. Bailey. A Diplomatic History of the American People. 2 pictures (8×10). 1 picture (13×18) from the “Illustrated London News”, Dec. 10, 1921, pages 786-87. Carbon typescript.2 pages18 pictures (8×10): people and places involved in Washington Disarmament Conference of 1922.Japanese Exclusion. Harcourt-Smith. Fire in the Pacific. Bailey. Op. Cit. Carbon typescript.1 pageMorrow Board. Nicholson. Dwight Morrow. Carbon typescript. 1 page Included in above: 11 pictures (8×10) of Morrow Board and Senate Investigating Committees.Tanaka Report, 1927. Henderson and Morris. War in Our Time. Carbon typescript. 2 pages Included with above: 2 pictures (8×10) of Tanaka and Chinese war-lord.Briand-Kellogg Pact, 1928. Dictionary of American History. Carbon typescript. 1 page Included with above: 3 pictured (8×10) of signing of Pact.London Treaty, 1930. Banning. Op. Cit. Barnes. Op. Cit. Carbon typescript.1 pageJapans Foreign Policy, 1931. Muir. A Brief History of Modern Times. Carbon typescript.1 pageBlack Dragon Society. Henderson and Morris. Op. Cit. Carbon typescript. 1 page Included with above: 6 pictures (8×10) of Japanese leaders.Genesis of World War II. Japan conquers Manchuria. 1931. Henderson and Morris. Op. Cit. Carbon typescript. 2 pages Included with above: 3 pictures (8×10) of Henry L. Stinson; extent of Japanese conquest in 1932; Japanese leaders.World Disarmament Conference at Geneva, 1932. 3 pictures (8×10); 1 picture (12½×18½) from “Illustrated London News”, Feb. 20, 1932.Quotations: Senator Pittman and editorials, 1935. Premier Okada, 1936. Takahashi, 1936. Hirota, 1938. Nye and Vandenberg, 1940. Rhee. Japan Inside Out. Carbon typescript2 pagesTreaty of Berlin, 1940. Roosevelt's Foreign Policy. Carbon typescript.1 pageTojo, Konoye, Hirohoto, etc.9 pictures (8×10).Japan's “Seven Points” of 1941 listed. Brown. Suez to Singapore. Carbon typescript.1 pageMiscellaneous Quotations: Japanese Army pamphlet, Normura, etc. Byas. The Japanese Enemy. Carbon typescript.2 pages2116Roosevelt's Foreign Policy. Memorandum on bombing of the Panay, Sept. 1941. Declaration of War, etc. Roosevelt's Foreign Policy. Carbon typescript.2 pagesQuotations: Tokyo and Matsuoka. 1941. Roosevelt's Foreign Policy. Carbon typescript, 1 page Included with above: 6 pictures (2=8×10, 4=snapshot size) of Japanese political leaders.Pearl Harbor.6 pictures (8×10).Brief Naval History, 1921-30. Armitage. United States Navy. Carbon typescript.4 pagesNaval Aviation: Outstanding Men and Events. Carbon typescript. 2 pages Included with above: 5 pictures (8×10).Statistics on naval aviation development, etc. Armitage. Op. Cit. Carbon typescript.2 pagesNorth Island, San Diego. Hotel del Coronado.8 pictures (8×10).5 pictures (8×10): U.S. Navy officers.Aircraft Carriers. Banning. Op. Cit. Carbon typescript2 pagesCarrier Chatter. Collier's. November 27, 1943. Carbon typescript.1 pageBattle of Midway. The Navy at War. Carbon typescript.1 pageLangley, Jap Bomb Victim. “Los Angeles Times”. Carbon typescript.1 pageNaval Construction. Henderson and Morris. War in Our Time. Carbon typescript.1 pageLangley, Saratoga, Lexington and a few modern carriers. 35 pictures (8×10). 23 prints and 12 photocopies. Also: 2 photocopies (8½×13½) of carriers Lexington and Saratoga.Portfolio of Navy planes.21 pictures (8×10).Miscellaneous: French carrier Bearn, 1928. American gunboat patroling Yangtze, 1927. Reception room door, Secretary of the Navy.3 pictures (8×10).Nomenclature of Japanese warships. Launer. The Enemy's Fighting Ships. Carbon typescript.1 pagePrelude to World War II. “Arrest of the Six” by I.F. Stone. Nation. 1945. Carbon typescript.1 pagePortfolio of Ubiforms. Uniform Regulations. United States Navy. 1922. And designs by M.O. Best. Warner Brothers.47 pictures (8×10).213N.D.Screenplay by Ranald MacDougall. Mimeo, ribbon, and carbon typescript with scattered pencil holograph changes throughout. Mimeo- ca..132 pages Carbon typescript- ca. 79 pages Ribbon typescript- ca. 18 pages214N.D.“Aircraft Carrier Story”- index. (14 point historical outline) Carbon typescript.15 pages2156/15/45“Young Aviators” characterizations by Lt. Jensen. Carbon typescript.5 pages2162/23/45“Notes on a Fictitious But Typical Career of a Young Pilot Who is Reporting to Aircraft Battle Force in 1922 Having Just Graduated from Pensacola”. Carbon typescript.5 pages2175/24/45Notes: “Rough Outline-Battle Sequence” by Capt. Mort Seligman, USN(R). Carbon typescript.14 pages218N.D.Bibliography[?] Carbon typescript.1 page219Copies of Memorandums on “Task Force” from Mort Seligman to Ranald MacDougall. All Carbon typescript.5/2/45re: folding wings of aircraft on carriers.1 page4/3/45re: Air races.1 page3/7/45re: Possible talk by squadron commander to new pilots when they report for duty.1 page 2 copies - one Ribbon Typescript2/26/45re: Naval appropriations.2 pages 2 copies - one Ribbon Typescript3/16/45re: Navy pilots moonlighting as test pilots.1 page 2 copies - one Ribbon Typescript3/12/45re: Admirals wife.1 pageN.D.re: Notes on `Washington Conference on the Limitations of Armaments' held Nov. 1921-Feb. 1922.5 pages 2 copies - one Ribbon Typescript4/10/45re: Application of Washington Conference to own story.2 pages2/23/45re: Phases of carrier picture.21102/22/45“Naval Aviationsand Its Problems, Etc. From 1922”. Carbon typescript.18 pages21116/28/45Temporary script-part 1. Mimeo-65 pages Front cover: `Delmer Daves' in pencil holograph top of page.21128/27/45Screenplay by Ranald MacDougall. Carbon typescript. 189 pages Front cover: `Wald' hand-lettered in ink top of page.21135/31/45Screenplay by Ranald MacDougall, pages 1-13 and cast of characters. Carbon typescript with pencil holograph notes.ca. 15 pages21147/2/45Screenplay by Ranald MacDougall from material by Capt. Mort Seligman, USN(R). Incomplete. ca. 38 pages Front cover: `Delmer Daves' in ink holograph [by Daves] top of page.21155/4/45Temporary script by Ranald MacDougall. Carbon typescript with scattered red and blue pencil additions. 65 pages Front cover: `Delmer Daves' hand-lettered in pencil top of page.21165/3/45Revised synopsis of opening sequences. Carbon typescript.8 pages2117N.D.Notes for the 2nd draft of “Task Force”. Carbon typescript.2 pages2118Compiled notes:a.) “Carrier Story Progress-Possibble Sequences”. Ribbon typescript.1 page

Part A

b.) “Aircraft Carrier Story”-index. Ribbon typescript with ink holograph notations.1 pagec.) Notes on “Task Force” with dates of 4/20, 5/3, and 5/25/45. Ribbon typescript.ca. 24 pagesd.) “Lt. Jonathan Scott, Personal Story”. Ribbon typescript.8 pages2119e.) Scene breakdown and synopsis. Ribbon typescript with scattered pencil and ink holograph notations.ca. 47 pages

Part B

5/22/452120f.) “My Favorite War Story” by Moscrip Miller. Ribbon typescript.3 pages

Pt. C

g.) Signed memo: Oliver Jensen to Jerry Wald re: outline of fictitious final battle for “Task Force”. Ribbon typescript.1 page5/15/452121h.) “Preliminaries-at anchor, Autumn, 1945” by Lt. Jensen. Ribbon typescript.ca. 41 pages

Pt. D

2122i.) Flagship bridge-Geography. Ribbon typescript.3 pages

E

5/24/45j.) “Rough Outline of Battle Sequences” by Mort Seligman. C Carbon typescript.12 pagesK*N: re: M.A. Mitscher, Navy Officer.7/16/44k.) Baltimore Sun- article by E.T. Baker. Ribbon typescript.4 pages

all part of one “article”

7/16/44l.) Philadelphia Record- article by Lief Erickson. Ribbon typescript.2 pages

all part of one “article”

1/29/42m.) Navy Department-Biographical Section. Ribbon typescript.2 pages

all part of one “article”

11/21/44n.) Navy Department Press Release. Ribbon typescript.1 page

all part of one article

o.) “Jumping Joe Clifton”. Ribbon typescript.3 pages5/25/45p.), “Carrier Chaplain” by Lt. Jensen. Carbon typescript.11 pages5/25/45q.) “Chief Petty Officer-Flight Deck” by Lt. Jensen. Carbon typescript.4 pages5/25/45r.) “Doctor” by Lt. Jensen. Carbon typescript.3 pages5/18/?s.) Newspaper clipping: “Mates Rescue Flyers Downwed Amid Jap Ships in Enemy Sea” by Grant McDonald.21237/30/45“Task Force” (from Washington D.C. to end) - outline of sequences. Carbon typescript.4 pages221N.D.“Aircraft Carrier” story notes by Ranald MacDougall with Capt. Seligman. Research notes by James Smith re: exact chronology of a fictitious Navy admiral. Carbon typescript.43 pages2229/28/45“Comments by J.S. Thack” re: “Task Force”. Ribbon typescript.19 pages2233/12/45Memo: Mort Saligman to Ranald MacDougall re: “Task Force”. Carbon typescript.1 page224N.D.Scene breakdown and synopsis. Carbon typescript. 40 pages 1st Page: `Daves' hand-lettered in red pencil top of page.22510/2/48Typed letter signed: Olle Comstedt to Delmer Daves re: obtaining information about mining.2262/23/45“Notes on a Fictitious But Typical Career of a Young Pilot Who is Reporting to Aircraft Battle Force in 1922 Having Just Graduated from Pensacola”. by Mort Seligman. Ribbon typescript.3 page2274/4/45“Aircraft Carrier”- story notes (parts 1,2,3). Mimeo- with occasional pencil and ink holograph changes and notations. 120 pages Front cover: `Task Force!' hand-lettered in pencil above title. `Wald' in ink holograph at top of page.2286/11/45Forward and story outline. Mimeo-with occasional pencil and ink holograph notations and changes. 21 pages Included with above: additions to story outline. Ribbon typescript. 3 pages2295/10/45“Principal Personel Involved In Carrier Story”. Carbon typescript.4 pages2210N.D.Locations and outline of scemes. Carbon typescript.ca. 28 pages22113-7/45U.S. Navy film footage reviewed and selected by Delmer Daves. Carbon typescript with `Daves' in pencil and ink at top of some pages.ca. 231 pages22123/9/45Memo to Ranald Mac Douglas Subject: Carrier Story22134/3/45Naval Aviation Notes 1946The Red House (Lesser-United Artists); 1948 A Kiss In The Dark (Warner Brothers).2214N.D.“Pete's Story” (The Red House) story notes by Delmer Daves. Ribbon typescript. 15 pages 1st page: `The Red House-D.D.' hand-lettered in ink at top of page.22154/14/46“The Red House” screenplay by Delmer Daves. Mimeo- with occasional pencil scene sketches in margins, and pencil holograph c changes. Included in screenplay: changes on blue paper with dates of 5/21, 5/22, and 5/24/46-12 pages; changes in carbon typescript 4 pages. Total screenplay:ca. 135 pages2216N.D.“A Kiss in the Dark” shooting script by Delmer Daves; original screenplay by Harvey Kurnity from the story “Cleopatra Aims” by Everett Freeman-1948. Mimeo- with scattred pencil scene sketches in margins and on verso of pages 136 and 139, and pencil holograph changes. Included in script: changes on pink paper with dates of 3/17, 3/25, 4/1, and 4/5/48; ca. 34 pages. Total screenplay:ca. 139 pages1946-47Dark Passage (Warner Brothers)221711/18/46Typed letter signed: Jerry Wald to Delmer Daves re: shots needed. On Warner Brothers stationary with some pencil holograph additions.2 pages11/19/46Typed letter signed: Jerry Wald to Delmer Daves re: report on quality of completed shots. On Warner Brothers stationary.2 pages11/21/46Typed letter signed: Jerry Wald to Delmer Daves re: report on quality of completed shots. On Warner Brothers stationary.2 pages22189/27/46San Francisco location, scene descriptions-Dick Mayberry. Ribbon typescript.10 pages22199/28/46Inter-office communication: Ken Cox to W.L. Guthrie re: San Francisco scene locations. Carbon typescript.3 pages22209/17/46Set descriptions by Carl J. Weyl, Art Director. Carbon typescript.2 pages22219/27/46San Francisco location, scene descriptions-Dick Mayberry. Carbon typescript.10 pages2319/30/[46]Western Unoin Telegram: Jack [Warner] to Delmar Daves.232N.D.Brown copies (similar to blueprints) of sketches, outlined in red and orange crayon, of floor pland for sets in “Dark Passage”.8 pages233N.D.“Observations of the Camera Acting as a Person-Dark Passage”. Ribbon typescript. 4 pages 1st page: `Appendix to Technical Notes' hand-lettered in pencil top of page.234N.D.Notes on experimental camera work. Carbon typescript.1 page23510/22/46Inter-office comunication: Delmer Daves to all departments re: technical notes.Mimeo- 28 pages236N.D.Brown copies (similar to blueprints) of sketches, outlined in red and orange crayon, of floor plans for scene layouts.a.) 8½×11"9 pagesb.) 13×15½"1 pagec.) 8½×14"4 pages2376/5/46Typed letter (copy): Joseph I. Breen to J.L. Warner re: censoring “Dark Passage”. Ribbon typescript.3 pages10/17/46Typed letter (copy): Joseph I. Breen to J.L. Warner re: censoring “Dark Passage”. Ribbon tyupescript.2 pages23810/18/46Inter-office communication: Phil Friedman to arner, Trilling, Wald, Wright, Kumin, Levinson, Westmore, Hansen, Mayberry. Initialed by Phil Friedman at bottom of page. Carbon typescript.1 page2399/24/46Typed letter signed: Clinton T. Duffy (Warden, San Quentin Prison) to Kenneth Cox.re: permisson to take a long shot motion picture of prison. Carbon typescript.1 page2310N.D.Miscellaneous pages of dialogue. Ribbon typescript.3 pages2311N.D.Cutting notes from David Weisbart from Delmer Daves. Carbon tyupescript.10 pages2312N.D.a.) Cast and credits.Mimeo- 1 pageb.), Synopsis of story.Mimeo- 1 pagec.) Production notes.Mimeo- 4 pages231310/18/46Index to scene breakdown.Mimeo- ca. 85 pages23145/46Screenplay by Delmer Daves from the novel by David Goodis. Carbon typescript.131 pages23155/24/46Screenplay by Delmer Daves. Mimeo- with blue page changes dated 9/9/46. ca. 131 pages Ribbon typescript note by Delmer Daves on title page re: Jack Warners reluctance to use new camera technique (in which the camera was to be Bogart for the first part of the film); Bob Montgomery's use of this technique (borrowed from Daves) in his film “Lady of the Lake”, for which Montgomery got credit for originating a new camera technique; Daves' use-first ever- of the hand-held AERO-FLEX camera.231611/25/45a.) Story analyzed by Dorthea Cartwright Doe.Mimeo- 2 pages11/14/45b.) Story analyzed by Lenyth Soares.Mimeo- 15 pages231712/31/45Galley proofs of “Dark Passage” by David Goodis.ca. 75 pages1947To The Victor (Warner Brothers)

Note: 1-26 are bound together

2318N.D.“Delmer Daves”- biographical s sketches in French.Mimeo- 1 page6/20/47Inter-office communication: Alex Evelove to Delmer Daves. Ribbon typescript.1 page7/5/47Typed letter: Jerry Wald to Frank McCarthy. Carbon typescript.1 page7/5/47Typed letter: Jerry Wald to Rene Claire. Carbon typescript.1 pageN.D.Addresses: Andre Hakim and Frank McCarthy. Ribbon typescript.1 page6/25/47Additional possible shots to be made by Delmer Daves in Paris. Carbon typescript.1 pageN.D.Envelope (8¼×8) to Mr. and Mrs. Delmer Daves, Appt. 320/21 Hotel George V, Paris.6/30/47Shipping report for films, signed by Eaelene Hicks. Carbon typescript.1 page7/1/47Shipping report for films, signed by Earlene Hicks. Carbon typescript.1 page7/8/47Inter-office communication: William T. Orr to Dalmar Daves [sic] re: Miss Lisber. Ribbon typescript, on octavo, initialed by Orr. 1 page Included with above: 2 photographs (4×6") of Miss Lisber.7/11/47Western Union Telegram: Jack Warner to Mr. and Mrs. Delmar Daves [sic].7/11/47Western Union Telegram: Jerry Wald to Mr. and Mrs Delmer Daves.7/11/47Western Union Telegram: Milt Grossman to Delmer Daves.7/11/47Western Union Telegram: Milt Grossman to Delmer Daves.7/11/47Western Union Telegram: Milt Grossman to Delmar Daves [sic].7/8/47Typed letter signed: Jerry Wald to Delmer Daves re: addresses of contacts in Paris. On Warner Brothers stationary.1 page7/2/47Typed letter signed: Oliver Jensen to Jerry Wald re: asking to have Delmer Daves call on way through New York.7/8/47Inter-office communication: Sophie Rosenstein to Delmar Daves sic. re: French talent. Ribbon typescript.1 page7/12/47Typed letter signed: Jerry Wald to Delmer Daves. Ribbon typescript on Warner Brothers stationary. 1 page Included on page: Ink holograph notation probably by Wald “Best to the bunch”. On verso: Ink holograph note by `Lil', reporting on `Michael and Debbie' Daves' children.7/15/47Typed letter signed (in French): Mme. L. Rouiez, Secretaire-Andre Bernheim, to Delmer Daves re: photograph of Marcel Dailio. 1 page Included with above: envelope addressed to `Mr. Delmer Daves'.7/19/47Autographed letter signed: (in French): Christian Fontugue [to Delmer Daves] re: bringing a picture (tableau).N.D.Trip schedule: “Party of 7 people leaving for Chicago and Los Angeles. Ribbon typescript. 1 page On verso: Ink holograph note, “Del! Welcome back to Paree! Joe H.”10/24/47Inter-office communication: Delmer Daves to Jack Warner re: budget and time schedule of “Tom The Victor”. Carbon typescript.1 page10/31/47Typed letter signed: Joseph H. Westreich to Delmer Daves re: shipping painting out of France to be used in “To The Victor”. On Warner Brothers (Paris) stationary.1 pageN.D.Typed letter: H. Descombes to J. Westreich re: exportation of a painting for Mr. Delmer Daves.1 page11/26/47Typed letter signed: Joseph H. Westreich to Delmer Daves re: release of “To The Victor”.N.D.Breakdown of scenes with `studio needs'. Blueprint. ca. 37 pages (3 copies of above)2319Copy A2320Copy B2321Copy C241N.D.“Pre-planning Studio Use of Process Plates”- photographs (5×8") of locations, with their corresponding scene sketch. On quarto.ca. 29 pages2427/12/47Paris exteriors- locations and descriptions of needed shots. Ribbon typescript.29 pages2436/11/47Wardrobe chart.Mimeo- 15 pages244N.D.Paris shooting script, original screenplay by Richard Brooks. Mimeo- with occasional pencil scene sketches in the margins and on verso (most approx. 1½×2"), and pencil holograph additions and deletions.141 pages2457/1/472nd revised temporary script.Mimeo- 141 pages1948The 20th Anniversary Academy Awards written and directed by Delmer Daves246N.D.Floor plan of the Al Malaikah Temple in Los Angeles, Calif. (13½×17") Main floor and balcony.2 pages247N.D.“Director's Credit Bulletin 1946-47” Screen Director's Guild, Inc.15 pages248N.D.Program: “Series of Screenings of the Nominations for the 20th Annual Awards, Feb. 21-March 12, 1948”.2493/13/47Program: “19th Annual Academy Awards”.8 pages24103/13/47Revised tentative program for 19th Annual Academy Awards at Shrine Auditorium from William Cannon.Mimeo- 30 pages24111/13/48Agenda: Academy of Motion Picture Arts and Sciences Board of Governors meeting.Mimeo- 1 page2/19/48Agenda: Academy of Motion Picture Arts and Sciences Board of Governors meeting.Mimeo- 1 page1/13/48Notes by Delmer Daves on Board of Governors meeting. Ribbon typescript.1 page24121/12/48“The 20th Anniversary Academy Awards” suggested program by Delmer Daves.Mimeo- 22 pages2/20/48“The 20th Anniversary Academy Awards” revised program by Delmer Daves. Mimeo- 18 pages (3 copies of above)2413Copy A2414B2415C24163/12/48“The 20th Anniversary Academy Awards” revised by Delmer Daves.Mimeo- 19 pages2417N.D.“The 20th Anniversary Academy Awards” suggested program by Delmer Daves. Carbon typescript with occasional ink holograph notations.22 pages24181/13/4820th Awards budget summary. Mimeo- 6 pages 1st page: `Delmer Daves' in ink holograph top of page.2419N.D.Draft: Academy of Motion Picture Picture Arts and Sciences procedure for counting ballots under preferential system.Mimeo- 2 pages24205/25/48Booklet: “Report of the President to the Members of the Academy of Motion Picture Arts and Sciences”.12 pages2421N.D.Booklet: “20th Annual Academy Awards Rules for the Conduct of the Balloting”.16 pages24221/1/48Booklet: “By-laws of the Academy of Motion Picture Arts and Sciences”.15 pages2423N.D.Booklet: “20th Annual Academy Awards for Achievements During 1947-Reminder List of Elgible Released Durung the Year. 24 pages (2 copies)24241/15/48Typed letter signed: Ralph Staub to Delmer Daves re: `Screen Snapshots!.1 page24251/9/48Academy of Motion Picture Arts and Sciences 1947 obituary list, secured from Variety magazine. Ribbon typescript.3 pages242612/9/48Typed letter signed: Memorandum, Margaret Herrick to Delmer Daves re: 20th Academy Awards.1 page1948Task Force, Part 3 (Warner Brothers)242710/22/48Final (shooting) script. Mimeo- with scattered pencil and ink holograph additions and deletions and some ink scene sketches in margins. Holograph notes on title page, and `ship' dialogue in pencil, taped over cast of characters page. 131 pages Included with above: Notes on `ship' dialogue in pencil (5½×8" paper). 2 pages b.) Receipt from Union Oil Co.. for charged services, signed by Mrs. Delmer Daves.25110/25/48Shooting schedule.Mimeo- 22 pages2528/31/45Index to breakdown, set list, and breakdown of sequences.Mimeo- 163 pages2539/11/45Photocopies of pencil diagrams of sets.12 pages2549/11/45Photocopies of airccaft carrier `Hornet'.ca. 53 prints255N.D.Brown copies (similar to blueprints) of “Int. CIC and Air Plot” (20×30)-2 copies256N.D.Personnel and duty list.Mimeo- 1 page257-9N.D.Photographs of pencil and ink drawings of scenes.ca. 135 sketches.1949Task Force Part IV (WB)25107/10/45Notes on temporary script by Mort Seligman as revised by Delmer Daves. Carbon typescript.79 pgs.251110/19/49Personnel list of people and jobs in film, Task Force. Mimeographed copy.5 pgs.251210/25/48Task Force personnel list for on board ship by Joe Barry with room and telephone numbers. Mimeographed copy.4 pgs.26110/18/49Inter-office communication: T. C. Wright to all members of the Task Force Company re: regulations on ship. Mimeographed copy.2 pgs.262N.D.TLC from Co. V. Peterson, Commanding Officer to Commander, Fleet Air West West Coast re: tentative employment schedule, 10/23 to 11/48.2 pgs.263N.D.History of the Preparation and Making of the Film, “Task Force” (1945-1949). T.,1 pg.264N.D.Memo from U. S. S. Antietam to WB motion picture team re: ship regulations. M. legal size.1 pg.265N.D.Schedule for shooting scenes on board. T with FPpNAD and P sketches.8vo. 19 pgs.266N.D.Cast and crew room and telephone number assignments on board ship. T with 8vo cardboard backing.1 pg.267N.D.Wine list of commissioned officers mess, Naval AirkStation, Alameda, Calif., with signatures-Daves, Walter Brennan, J. V. Peterson, Gary Cooper, W. R. McClintock, G. J. Hedding. Larger than 16mo.26810/26/48TL copies (4), Joseph I. Breen to J. L. Warner re: censorship of parts of Task Force. T copy with 3 C.4 pgs.2699/28/45Comments by J. S. Thach on MacDougall script. C with PNAD on pg. 2 and FpNAD elsewhere by DD.18 pgs.9/17/45Combined critique on Task Force with OpNAD. C.15 pgs.9/19/45General notes on Task Force by DD. C.2 pgs.9/12/45Suggested revisions on Task Force by Lt. David Hopkins. C.7 pgs.9/21/45Notes on Task Force by Lt. Cmdr. Eggert.261010/22/48Task Force - final script by DD and ronald MacDougall with OpNAD. M.131 pgs.261110/27/45For Spacious Skies- SP by Ronald MacDougall and DD with PN on cover explaining his rewriting the script in in 1948, and PN on script. C.161 pgs.10/9/45Task Force - SP by DD. C.161 pgs.26126/1/48Insert - notes on “In Which We Serve” by DD. C.10 pgs.26135/15/45Memo to Jerry Wald re: outline to fictitious battle for “Task Force” with suggestions by LT. Jensen. Carbon.42 pgs.261410/20/48Task Force 2 - 2nd Rev. Temp. Script Part IV to end with DD Signature on cover and OpNAD. M.19 pgs.2615NDMusic Publisher's Holding Corp. list of songs popular, 1919 - 1948 with PN and phone numbers of John Gilbraith and Frank Ryan. T.4 pgs.261610/9/48Make-up progression charts for Task Force.3pp.261710/5/48Task Force 2 - Rev. Temp. Script Part I with SpNAD. M.115 pgs.261810/14/48Blank sheet with mimeo heading: “Task Force Cast of Characters.”1 pg.10/13/48IOC re: Carl Milliken to Kissel re: sinking of Langley by Japanese planes; excerpt from Battle Report: “Pearl Harbor to Coral Sea” by King and Kelly, 2/27/42.10/18/48IOC Stacey to Wright, Friedman, DavesKissel and Tinsmen re: cast list, wardrobe and make-up. C.261910/9/45Task Force - Rev. SP by DD with OpN by DD. C.123 pg.262010/7/48Task Force 2 - 2nd Rev. Temp. Part I with DD signature. [UNK]81 pg.262110/22/48Task Force - final SP with DD signature on cover. M.131 pgs.2715/4/45Memo - Lt. Oliver Jensen to JW re: notes on air craft carrier story. C.5 pgs.2725/3/45From Lt. Oliver Jensen re: information on Kamikaze pilots and other aspects of Japanese force. C.7pgs.2735/18/48Notes on Task Force by DD re: production, script and background information.3 pgs.274NDList of Navy bases and ships (with years) and commanding officers.275NDpN on Bureau of Yards and Dock memo sheet 8vo with 1 pg. of information on verso re: sets, production, sequences.2767/21/48IOC-M Wright to all dept. re: Task Force budget meeting.277NDCaptain to Damage Control dialogue. A.2 pgs.278NDSuggested C.I.C. Operations with SpN. C.8 pgs.2710NDTelegram JW to DD re: congratulations on good job. C.8vo.11/12/48S[T] to DD re: extension of working schedule time and working overtime. C.8vo.27119/16/48IOC Friedman to JLW, ST, Orr, JW and DD re: advanced tentative casting list with [UNK] C.9/9/48TLS Carl Scheafer to DD re: Hollywood Foreign Correspondence' Association Forum.12/17/48IOC JW to DD re: acknowledgement of Navy help in Task Force.NDAcknowledgement from other films. C.2 pgs.27121/5/49Data on Task Force. C.271311/29/48Notice of Tentative Writing Credits, printed form with C filled in blanks.27147/26/48TLC E. M. Eller to George Dorsey re: approval of Task Force script by Navy. C.271511/8/48TLS J[W] to DD re: congratulations on film and several suggestions for it.2716NDQuotation from Theucydius. A.8vo.2717ND“Soory Disposition of 58 as to Group-Code” - pN by DD.Legal. 5 pgs.271811/5/48TNS Phillip C Lasko, Chief Boatswain's Mate, USN, to DD re: luncheon aboard “USS Antietam”.8/11/48IOC T. C. Wright to ST, JW, DD re: changing sets of pictures. C.12/14/48TOC T. C. Wright to JW re: technical problems in shooting a sequence. C.2 pgs.NDTelegram re: strike at WB. C.2719NDScript pgs 66-67. C.2 pgs.2720NDpN on plane landings.8vo. 2 pgs.2721NDAppropriations for Navy spending on vessels.3 x 5 card.2722NDSequence by sequence breakdown. C.4 pgs.272310/3/452 copies list of officers and suggested C.I.C. Operations and information. C.16 pgs each.27249/14/48TLC Capt. Harry E. Sears to William Guthrie re: script revisions.2725NDLoose script pags, with SpNAD. C.ca. 200 pgs.27261/2/48Memo for aviators from P. O. Glover, Hydrographic Office re: warning of gunfire practise at Wellfleet, with p sketches and annotations on vso. by DD.1950Broken Arrow (20CF)27276/11/49Rev. Final Shooting Script by Michael Blankfort with FPpNAD and sketches of scenes; location notes by sequence. M.ca. 175 pgs.272810/21/49Rev. Final Script with retakes and added scenes supplements in back. M.ca. 175 pgs.272910/18/49IOC RLK to RLH re: retakes of Broken Arrow with T comments by DFZ.27306/1/49Staff list.5/27/49Cast list.NDMisc. notes and sketches of scenes. p. [UNK] pgs sketches per page,1 1/2"xx 2".5/20/492nd shooting script. M.ca. 175 pgs. FPpNAD.6/1/49General Comments by DFZ. M.11 pgs.27314/25/49Prelim. location survey.2 copies. 3 pgs. ph. and 3 pgs M each.27325/12/49TLC (PH) Clarence Hutson to Lester Oliver re: Indian actors.3 pgs.27335/16/49TL C. D. Hutson to RLK re location survey for Broken Arrow.[UNK] 6 pgs.27344/25/49TL C. D. Hutson to RLK re: Broken Arrow information. PH.3pp.27354/16/49Set progression for script with PN. M.5 pgs.2818/2/49-8/3/4916 TLC Stanley H. Goldsmith to various heads of production dept. thanking them for cooperation and help.16 pgs.2824/21/50Telegram from Mr. and Mrs. DD to 30 people inviting them to special screening of Broken Arrow. C.4 pgs.4/24/50Same as above, except only 2 people. C.1 pgs283NDTest scene for Cochise and Jeffords. C.3 pgs.2845/10/49 scrScene breakdown for 4/11/49 temporary script with index and SpN. M.83 pgs.2856/3/49Cast list for Broken Arrow with Addresses and telephone numbers of actors.2865/19/49TLC DD to Michaelf Blankfort re: technical information on cavalry formation and tactics in battle scenes.287NDNarration for several scenes in Broken Arrow.5 pgs.2885/23/49IOC DD to Harry Sherman re:period lettering used in street signs.8vo.5/27/49IOC DD to Marie Halvey re: appreciation for footage estimate charts for film. C.2895/25/49 5/27/49Wardrobe fittings and still shot schedule for principals.28105/19/49Cast list from 2nd revised prelim. cross plot with working periods indicated and pN.

Bits on Location.

28115/19/49Dates taken from 2nd rev. prelim. cross plot of 5/14/49. M.28125/12/49Jewelry of Apache men from “An Apache Way of Life” by Morris Edward Opler. C.28135/31/49TLC JIB to JSJ re: censorship for parts of Broken Arrow.5/11/49TNC JSJ to JB re: having member of American Humane Association present when animals used in film.8vo.28145/9/49TLC Mel Morse to JSJ re: logistics of animal shots in film.28154/26/49TLC JIB to JSJ re: censorship of parts of film.28165/12/49Report on Apache horses and customs from same source as #23. C.3 pgs.28175/12/49Games played by Apache Children, from same source as #23. C.2 pgs.2818NDGuide to location shooting in priority sequence according to # of Apaches required.6 copies, 2 T and 1 C, 5 pgs each.2819NDCutting notes for Broken Arrow, C with pN.2 pgs.28205/5/49IOC Stanley Goldsmith to DD re: meeting on make-up and hairdressers.8vo.5/16/49IOC June Connors, J. Blystone to JB and DD re: color of eyes of men tested for Indians. C.8vo.5/5/49IOC Stanley Goldsmith to DD re: horses' manes of the period in cavalry.7/18/49IOC DD to J. Blystone re: use of certain people in tucson sequence. C.8vo.5/5/49IOC Stanley Goldsmith to DD re: James Stewart retakes.8vo.5/11/49IOC DD to Bill Mayberry re: casting Indian actors.10/22/49[UNK] RAK to DD, JB, RLH, William Gordon re: availability of Jeff Chandler and Basil Ruydael. C.8/11/49IOC Lew Schreiber to JB re: availability of rough cut of Broken Arrow. C.8vo.2821ND“Editing Memoranda” for Broken Arrow.5 pgs.28225/21/49Telegram Ernie Durham (Sonora Motion Picture Association) to DD re: locations in Sonora for shooting.8vo.28236/17/493 estimated footage charts with pN. M.13 pgs.2824NDStaff and cast list. M.2825NDFinal list of guests invited to showing of Broken Arrow, with pN.Legal. 6 pgs.2826NDAlphabetical list of guests invited to showing of Broken Arrow with telephone numbers and answers, pN.4 pgs.2827NDList for Broken Arrow showing by dept. category, with pN.2 copies, 1 of them C. 2 pgs.28285/20/49Final script of Broken Arrow by Michael Blankfort. M.145 pgs.28294/11/49Temp. script for Broken Arrow. M.168 pgs.1949Remember, Oh, Remember (20CF)3/9/49IOC DD to Fred Kohlman re: new ideas on script and enthusiasm. C.8 8vo.3/21/49IOC Chalmers Traw ti Research attn. Mary Norris re: materials on South Pacific Air Force Bases, planes and maps. C.28303/29/49IOC DD to Fred Kohlman re: changes to original script. C.28314/8/49General comments by DFZ transcribed from screenplay conference with Kohlmar and DD on 3/23/49. C.11 pgs.28324/28/49TLS L. E. Brown, Capt, USMC, Legal Officer to DD re: enclosing a copy of precept, charge and specifications for a court martial.2 copies C. 3 pgs each.28336/28/49IOC JSJ to Frances Richardson re: technicalities of court martial.5/11/49IOC Michael Abel to DFZ re: first draft continuity and summary of script with FPN.4 pgs.5/12/49IOC Julian Johnson to DD re: copyright of song lyrics.5/13/49IOC DD to Julian Johnson re:reply to above. C.5/23/49IOC Jules Buck to DFZ re: comments on first draft of script, with FpN.3 pgs.6/6/49TNCJoseph Pincus to Frances C. Richardson re: using fictitious address for film.6/25/49IOC DFZ to DD and Fred Kohlmar re: general criticisms and suggestions with FpN.12 pgs.2834NDStudy on DFZ comments on Remember, Oh, Remember.2 pgs. and other Notes, 6 pp.28358/16/49IOC DD to Fred Kohlmar re: notes on DFZ's notes (#12 above). Orgopies, 1 T and 1 C, SpN on T copy, plus a list of applicants for Marine role.8 pgs.9/7/49IOC Clarence D. Hutson to RAK re: use of buffalo herd in film. C.9/22/49IOC-S RAK to Fred Kohlmar re: production technicalities and suggestions with FpN.9/26/49Teletype DFZ to LS re: approval of script and suggestions OpN.5 pgs.9/29/49IOC DFZ to Fred Kohlmar re: memos from Jules Buck and Michael Abel with enclosed memos with FpN.5 pgs.9/29/49TLC JIB to JSJ with OpN re: censoring script.2 pp.10/17/49IOC Frank Tresselt to F. Kohlmar, DD, S. Wurtzul, A. Newman, L. Newman, A. Fisher K. Darby, E. Ricardi re: censor of script (included in Folder 35)2836NDList of possible squadron names, with p doodles.8vo.2837NDAlternative locales and periods for movie with FPN.3 pgs.2838NDNotes on court martial sequence. Ap.11 pgs.2839NDNotes on historical background of WW II. Ap.8vo. 9 pgs.2840NDList of songs published for use free of charge with dates of publication.Legal.284112/28/48Remember, Oh, Remember-treatment by Frank Davis.131 pgs.28423/23/49SP-1st draft by DD. C.118 pgs.28434/20/49Rev. SP by DD.129 pgs.2915/6/49First Darft Continuity with revisions by DD and FPpNAD. M and T.141 pgs.2929/16/49Temp. SP by DD. M.139 pgs.29310/12/49Final SP/ M.134 pgs.1950Bird of Paradise (20CF)4/26/50294IOC DFZ to LS re: Jeff Chandles for lead.8vo.4/27/50TLC DD to Bishop Museum, Dept of Anthropology and Ethnology re: research materials on Polonesian cultural rites.4/27/50TLS Dr. Frederick L. Pough (American Museum of Natural History) to DD with 4/28/50 AN re: film footage of volcanic eruptions.5/2/50TLC DD to F. L. Pough re: arrival of film referred to in #4 above. Front and vso.5/8/50TLS Peter H. Buck to DD re: material asked for in #2-unable to answer.5/12/50IOC DD to RAK and Sol Halprin re: Volcano stock film notes and availability of film. C.3 pgs.5/12/50TLC DD to Tad Nichols re:renting films of Paracutin eruption.2 pgs.5/22/50TLC RAK to Tad Nichols Re: Paracutin films.7 1/4"x 10 1/2". 2 pgs.5/23/50TLC RAK to George W. Colburn Labs, Inc. re: inquiring about availability of volcano films.7 1/4" x 10 1/2". 2 pgs.2945/23/50TLC RAK to Fritz Herman re: technicalities of filming in Hawaii plus rental of Mauna Loa eruption film.7 1/4" x 10 1/2". 2 pgs.5/23/50TLC RAK to F. L. Pough re: Paracutin film and purchase information.Size X. 2 pgs.5/23/50TLC F. B. Herman to RAK re: renting eruption films.2955/29/50IOC RAK to James Clark re: enclosing sectionsof 16 mm Mauna Loa eruption film with instructions. C.5/29/50IOC Tad Nichols to RAK re: sending Paracutin eruption films and terms of sale. C.5/31/50IOC DD to DFZ re: character tests and disapproval of Sterling Hayden for part.6/1/50IOC DD to DFZ re: tests for Louis Jourdan for part. C.8vo.6/1/50IOC Molly Mandaville to DD re: First draft continuity script complete C.8vo.6/14/50IOC Alfred Newman to DFZ re: using Ken Darby to coordinate music in Bird of Paradise.8 1/2" × 9 1/4".6/15/50IOC DD to Bill Mayberry re: getting extras to grow long hair for the movie.6/19/50IOC MM to DD re: Final Script complete C.8vo.7/10/50IOC-S Al Fisher to DD re: enclosing Ken Darby's report on music requirements of Bird of Paradise.8vo.7/6/50Ken Darby's report on musical requirements. C.8vo.7/7/50Rev. plan of action after discussion with DD and Bill Eckhardt. C.1 pg plus 1 pg. 8vo.7/13/50IOC MM to DD re: enclosing part of rev. final script. C.8vo.7/14/50IOC MM to DD re: enclosing past part of rev. final script. C.8vo.7/14/50IOC MM to DD re: enclosing part of rev. final script. C.8vo.7/15/50IOC-S Bill Travilla to DD re: changes in costumes for movie.2 pgs.7/20/50TL copy RAK to F.H. Pough re: asing parts of his Mauna Loa film and requesting more.7/25/50TLS F. H. Pough to DD re: Feferring him to owner for film footage in #26a.7/25/50TLCFF H Pough to RAK re: informing that footage requested belongs to Dr. Otto Fisher.TLC 7/25/50F. H. Pough to Dr. Otto Fisher re: requesting desired footage of film referred to above.8/9/50ALS Maurice Schwartz to DD re: article written of DD by Schwartz.8/10/50TLS Jim Clark to DD re: editing film add DFZ's comments.2 pgs.8/33/50TLS Jim Clark to DD re: editing film and some technical suggestions.8/28/50TLS Thomas B. Vance to DD re: information about Kulani Prison Labor Camps.9/5/50TLC-S Sammeel H. Emmes to RAK re: list of damages to chartered boat used in filming.4 pgs plus envelope.9/6/50TLS T. B. Vance to DD re: Kulani Prison Labot Camp.9/7/50TLS Jim Clark to DD re: success of footage already shot.2 pgs.9/7/50TNS LS to DD re: congratulations on success of film.2969/9/50ALS Maurice Schwartz to DD re: some Hebrew proverbs.Size X. 2 pgs front and vsc.9/12/50TLS Jin Clark to DD re: comments on film editing for Bird of Paradise.9/16/50IOC-S Max H. Golden to DD re: film running $100,000 over budget and ordering to make cuts; with estimated budget and deficit.2 pgs.9/19/50Radiogram LS to DD re: about overspending and need to recover lost time due to rain.8 3/8" × 7". 2 pgs.9/19/50IOC-S Fred M. Sersen to DD: re continuity of studio shots and volcano sequence.9/28/50TLS W. G. Eckhardt to DD with enclosure re: enclosing cast and staff list with personal compliments, OpN.3 pgs.10/5/50TLS I. J. Castro, Acting Supt. of Hawaii National Park, to DD re: sending tapes of bird songs with personal compliments.10/5/50TLS Alfred Newman to DD re: compliments on Ken Darby's work.10/18/50IOC Harry Brand to DD re: returning engravings borrowed along with copy of note to Charles Einfeld.8vo. 1 pg. T and 1 pg. C.10/19/50TLC JSJ to Annarea Maher re: courtesy credit for U.S. Dept. of Int. to be included in film.10/24/50IOC-S F. L. Metzler to DD re: handling expenses for Mrs. Daves and daughter in Hawaii.11/17/50IOC DD to F. Sersen re: suggested volcano sequences. C.2 pgs.2/7/51IOC-S Robert L. Jacks to DD re: compliments on picture.8vo.2/19/51TLS Charles Einfeld to DD re: compliments on picture.2/26/51IOC DD to LS re: list of invited guests to special showing of film.7/13/50IOC MM to DD re: enclosing part of rev. final script. C.8vo.7/14/50IOC MM to DD re: enclosing last part of rev. final script. C.8vo.7/14/50IOC MM to DD re: enclosing part of rev. final script. C.8vo.7/15/50IOC-S Bill Travilla to DD re: changes in costumes for movie.2 pgs.7/20/50TL copy RAK to F. L. Pough re: using parts of his Mauna Loa film and requesting more.7/25/50TLS F. H. Pough to DD re: referring to owner of film footage in #26a.TLC F. H Pough to RAK re: informing that footage requested belongs to Dr. Otto Fisher2962/28/51IOC DD to Tom Young:re: enclosing list of invited guests, with list. C.9 pgs.10/12/51IOC DD to Ken Darby re: asking for names of Hawaiian songs used in the movie. C.8vo.297NDNotes for production meeting and dept. heads, with SpN.7" × 8 1/2". 7 pgs.NDSigned Draft, F. D. Langton to DD re: notice of writing credit.NDALS Maurice Schwartz to DD re: story written specially for DD.Size X.NDFilming notes. AP.Folder B2982/23/50IOC DFZ to DD re: discussion of film possibilities including R.U.R., Bird of Paradise and The Heller.8vo.3/6/50IOC DFZ to DD re: expresses satisfaction with prelim. reports of Bird of Paradise and wants survey of Judge Kelley story.8vo.3/23/50IOC DD to DFZ re: explains additional pages to script. C.8vo.4/24/50IOC DD to DFZ re: script submitted to DFZ for analysis. C.8vo.4/26/50Cable DAF to RAK re: instructions to check Hawaiian location as filming possibility.4/26/50IOC DFZ to LS re: instructions to begin production of script.4/26/50IOC DFZ to DD and LS re:if unable to cast Sterling Hayden, get Burt Lancaster. C.8vo.5/4/50IOC DFZ to DD re: relaying comments made by daughter Darrylin on script.2 pgs.6/12/50IOC DD to DFZ re: characterization of Kaluna and technical information on Louis Jourdan scar.6/12/50IOC DD to DFZ re: using Walter Hampden as chief. C.6/12/50IOC DD to DFZ re: using Ken Darby to coordinate Bird of Paradise music. C.8vo.6/13/50IOC DD to DFZ re: agrees with East vs. West motif idea. C.6/14/50IOC DD to DFZ re: ideas on Beachcomber role and unsuitability of Ian Keith. C.6/21/50IOC DD to DFZ re: procedural suggestions for filming mass sequences. C.6/23/50IOC DD to DFZ re: casting choices and wardrobe and make-up problems. C.2 pgs.6/23/50IOC DD to DFZ re: using a straight haired wig instead of crinkly hair for Jeff Chandler. C.6/23/50IOC DFZ to DD re: agreement to #16 suggestions.8vo.6/24/50IOC DFZ to DD re: response to #15.6/24/50IOC DD to DFZ, LS, Billy Gordon re: selection for the role of skipper among candidates listed and described. C.6/24/50IOC DD to Ben Nye re: DD reactions to criticisms of make-up and wardrobe by DFZ.6/24/50IOC DD to DFZ re: DD's response to DFZ screen test criticisms.7/6/50TLS DFZ to DD re: approval of some solutions of problems stated in #9, suggestions for production.Size X. 2 pgs.7/7/50Radiogram DFZ to DD re: bringing Bob Jacks back to California to babysit with Darrylin.2 pgs7/10/50TLS DFZ to DD re: pre-recording songs for sound track of picture.Size X.2987/15/50TLS DFZ to DD re: personal comments on filming and problems to date.7/18/50IOC DFZ to DDD re: changes in last scene.Size X.10/18/50IOC DD to DFZ and note returned with typed answer re: OK for proposed foreword to film.29910/31/50IOC DD to DFZ re: editing progress and suggested changes. C.2 pgs.10/31/50IOC original of #28 with pN by DFZ.2 pgs.11/1/50IOC DD to DFZ re: suggested script and film changes.8vo. C.11/1/50Original of #30 with OK by DFZ typed on it.11/8/50IOC DD to DFZ re: changes to increase emotional impact of scenes with Tenga. C.11/8/50Original of #32 with OK by DFZ.11/29/50IOC DD to DFZ re: credibility of volcano scenes and preparations for another script - Aztec Treasure House. C.11/29/50IOC DD to DFZ re: pleased with night volcano shots. C.8vo.2/13/51Telegram Al Lichtman to DFZ re: praise of finished film.6 3/8" × 8 3/8".2/13/51Telegram Charles Einfeld to DFZ re: compliments on finished film.6 3/8" × 8 3/8"".2/14/51IOC F. C. Richardson to DD re: reference to volcano sacrifices and sequence in picture to avoid lawsuit.8vo.4/9/51IOC DD to DFZ re: the effect of title on reviews, questions emphasis on physical violence in advertisement, comments on Daybreak in Bali. C.3 pgs.299NDScratchnotes. Ap.5" × 7 5/8".Folder C29107/13/50Revised movement list for Hawaiian location, with p diagram on vso. of pg. 1. M.3 pgs.6/9/50Index to breakdown and breakdown of scenes with SpN. M.60 pgs.2911NDStaff and cast needed to Hawaiian production unit. C.NDCast in order of appearance. M.NDLocations required, descriptions of Hawaiian locations, pprts, etc., and research notes on Hawaiian Islands with 1 p sketch of Hawaii.7 gs.NDPgs. 87-88 of final script. M.2 pgs.NDGlossary of Hawaiian words with FpN.2 pgs.NDHawaiian legends research notes.29124/26/50Notes on conference on original SP of 4/21/50 from MM to DD. M.11 pgs.6/13/50TLC JIB to JSJ re: censoring of script with FpN.2 pgs.MM to DD re: notes on coference of 1st darft with DFZ, with FpN. M.22 pgs.2913NDBird of Paradise - original SP by DD, with notes, sequence, [UNK] outline and FpN and sketches on script pages.38 pgs.2914NDResearch notes including OpN.30 pgs.:a. Polynesian Religion by S. S. Craighill Haddyb. Over the Reefs and Far Away by Gibbingc. Paul Gauguin's Intimate Journalsd. The Vanishing People of the South Seas by J. W. Church, National Geographic Magazinee. Romance of Science in Polynesia by Murphy in National Geographic Magazinef. At Home on the Oceans by Strout for National Geographic Magazineg. Saturday Evening Post.3 articlesh. U. S. Bureau of Ethnology - Unwritten Literature of Hawaii by EmersonNDNotes on Bird of Paradise with FpN.10 pgs.Folder D2915NDAdvertisement for 6 colo films of exotic lands by the Globe Trotter Series of the World Geographic Society. M. i pg. with 3"× 5" card T noting; change in program.5/4/50IOC DFZ to DD re: same as #8 in Folder B. C.3/15/50IOC Julian Johnson to DD with enclosure (IOC-S B. Duncan Boss to Henry Klinger 3/9/50) re: Van Zanten's Happy Days by Laurids Valdemar Bruun, the background for Bird of Paradise.6/17/50IOC confidential DFZ to DD re: film editing ability of Harmon Jones.6/13/50IOC DFZ to DD re: emphasizing theme of “East is East and West is West...” through enlargement of a scene.2 pgs6/17/50IOC DFZ to Harmon Jones re: his assignment as special adviser to DD in Bird of Paradise. C.6/14/50IOC DFZ to DD re: examination of the state of movie industry-why certain films are failing and what is required to make a successful picture. M. 3 pgs.6/13/50TLC JIB to JSJ re: censoring of Bird of Paradise referred to in #8.2 pgs.6/15/50IOC DFZ to DD re: response to censoring by Production Code people. Expresses contempt for their “trying to eliminate thoughts from the minds of the audience.”29156/15/50IOC Strictly confidential DFZ to DD re: analysis of DD as director, asking him to analyze and correct past faults, etc.2 pgs.29156/25/49IOC DFZ to Julian [UNK] re: criticism of Warpaint and DD's handling of camera angles in intimate scenes.2 pgs.291510/6/49IOC Confidential DFZ to JB re: criticism of finished version of Broken Arrow.3 pgs.29156/16/50IOC DFZ to DD re: answer to DD's reply to #11 above.2 pgs.29156/14/50IOC DFZ to DD re: characterization of Beachcomber and motivations of other characters.29156/10/50IOC DFZ to DD re: tests for witch doctor and suggestions for make-up.29156/10/50IOC DFZ to DD re: Louis Jourdan's casting and suggestions for film appearance in costume.29155/26/50IOC DFZ to DD re: possibility of Shushila Shkari as one of character roles. 8vo. with sketch on vso. of costume for film.29156/9/50IOC-S Alfred Newmant to DFZ plus carbon copy re: progress report on music.2 pgs.29156/12/50IOC DD to DFZ re: answer to DFZ criticisms #14 to #15.29156/8/50IOC DFZ to DD re: importance of authenticity in songs and dances. C.29156/13/50IOC DFZ to DD re: Ian Keith in Nightmare Alley.2915NDIncomplete draft, DD to DFZ. Ian Keith wrong for part. With 2 doodles.8vo front and vso.29156/8/50IOC DFZ to RAK re: transporting cast and crew to Hawaii. C.8vo.29156/12/50IOC DD to DFZ (returned with reply) re: using Walter Hampden as native.8vo.29166/14/50IOC Alfred Newman to DFZ re: recommendation of Ken Darby (original in folder A, #18). C.29165/8/50TLS Tad Nichols to DD re: footage of volcano eruption.Size X.29165/4/50TLC F. H Pough to William Foshag and Tad Nichols re: obtaining volcano footage.29165/8/50TLX F. H. Pough to DD re: Volcano film stock.2 pgs.29166/1/50TLC RAK to Tad Nichols re: price of leasing films of reuptions.29166/8/50IOC DFZ to Billy Gordon re: Ian Keith for Beachcomber part. C.29166/8/50IOC DFZ to DD re: selecting natives for extras.Folder E2917NDBW ph of sketches for scenes.2 copies, e pgs. each, 8" × 10" per page, 15 sketches per pg., 1 3/4" × 2 3/8" per sketch.29186/24/50Blueprint - exterior and interior of Laurence's hut3' × 5' 3 3/8".2919NDLaurence and Kaluatest scene, 10 copies M and 1 copy C with SpNAD.3 pgs each.2919NDTest Scene for chief,2 copies. C 2 pgs. each.2919NDTest scene for Kahune,4 copies. C. 1 pg. each.30196/6/50IOC RAK to William Eckhardt re: techniinformation (hotels, etc.) for production C.4 pgs.16/2/50IOC Joe Cooke to RAK re: list of equipment left on Kauai for production. C.301NDNotes made by Ed Woehler, production manager, on production requirements. C.2 pgs.301NDNotes concerning technicalities of script shooting scenes.3018/12/50TLS RAK to DD with OP corrections re: technicalities of shooting and editing and some personal news.4 pgs.3019/7/50TLS RAK to DD re: overspending on budget.3018/26/50TLS RAK to DD re: reply to DD's letter concerning phoniness of real volcano shots, #8 above, with some personal news.2 pgs.3018/17/50TLS RAK to DD with OPN re: revising volcano shot scenes, and being behind schedule.2 pgs.3018/22/50TLS RAK to DD re: being behind schedule.2 pgs.3018/31/50TLS RAK to DD re: economizing shooting scenes by using less footage.2 pgs.3017/7/50TLS RAK to DD with FPN re: DFZ comments.2 pgs.3017/15/50TLS RAK to DD re: final tests for actors and notes on volcano film.2 pgs.3017/14/50IOC MM to RAK re: script change. D.8vo.3017/17/50TLS RAK to DD re: Jeff Chandler and his swelled head, etc.3025/12/50IOC DD to RAK re: various eruption films available. C.3 pgs.302NDIOC DD to Eckhardt, Blystone, RAK re: breakdown of scenes.10 pgs.3026/13/50IOC re: suggested lyrics. Original plus carbon.2 pgs each.3026/13/50List of Hawaiian musical selections.2 pgs.NDIOC to DD listing Hawaiian music of #20 used in Bird of Paradise.NDNotes on culture and geography of Polynesiaca. 10 pgs.6/6/50IOC DD to Eckhardt, Blystone and RAK re: breakdown of sequences and locations. C.11 pgs.NDCast and crew list.3 pgs.9/28/50TLC W. G. Eckhardt to DD re: staff and cast list.3 pgs. T and 2 pgs. M.7/13/50Rev. movement list for Hawaiian locations. M.9 pgs.NDIOC DD to Bill Gordon and Bill Mayberry re: possible suggestions for supporting roles.7 1/4" × 8 3/8". 2 pgs.6/16/50List of dandidates for supporting roles. C.2 pgs.6/12/50IOC DD to RAK re: leasing boat used in picture. C.2 copies, 1 pg each6/20/50Cablegram RAK to F. Herman re: asking for eruption film.8vo.6/21/50TLC DD to Sterling Hayden re: thanks for Gibbing book on Hawaii.6/21/50IOC DD to RAK re: itinerary conflicts.6/23/50IOC Irene Brooks to DD re: designing wig.8vo.1950Bird of Paradise Part II30310/5/50TLS Miss Cecil Weston to DD re: complimenting on great success of Bird of Paradise and asking for job.8vo.ND12 page synopsis of scenario for original play for Bird of Paradise3047/14/50Rev. Final SP by DD including p scene sketches(80 pgs, 12 per pg., 1 3/4" × 2 3/8") and FPpNAD. M. 130 pgs.305 and 66/19/50Final script,2 copies, 1 with PN. M. 132 pgs. each.

5

3076/1/501st Draft Continuity. M.130 pgs.3084/21/50SP by DD. M.120 pgs.309NDOriginal SP by DD.77 pgs.3010NDOriginal SP by DD-rewrite incorporating local customs.119 pgs.3113/21/50Outline of Bird of Paradise by DD. C.38 pgs.312NDOriginal play by Richard Walton Tully.154 pgs.3137/14/50Rev. final SP by DD. M.130 pgs.1951Daybreak in Bali(20CF)314NDIOC DD to Casey Robinson re: notes on story and characterization, “The Girl from Bali”. With FpN.4 pgs.4/11/51IOC DD to Casey Robinson re: same subject as above. C.5 pgs.NDCharacterization of story.4 pgs.315NDNotes on setting for movie - Bali Island on volcanic belt including 200 pages of research notes on weather and vegetation, native words and meanings and cultural background.316NDBibliography for Bali story. M.4 pgs.ND[UNK] of common proper and personal names3 pgs.NDp sketches of 2 women's heads by make-up man Dick Hamilton.NDSuggested titles for film with pNNDSequence outline for the Bali story,3 C copies, 9 pgs. each.NDCast names(2 copies, 1 C) OpN. 2 pgs.317ND2nd continuity outline based on story exploration by Casey Robinson and DFZ.1 original PN with 3 C. 9 pgs. each.31812/29/50Newspaper extracts, May-December, 1950-true story of a white girl raised by Moslems, then returned to rightful parents against her will.5 pgs.4/9/51The Girl from Bali, a continuity outline. C.27 pgs.3194/9/51Exploration of early Western version of Bali story by DD (white child adopted by Indians).Original and M copy, with N. 35 pgs.31103/26/51Daybreak in Bali, writer's working script with sequence directions. M.99 pgs.3111Working script, copy 23112NDResearch notes in large binder, including cast list, description of sequences, sequence locals and outlines.ca. 200 pgs.NDNewspaper clipping - breaking down race barriers: review of fim on Maori-European union.Folder B, Correspondence3212/2/51IOC Carey Robinson to DFZ re: explanation of possible adaptation of truestory of #12 above, with OPN.17 pgs.2/8/51IOC DFZ to Casey Robinson re: comments on #1 above.4 pgs2/9/51IOC-S RAK to DD re: flight schedule to Bali.2/15/51TLS Bill Gallagher to DD re: influential people who would assist in filming.3/3/51TLS I. B. Perkins, book importers and wholesalers, to Miss Richardson re: request for books on Bali with color prints and possible substitutes.4/2/51IOC-C DFZ to Casey Robinson re: impossibility of filming in Bali because of hostilities to foreigners.4/11/51IOC- DD to Dasey Robinson re: pointing out difficulties of plot outline.5 pgs.NDMemo, Casey Robinson to DD re: DFZ comments. A.4 1/8" × 6 7/8".1951Return of the Texan(20 CF)Folder A, Correspondence3226/27/51IOC DD to DFZ re: approach of script for Return of the Texan.8vo. C.7/3/51IOC DFZ to DD re: likes screen test for Dale Robortson and Walter Brennan.8vo. C.7/7/51IOC DFZ to DD re: casting Jean Peters instead of Anne Baxter in lead female role. C.7/13/51IOC DFZ to DD re: cutting budget for film to $850,000 top price. C.7/17/51IOC Confidential DFZ to DD re: characterizations of firl in film and actress possibilities. C.10/10/51IOC DFZ to DD re: must preview to see is film is too long. C.8vo.10/27/51Telegram Al Lichtman to DFZ re: criticism that film title may be misleading.10/29/51IOC DD to DFZ re: new title suggestions2 copies, 1 C. 3 pgs each.10/30/51IOC [UNK] DFZ re: censoring required.

—not

10/31/51IOC Al Lichtman to DFZ re: not changing title unless all agree.10/31/51IOC DFZ to Al Lichtman re: using new title “Home in Texas” and explanation for choice.10/31/51IOC DFZ to DD re: title suggestion Home in Texas. C.10/31/51IOC Harry Brand to DFZ re: changing original title.11/1/51IOC DFZ to Al Lichtman and Charles Einfeld re: changing to Home in Texas and getting someone to write title song.11/8/51IOC DD to DFZ re: rejects DFZ title suggestion and comments on Guatemala location for next film.11/9/51IOC DFZ to DD re: using original title definitely.1/11/51IOC DD to DFZ re: 2 extremes of criticism and need to preview again. Original T and C copy.2 pgs.1/13/52TLS Dudley Nichols to DD with pN re: congratulations on movie and some philosophical comments about movie industry.2 pgs.1/16/52TLS Dudley Nichols to DD re: Signs of Spring for movie title and more on views of movie industry.2/18/52TLS Charles Einfeld to DFZ re: why good NY reviews but not doing well in box office. Also about ad campaign in West and South and Dale Robertson's promotional tour.5 pgs3/15/52DFZ to DD IOC re: 1 movie distributor's ideas as to why picture not doing well. C.2 pgs.Folder B323NDPromotional material.11" × 14 3/4". 12 pgs.1/15/52Tulsa Tribune-2 folio pgs., articles and pictures-promotional material.1/13/52Chickasha Daily Express-contains article on promotional tour of star, Dale Robertson.1/14/52Lawton Constitution-picture and article on promotional tour.4 pgs., folio.1/10/52Advertisement, printed.17" × 22". 2 pgs.3248/21/51Cast and crew list with addresses and telephone numbers. M.5pgs.8/14/51Location crew list.8/14/51Movement list.NDList of possible title for movie.4 pgs.NDPencil scrath notes.NDList of Arizona locations with PN.NDList of scenes to be discussed in conference, with doodles on sheet.2 pgs.3259/4/51Sequence shotting schedule for Adrian Ranch. M and T with OpNAD.11 pgs.10/5/51Retakes and added schenes.3 copies, M. 5 pgs. each.ND3 BW prints of plow race on single photo paper strip.Each 2 1/2" × 2 1/2".3264/12/51Second Rev. Final script. M.133 pgs.3278/14/51Shooting script with added cast, crew, locations and movement lists, p scene sketches(31 pgs, 12/pg., 1 3/4" × 2 3/8") and FPpNAD.3288/3/51Blue print of the Adrian Ranch3' × 5'.1951-1952The Treasure of the Golden Condor(20CF)3296/8/51The Guatemala Soory - writers' working script, SP by DD. MM126 pgs.32106/19/51First Draft Constinuity-The Guatemala Story. M and C with OPAD. SP by DD.125 pgs.32118/11/51The Golden Serpent - Temporary SP by DD134 pgs.33110/26/51Rev. Temp. writers' working script - The Lair of the Condor, SP by DD. M.134 pgs.33211/8/51Rev. Temp. - Condor's Nest, SP by DD. M.134 pgs.3331/3/52IOC MM to Script Dept. re: enclosing5 revised pgs. of script, the latter in 1 original copy and 3 C, 5 pgs. each. C.334NDp sketches (original and 2 photocopies) of Mayan codices.3 pgs.NDMap of Guatemala filming site. p;3 7/8" × 6".NDp list of sequence locations.3 7/8" × 6".NDDrawing of a temple of palace (floor plan) with p doodles. p.NDSketches of Mayan figures. Blue print, with two notes on bits of paper as to production of codices.20 1/2" × 10".NDList of Titles and French equivalents.1951-1952The Treasure of the Golden Condor Pt. IIFolder A: Correspondence3354/26/51IOC DD to DFZ re: report #1 on Amazon story with comments about good movies. C.7 pgs.4/30/51IOC DD to DFZ re: comments on Son of Furyand Sacred Jaguar with a comparison with Amazon Story.7 pgs.NDMaster breakdown of The Amazon.5 pgs.5/1/51IOC DFZ to Jules Buck re: comments on continuity draft of Son of Fury. C.5/15/51IOC- RAK to DD re: using existing stock for production.6/26/51IOC MM to DD re: notes on conference on 1st draft continuity with DFZ, DD and Jules Buck. M.10 pgs.6/26/51IOC DFZ to DD re: finishing draft of Golden Serpent.8vo.6/27/51IOC DD to DFZ re: making changes in script, as per #6 above. C.8vo.8/14/51IOC DD to Max Barsis re: approval of Franch sketches. C.3369/13/51IOC DFZ to Jules Buck and DD re: comments on temp. script of 8/11/51. M.17 pgs.9/26/51IOC confidential DFZ to Jules Buck and DD re: using Finlay Currie and Louis Jourdan. C.10/2/51IOC DFZ to Jules Buck and DD re: request for story and cast conference for Golden Serpent10/8/51IOC MM to DD re: notes on temp. script conference, 8/11/51, with DFZ, with FpNAD. M.5 pgs.10/9/51IOC DFZ to Jules Buck and DD re: title change to Lair of the Condor. C.8vo.10/17/51IOC DFZ to DD re: question of authenticity of film footage of studio chateau.10/17/51IOC-S DD to DFZ re: derived historical atmosphere and comments on research done at Franch chateaux.2 pgs.10/17/51Same as #14b C.33711/8/51IOC DD to DFZ re: Guatemala filming location and title for Return of the Texan. C.11/14/51IOC DFZ to RAK re; chateau footage and lighting in night shots.8vo.11/15/51IOC Jules Buch and DD to DFZ re: casting 2 lead parts and possibilities among actors. C.11/19/51IOC DFZ to Jules Buck re: contracting Cornell Wilde for the lead. C.11/20/51IOC Jules Buck to DFZ re: agree to Cornell Wilde. C.8vo.11/29/51IOC LS to Billy Gordon re: using Constance Smith. C.8vo.11/30/51IOC DFZ to Jules Buck and DD re: keeping honesty and reality in film. C.12/3/51IOC Jules Buck and DD to DFZ re: outline of wardrobe arrangements. C.2 pgs.12/3/51Same as #23. C.12/3/51TLC-S DD to Dean Acheson re: thanks for assistance given by U.S. Embassy in Guatemala.2 pgs.12/4/51TLC JIB to JSJ re: censoring script, FPN.2 pgs.12/17/51IOC-S Jules Buck to DFZ re: testing for Anne Bancroft, Fay Way and Konstantine Shay; problems with Bancroft's test.8vo.12/19/51IOC DFZ to Jules Buck re: compliments for first rushes/ C.8vo.12/22/51IOC DFZ to Jules buck and DD re: compliments on rushes, suggestions on Cornel Wilde's and Macready's acting. C.8vo.1/16/52TLC JIB to JSJ re: addition of line by censorship board.1/23/52IOC DD to Al Newman re: enclosing TLC of letter about music. C.1/14/52TL copy Ricardo Castillo to DD re: using some of his music in film.1/24/52IOC DD to DFZ re: editing of snake sequence. C.1/25/22IOC-S All Newman to DD re: investigating further the offer of 31b.1/28/52IOC DD to Al Newman re: Newman to negotiate with Castillo. C.8vo.1/29/52IOC DFZ to DD and Jules Buck re: comments on ending for scene. C.2/5/52IOC DFZ to Jules Buck and DD re: criticism of certain rushes. C.2/12/52IOC DD to DFZ re: comments on production. C.2/12/52IOC DFZ to DD re: night shots and fight scene-suggestions for changes.8vo.2/12/52IOC DFZ to RAK re: night shots and fight scene, and variety of accents. C.8vo.2/22/52IOC DD to DFZ re: accepting blame for hiring bad actor. C.3/21/52IOC DFZ to Jules Buck re: Jean Paul's scene with girl and grandfather. C.12/4/50IOC DFZ to Jules Buck re: suggesting a film based on Son of Fury.8vo.2/5/50IOC Jules Buck to DFZ re: agree on remake of Son of Fury. C.8vo.12/7/50IOC Jules Buck to DFZ re: suggestions for story plot of remake. C.3 pgs.12/8/50IOC DFZ to Jules Buck re: approval of ideas with go ahead sign.1/19/51IOC DFZ to Jules Buck and Jo Eisinger re: script writing outline.3 pgs.4/19/51IOC DFZ to Jules Buck re: too much material on script.338NDAdditional scenes, inserts and narrations as per DFZ with FPN.NDNotice of title change to Golden Serpent.Folder B3391/9/52Staff list with telephone numbers. M.3310NDGuatemala location departure list. M3311NDWardrobe and hairdressers' plot for Constance Smith. M.2 pgs.3312NDList of line changes.33131/9/52Cast list with addresses and telephone numbers. M.2 2 pgs. each. 2 copies.33141/12/52Rev. staff list with telephone numbers. M.3315NDDirecting instructions for interior jail scene and Marie and young nobleman scene.4 pg.33161/11/52Shooting schedule. M.13 pgs.3317NDList of child actors with descriptions in pen.3318NDDrawings of Mayan symbols with title possibilities. p.2 pgs.3319NDList of title change idea, with pN.33201/9/52First chart, estimated footage per scene. M.19 pgs.332110/25/[51]List of interviews with DD with frequentP notes. C.33221/9/52Bit list for small parts. M.2 pgs.332310/23/51Interviews with French actors with pen notes.332410/29/51More interviews with with PN.3325NDNotice of writing credit, signed by F. D. Laughton. C.3326NDLines translations into English, Spanish and Quiché. M.3 pgs.3327NDResearch questions for Guatemala Story. M.15 pgs.3328NDList of lines to be spoken in Quiché. C.3329NDKey to symbols of codex.333011/20/52Final script, Condors' Nest. M.125 pgs.333111/30/51Rev. Final Script-shooting script with Pp scene sketches,24 pgs., 12/pg., 1 3/4" × 2 3/8" each. 125 pgs. M. PpNAD.1952Never Set Me Go (MGM)Folder A: Business Notes and Correspondence33324/8/52TLS Howard Dietz, Vice-President in charge of advertising and publicity, MOM to DorewSchary, advertising dept. re: liked script and enclosing memo.NDMemo, Howard Dietz to DD re: liked script but thought some scenes far-fetched.3" × 5".4/17/52IOC-S S. R. Monta to Clarence Brown with enclosed 8vo. memo to DD on same subject re: changing proper names in script.4/22/52TLS Felix Ferry to DD re: congratulations on assignment to picture with Clark Gable and information on contacting Paris representatives.7 3/8" × 10 3/8". 2 pgs.4/22/52TLS Felix Ferry to Vera Molnar Re: letter of introduction.Size X.5/15/52TLC DD to Clarence Brown re: forwarding sketches.6/5/52TLC W. D. Kelly to Ben Goetz re: clearance of proper names to be used in script.6/6/52Cable Mannix to Ben Goetz, MGM England, re: addressing cables.6/9/52Cable: Ben Goetz to J. J. Cohn re: Trevor Howard for part of Denny.6/9/52Cable Ben Goetz to J. J. Cohn re: Trevor Howard refusal of Denny part and need for substitute fast.6/10/52Stanley Markham to Ben Goetz re: arrival preparations for Richard Hayden.6/10/52Cable BG to JJC re: requesting Hayden's measurements.6/10/52Cable JJC to BG re: using Russian Actors.6/10/52Cable JJC to BG re: Hayden's salary and measurements.8vo.6/11/52TLC G. R. Wolfe to Matthew Raymond re: proper names for yacht.6/11/52JJC to BG re: height and weight of Hayden.8vo.6/11/52JJC to BG re: amendment to #13 above.8vo.6/12/52TLS M. Raymond to DD re: shipment of 4 chairs.7 7/8" × 10".6/10/52IOC E. Hudson to M. Raymond re: shipment of chairs referred to in #17a. C.6/16/52Kelly to BG re: name changes.8vo.6/16/52TLS Irene Howard to DD re: Violetta Elvin cancellation and Theodore Bichel for Russian lieutenant part.7 2/8" × 10". 2 pgs.6/18/52TNS BG to DD re: enclosing #20b and #20c.6/12/52TLC George Balanchine to BG re: wants information on the use of dancers in film.6/18/52BG to Balanchine re: outline of ballet sequences needed.7 7/8" × 10". 2 pgs.6/18/52TLS Helen Gunnis (Christopher Mann Ltd.) to DD re: Phillip Reed looking for part.6" × 7 7/8".6/18/52ANS BG to DD re: congratulations on rushes.3" ×4".Same as #22a.6/18/52TLC G. R. Webb to M. Raymond re: prohibited use of registered yacht names.6/19/52Cable BG to Kelly re: same topic as #23.6/19/52Telegram BG to DD re: compliments on night rushes.8vo.6/20/52Cable Kelly to BG re: use of “Horizon” for yacht name33336/20/52Telegram BG to DD re: investigating use of Sadler's Wells in movie.3 pgs.6/23/52TLC Dora Wright to BG re: lists different ballet companies and different schedules.6/24/52TLC G. R. Webb to M. Raymond re: thanking for bill of sale of yacht, “Catherina.”6/24/52TLC D. Wright to BG re: Festival Ballet only one available.6/23/52TLC Julian Braunsweg to D. Wright re: possibility of using them.6/23/52TLC Stephen Arlen to D. Wright re: inability to consider filming proposal.6/25/52TLS Dora Wright to DD re: sending hairdresser's and wardrobe stills.6/25/52TLC D. Wright to T. E. Bean re: thanks for allowing use of Royal Festival Hall.6/17/52TLC T. E. Bean to D. Wright re: granting permission to use hall.6/25/52D. Wright to BG re: why not use American Ballet company.6/26/52D. Wright to J. M. Dixey (Sound Music Bureau) TLC re: screen time for different ballets.6/26/52TLC D. Wright to J. McIntyre (British Museum) re: filming in the British Museum.6/9/52J. McIntyre to D. Wright TLC re: granting permission to film on Museum steps.7/1/52TLC D. Wright to Secretary to Royal Corinthian Yacht Club re: asking permission to film on location aththe club.2 pgs.7/3/52Cable D. Schary to DD re: received rushes and is pleased.7/3/52TLC Joyce M. Dixey to D. Wright re: ballet footage rights for Scheherezade, Sleeping Beauty and Swan Lake.7/24/52TLS George H. Elvin to DD re: 8 guineas paid.6 7/8" × 7 7/8".8/22/52TNS M. Raymond to DD re: SS Lochavon sailing schedule.9/17/52TLC M. Raymond to DD re: enpense account and listing summary of DD personal expenses in England.5" × 8". 5 pgs.NDTN Stanley Markham to DD re: DD to be met in N.Y.C. and London with reservations arranges.8vo.NDItinerary for sailing to USA on Queen Mary.8vo.NDPersonal packing list and check list.8vo. 7 pgs.2/9/52Shooting schedule #5 with P sketches and notes.Legal.9/9/52Shooting schedule #68with PN.Legal.6/16/52Advice of artistss engagementsfor Karl Stepaneek. S.6/12/52Shooting Schedule for Towan beach sequence.Legal. 2 copies, 1 C and 1 xerox.3/31/52Bill from Wallace Heaton Ltd. for development of pictures.8vo.5/28/52-8/10/72Expense accounting at the Dorchester. C.2 pgs.5/28/52-8/10/52Same as #48b with TNS M. Raymond to DD re: enclosure and ANS: answer from DD.NDExpense sheet for services rendered.6/17/52TLS M. Raymond to DD re: enclosing Doechester bill of 6/17/52.5/27/52Dorchester billing.NDScript change to clear up Russian fluency problem.Folder B: Script341NDCustoms that may be carried out at an artistic Russian wedding.Original and carbon. 2 pgs.3425/27/52TNS D. Schary to DD re: enclosing #2b.5/26/52TLC JIB to D. Schary re: censoring Two if By Sea.NDIOC DD to D. Schary re:notes and comments on 2nd edition rev. script dated 4/30/52.Legal. C. 13 pgs.5/20/52TL G. R. Webb to M. Raymond re: research on unacceptable propoer names.Legal. 2 pgs.4/29/52TCS R. Monta to Clarence Brown re: Unacceptable proper and last names for Denny.NDPocket notebook: set drawing, ledger records and production notes.4 1/4" × 7". Pp. 11 pgs.Folder C: Casting Correspondence3435/2/52TLC Lawrence Evans to BG re: unavailability of Alex Guinness for part of Sgt. Denny.Size X.5/5/52TLS Jules C. Goldstone to DD re: using Yvonne Furneaux.Size X5/13/52Cable JJC to BG re: agree to Gene Tierney for part.8vo.5/13/52Cable BG to Bill Grady re: using Bernard Miles for part of Joe.8vo.5/14/52Cable Bill Grady to BG re: agree to Bernard Miles consider John Mills for Denny.8vo.5/19/52TLC Derek J. Glynne to BG re: Bernard Miles contract.Size X.5/19/52TLC Derek J. Glynne to BG re: confirmation of #6a.Size X.5/19/52TLC Derek J. Glynne to Irene Howard re: terms of Bernard Miles agreement.Size X.5/20/52TLC Irene Howard to BG re: using either Naunton Wayne or Nigel Patrick for parts.Size X.5/23/52TLC BG to JJC re: shipment #2 of artists' tests.Size X.5/23/52IOC Frank R. Clarke to BG re: delivery of shipment #2 of artists' tests.8vo.5/23/52Content sheet for Violetta Elvin test.5/24/52TLS Mel Ballerino to DD re Characterizing romance of Denny and Svetlana.5/26/52Cable Bill Grady to BG re using Trevor Howard in part for Denny.8vo.5/27/52Cable DD to Clarence Brown re: urgent casting problems.8vo.5/28/52Cable Grady to BG re: using Richard Haydn?8vo.5/28/52Cable BG to Bill Grady re: Richard Haydn and Gene Finch.5/30/52TNC Irene Howard to BG re: possibility of Trevor Howard in part.8vo.5/30/52TLC D. J. Glynne to Irene Howard re: must make Bernard Miles theater schedule coincide with shooting schedule.2 pgs.5/30/52TLC BG to JJC re: actors' tests on film.6/3/52Cable DD to Clarence Brown re: casting, sent script to Trevor Howard.8vo.6/3/52Cable DD to Clarence Brown re: decision to cast minor parts in hurry.7/21/52TLC DD to G. H. Elvin re: membership fees andsubscription payments.7/21/52TLC M. Raymond to George Elvin re: the donation above.8/1/52TLC W. D. Kelly to BG re: name changes.8/5/52TLC DD to BG re: extent of possible legal damage from us of certain proper names.2 pgs.8/25/52TLC T. E. Bean to D. Wright re: use of Festival Hall.8vo.10/29/52IOC-S C. Watson to DD re: enclosing letter and documents.3443/52List of Characters of Two If By Sea with OpN.Size X.Never Let me Go345NDCast list, original plus carbon.3465/22-9/1/52Copies, Advice of Artiste's Engagement including those of Theodore Bickel and Martin Benson.9 pp.3478/13/52TNS Irene Howard to DD re: casting Wolf Frees for part.8vo.8/20/52TLC Irene Howard to DD re: casting more people for minor parts.Size X.8/19/52TLC Irene Howard to DD re: casting for minor parts.Size X.8/19/52TLC same as #26e, but different set of actors.8/15/52TLC same as #26e but different set of actors.3485/7/52-5/9/52Schedule of interviews with DD of Actors with pN on each actor, including Theodore Bickel and Diane Cilento.2 pgs. legal, 1 pg. size X.349NDT Transcript of #27, C.Legal. 4 pgs.3410NDDiagrams and explanation of Swan Lake ballet with times and explanation of movements. P.Size X. 2 pgs.34115/22/52Artists' tests #9 - #14. Violetta Elvin. C.Legal. 4 pgs.5/28/52#406, #407-insert of watch in movie Time Bomb, legal; daily continuity report. C.5/29/52Artist tests: Peter Finch, Adina Mandlova and A. Mickelson. C.Legal. 6 pgs.NDTC test scene for role of Valentina.Legal.8/15/20Shooting schedule #4. M.Legal. 2 pgs.NDT draft for cable re: search for actor for Denny part, and minor details for film.Legal.Folder D: General Correspondence3515/19/[52]ANS Iris Bird to DD re: offering her tchnical assistance on Russian scenes. With envelope.8vo. 2 pgs.5/13/52TLC F. D. Laughton to Screen Directors' Guild: re waiver for writing credit for Treasure of the Golden Condor.5/13/52TLS F. D. Laughton to DD re needs letter from DD to [UNK] to authorize waiver.5/15/52TLS M. Brown (Edgie) to DD re: tracking down an English copyright.Size X. 2 pgs.5/27/52TLC DD to Joe Youngerman (Screen Directors' Guild re: authorization of waiver for credit, for Treasure of Golden Condor.Size X.5/27/52TLC DD to F. D. Laughton re: waiver of credits and news of personal sight-seeing.Size X. 2 pgs.5/27/52TLC Joseph C. Youngerman to DD re: fill out form for compliance and congratulations on new Board post.5/28/52TLC DD to M. Brown re: personal letter and answer to request of #4 above.Size X. 2 pgs.6/3/52TLC DD to J. C. Youngerman re: accepts new board post and encloses non-Communist oath.

Oath not enclosed

NDList of English towns on driving route northeast of London.Size X.NDAuthor's address, see #8 above.NDFormula for “Esruscan Gold Granulator”. P.4" × 5 1/2".Folder E: London Location3525/7/52TNS R. E. Gray to D. Wright re: confirming appointment to check out Drury Lane Theater.8vo.5/7/52TLC David Webster to BG re: making appointment.Size X.5/12/52TLC BG to David Webster re: explaining the needs of the movie concerning ballet scenes.Size X.5/12/52TLC BG to Prince Littler re: using Drury Lane Theater in picture.2 copies C, one with P changes. Size X. 2 pgs. each.5/19/52TLC BG to Prince Littler re: requirements inusing a theater and requesting its use.Size X. 2 pgs.5/20/52TLC David Webster to BG re: can't use company dancers-too busy.Size X.5/21/52TLC Prince Littler to BG re: giving permission to use theater.5/23/52TLC BG to Prince Littler re: schedule of shooting and thanks for permission.Size X.5/29/52TLC D. Wright to BG re: itinerary of American Ballet Company.Size X. 2 pgs.5/27/52List of American Ballet Company itinerary from D. Wright.Size X.5/29/52BG to JJC re: possibility of contracting N.Y.C. Ballet.8vo.5/30/52Cable Bill Grady to BG re: go ahead on negotiations with N.Y.C. Ballet.8vo.NDDraft, TLC of #3 above.Size X. 2 pgs.NDDraft-relationship of ballet to story and comments on N.Y.C. Ballet. C.Legal. 3 pgs.4/26/52-4/28/52Ocean Times, published aboard SS Queen Mary11 1/4" × 13 3/4".7/13/52Tearsheet, article about Never Let Me Go and Clark Gable.14 3/8" × 12".1947Pamphlet on Stonehedge.8vo. 4 pgs.4/26/52 and 4/28/52Program of events on SS Queen Mary. Printed.NDMary Martin in South Pacific, program. Printed.Folder F: Incoming Cables3535/6/52Billy Grady to BG re: asking about characterizations and casting progress.8vo.5/9/52Billy Grady to BG re: when Gene Tierney needed.8vo.5/9/52JJC to BG re: Clark Gable's wardrobe.8vo.5/9/52JJC to BG re:using Gene Tierney and when absolutely needed.8vo.5/12/52Bill Grady to BG re: Noel Purcell as Joe and Cyril Cusack as Denny.8vo.5/12/52JJC to BG re: electric generators that are available for use.5/14/52D. Schary to DD re: sending script of Two If By Sea with improvements and additions.8vo.5/14/52JJC to BG re: Gene Tierney's ballet wardrobe.8vo.5/16/52Bill Grady to BG re: casting for Denny part-not David Tomlinson. Nigel Patrick or Cyril Cusack?8vo.5/18/52Bill Grady to BG re: suggest Naunton Wayne for Denny.8vo.5/20/52Markham to BG re: Gene Tierney's arrival, transportation and housing needs.8vo.5/22/52Floyd Hendrikson to BG re: business details of hiring Clarence Brown.8vo.5/22/52Floyd Hendrickson to BG re: business and passport details for Gene Tierney and living accomodations, etc..5/26/52JJC to BG re: hairstyling of Tierney and make-up and wardrobe, character of Denny, casting.5/30/52JJC to BG re: wigs for Tierney.5/30/52JJC to BG re: props and wardrobe.Folder F: Out Cables5/9/52BG to JJC re: need generator, some props and asks about wardrobe.5/12/52BG to JJC re: casting Tierney.5/15/52BG to JJC re: Tierney's wardrobe for double.8vo.5/13/52BG to JJC re: can do without Tierney up to June 22.8vo.5/16/52BG to D. Schary re: requesting telephone call.8vo.5/16/52DD to D. Schary re: objections to reinsertion of several scenes.5/19/52BG to JJC re: objections to casting Cusack.8vo.5/21/52BG to Billy Grady re: Naunton Wayne unavailable.8vo.5/21/52DD to D. Schary re: Mailing script review for Dore Schary and Clarence Brown. Confidential.5/21/52BG to JJC re: John Mills unavailable, Gene Tierney's hairstyle and wardrobe for double.5/26/52DD to Clarence Brown re: please call.5/29/52BG to JJC re: need electrical equipment unavailable in England.Miscellaneous354NDA. outline of plot. P.4 1/4" × 7 3/4". 2pgsNDNotes and comments on 2nd edition rev. script of 4/30/52.Carbon and original. Legal. 24 pgs.[5/6/52]TLC DD to C. Brown re: using an unknown in a role.Size X.5/13/52TLC DD to C. Brown re: progress report and future plans for shooting.Size X. 8 pgs.5/13/52IOC-S R. Monta to C. Brown re: refusal of Life to its mention in movie.5/16/52Cable D. Schary to DD re: agreement to be made over scripts8vo.5/16/52IOC F. R. Clarke to BG re: delivery of test scenes to California with Size X content list. C.2 pgs.5/16/52TLC BG to JJC re: sending #1 shipment of test scenes.5/16/522 original draftsoof#225/21/52TLC DD to C. Brown re: production and casting aspects discussed.Size X. 2pgs5/22/52TLC W. W. Spencer to BG re: notice of shipment of electrical parts and list and price.Size X. 2 pgs.5/23/52TLC JJC to BG re: information on partable recorder.Size X.5/27/52Telegram C. Brown to DD re: comments on casting.8vo.5/30/52IOC F. R. Clarke to BG re: notice of #3 shipment of artist tests and container list. C.8vo and Size X. 2 pgs.Folder G: Location and Production Notes3555/8/52Notes on Cornish location survey with 8 1/2" × 11" sketch of location, [UNK] PN.2 copies. M. Legal. 3 pgs. each.5/5/52Sets and scene numbers with OPN. M.Legal. 4 pgs.5/15/52General notes for guidance in pre-planning production work to be done in Cornwall. M.Legal. 10 pgs. 2 copiesNDP drawing of set with note.4 1/4" × 7 3/4".5/26/52New Quay, Mevagissey and Mullion pre-location report. M.Legal. 5 pgs.5/19/52Exterior shooting schedule.2 copies, M and C. Legal. 2 pgs. each.NDPhotocopy of sequence schdeul #1 and #2.13" × 20".5/30/52Shooting Schedule 1A pgs. 3-5. M.Legal. 3 pgs.3566/4/52Schedule for Cornish location set with hotel accomodations. M.Legal. 2 pgs.NDList of notes for cast and crew at 3 locations.4 pgs5/7,9/52Notes on actor and actress interviews.Legal. 4 pgs.NDSketches and PN.4 1/4# × 7 3/4". 11 pgs.NDP and T notes.8vo. 3 pgs.7/21/52Shooting schedule #2 with 4 pgs P sketches on vso. of inserts showing England, North Sea and English Channel. M.Legal. 4 pgs.7/30/52TNS M. Raymond to DD and list of expenses (Size X) re: personal expense account.2 pgs.NDExpense sheet. C.15" × 13". 10 pgs.NDList of cash advances to DD with A. balance to be credited.7" × 8".4/29/52Exterior shooting schedule-time needed to film.Legal. 4 pgs.5/9/52Rough notes on production with PN.4 pgs.NDPN, front and vso.5/15/52Artist's set test for Diane Cilento.Legal.5/15/52Tests #1-#8. C.Legal. 10 pgs.5/15/52Daily diary. C.8/6/52The Bondon Times tearsheet-folio.8/13/52London Evening News re: Russian Capture of yacht.6/8/52LA Herald and Express re: Gen. MacArthur.Folder H: Correspondence, Cables3575/14/52BG to JJC re: assembling add sending off electric generator.8vo.5/14/52BG to JJC re: casting and wardrobe,5/15/52DD to D. Schary re: refusal to work with script in which withdrawn scenes reinstated.6/3/52BG to Gil Cote, N.C.C. re: arrival of Mrs. Daves in N.Y.C..8vo.6/3/52BG to Kelly re: proper name clearance.6/4/52BG to Kelly re: proper name clearance.8vo.6/4/52Kelly to BG re: check proper names.8vo.6/5/52JJC to BG re: doubles' wardrobe shipment awaiting import license.8vo.6/5/52Bill Grady to BG re: needdcast results immediately.8vo.6/5/52BG to E. J. Mannix re: Clark Gable's arrival and screen tests.8vo.6/5/52BG to Bill Grady re: information on production.8vo.6/5/52BG to JJC re: need information to get import license for wardrobes.8vo.6/6/52BG to JJC re: casting parts.Letters5/2/52TLS Edward Lawrence, studio publicity, to DD re: publicity for the movie.5/12/52TLC JJC to BG re: use of stock Russian newsreel.5/14/52TLC Prince Littler to BG re: using Drury Lane Theater.Size X.5/16/52IOC-S Alfred Junge, art director, to D. Wright re: research on lighthouses and buoys.8vo with 3 pgs Size X. C. 4 pgs.5/19/52TLS Howard Strickling, dir. of studio publicity, to DD re: request information on film for publicity purposes.5/22/52TLC D. Wright to Corp. of Trinity House, Secretary re: use of lighthouse.Size X. 3 pgs.5/23/52TLC W. D. Kelly to BG re: proper name clearance.5/27/52TLC W. D. Kelly to BG re: title.5/30/52TLC D. Wright to Mevagissey Harbour Trustees re: thanks for permission to use harbour.Size X.5/28/52TLC E. Hankin, Mebagissey Harbour Trastees, to D. Wright re: permission to use harbour granted.5/28/52TLC L. Sheridan to D. Wright re: terms for filming on cliffs and beach.5/30/52TLC D. Wright to Lt. Col. Leslie Sheridan, National Trust re: enclosing check to pay for use of beaches, etc.6/2/52TLC W. D. Kelly to BG re: using trade names in script.Size X.6/3/52TL copy G. R. Webb to M. Raymond re: using proper names.Size X.7/24/52TLC D. Wright to M. Raymond re: possible use of London Festival Ballet.8/22/52TLS Spink and Son, Ltd. to DD re: information for Dave's son on war medal collection.Folder I: Dress Charts3585/26/52Cable BG to JJC re: need duplication of Tierney ballet costume.NDCostume breakdown for Gene Tierney with PN.Size 1X. 2 pgs.5/19/52TLC JJC to BG re: enclosing requested information.Size X.5/19/52TLS Sam Kress to BG re: costume production.5/5/52Time lapse of movie story and scenes to be tested, with PN.Size 1X5/1/52Dress charts for all parts.Legal. 20 pgs.Folder J: Scripts3594/10/52Never Let Me Go-SP by Ronald Millar and George Froeschel, rev. by DD.Legal. 122 pgs.

Box 35 ends here;

34124/22/52Temp. complete script rev. by DD.116 pgs.

Box 34 continues (From p. 98)

Box 34 continuation

34133/22/52Temp. complete script.ca. 100 pgs. M.34143/13/52Complete script by Millar and Froeschel with general comments and points of value by DD.ca. 100 pgs.34151/28/52Temp. complete script with F sketches and PN on pages.128 pgs.3416NDContinuity outline by Roger Bax- Two If By Sea. M.17 pgs.3/22/52Excerpts from #3 above;with PN and sketches. 10 pgs.1954Lord Vanity (20CF-never used)341710/14/54BW wardrobe and make-up test photos of A. Alberghetti, Robert Wagner and Clifton WEbb.8 1/2" × 10". 10 items.10/14/543 color translucent photographs of Alberghetti (2) and Wagner (1).1/2" × 10".3418#2 Lord Vanity-overseas process shots and breakdown with OpN and 70 BW 8" × 10" photos.50 pgs.3419-21Photos342211/1/54Final script and pre-productionwork abroad and reasch notes; SP by Charles Brackett and Walter Reisch from novel by Samuel Shellabarger (cancelled by DFZ), with set floor plans (40 pgs.) andcameta breakdowns. T and M.ca. 300 pgs.

192/34/22 - Final Script, 126pp Box 34 ends here, Box 36 begins (Box 35 is pp. 98-106)

36123/1/44TLX Grantie to DD re: personal.363NDSubscription form for American Magazine of Art.1954White Feather (20CF)Folder A: Correspondence3644/14/53TLC DFZ to Louis Lighton re: My Great-Aunt Appearing Day (treatment of 3/30/53)-first continuity with outlines. M.6 pgs.12/16/53IOC-S David Brown to DD with enclosure re: short story by John Prebble and treatment by L. Lighton with comments by DFZ.8vo.4/14/53Enclosure of #2a above.12/17/53IOC DD to DFZ re: comments on items in #2. C.7 pgs.NDReport on treatment by DD, S. C. (same as #3).1/11/54IOC DFZ to DD re: further comments.36511/3/52Typescript copy of “My Great-Aunt Appearing Day” by John Preblle.54 pgs.3663/30/53Carbon screen treatment by Buddy Lighton. 99 pgs. Found it.367NDScreen treatment (signed) by DD with FPNAD. 85 pgs. “WHITE Feather”3681954First draft screenplay by DD - titled “White Feather”122 pgs.3697/1/54Final Draft Screenplay for “White Feather” M.111 pgs.3610NDBreakdown and notes by DD with FPNAD.7 pgs.1954The Robe (20CF)361111/11/52Rev Final SP by DD157 pgs.3612-14NDPhotos of single pages containing story-board sketches (1 to 3 per page).total. 181 pages

Original non-numerica order retained

3612PAGES 1-50361351-993614100-149371150-1811954Demetrius and the Gladiators (20CF)3721/9/53The Story of Demetrius - writer's working script with general comments42 pgs.NDGeneral comments on script so far and hopes for the future. C.7 pgs.NDOutline - Story of Demotrius. C.3 pgs.Prologue to Story of Demetrius. C.6 pgs.NDIOC copy DD to Frank Ross re:first 40 pgs. of Demetrius story.2 pgs.NDIOC copy DD to Frank Ross re: working script to pg. 40.3 pgs.3731/23/53SP by Phillip Dunne-writer's working script with FPNAD by DD.127 pgs.3744/1/532nd writer's working scrip with FPNAD by DD.130 pgs.375NDReasearch notes.ca. 70 pgs. C.3762/26/53Same as #2 with Sew added set sketches and scenes.ca. 150 pgs.3775/20/53Fina script.125 pgs.3784/20/53Temporary Script125 pgs.379NDResearch notes on Roman times and script.ca. 100 pgs.3710NDGeneral comments on script so far and hopes for the future. C.7 pgs.NDContinuity outline, Story of Demetrius.3 pgs.NDNotes on advantages and disadvantages of the wide screen of cinemascope, with OPN.10 pgs.4/7/53Notes from conference on 2nd working script of 4/1/53. MM to DD. M.9 pgs.NDScript sequence breakdown.23 pgs.3811/53From Frank Ross-sequence by sequence step outline.4 pgs.382NDList of characters in script.2 pgs. C.383NDA. Music score for “Gloria in Excelsis. P.384NDParts of script and misc. notes on script with changes and additions.18 pgs3853/9/53IOC DD to DFZ re: work report, progress in script revisions and statement that he had part in script writing. C.3865/7/53IOC DD to Frank Ross re: hiring sword fighting doubles. C.5/11/53IOC DD to Charles LeMaire re: casting Ann Bancroft and Debra Paget.8vo.5/11/53TLS Lay E. Kuter to DD re: asking for personal interview.5/29/53DFZ to DD re: likes first rushed.8vo.6/2/53TLS William J. Fadiman to DD re: compliments on good trade reviews.8vo.6/3/53TOC-SIB to Frank McCarthy re: changes in script.5/28/53IOC-S Frank McCarthy to DD re: enclosing memo on violence and brutality in films by British film board.2 pgs.6/3/53IOC copy DFZ to Frank Ross re: uses of cinemascope in shooting angles.6/10/53IOC DFZ to Frank Ross re: compliments on excellent rushes.8vo. C.6/12/53IOC DFZ to Frank Ross re: compliments on rushes.6/16/53DFZ to Frank Ross re: comments on Debra Paget's hair style.8vo.6/27/53IOC DFZ to Frank Ross re: enthusiasm of rushes.8vo.7/2/53IOC DFZ to F. Ross re: enthusiasm on rushes.8vo.7/3/53IOC DFZ to F. Ross re: enthusiasm on rushes.8vo.7/10/53DFZ to F. Ross re: enthusiasm on rushes-IOC.8vo.8/19/53IOC to DFZ re: filming and censorship, with the following enclosures:5/6/53memMemo by E.G.D. (?) re: film.Demetrius and the Gladiators 2387NDSeries of photocopied sketches of a gladiator fighting tigers.4 per pg. 1 3/4" × 4" per sketch. 14 pgs.NDLarge Binder with all production and direction notes, script, PpNAD etc. Script-125 pgs. M..Sketches-136 pgs. 3 per pg., 2 1/2"× [UNK]".388First half389Second half1954Drumbeat WBManila Folder A38105/21/54Estimating Production Budget-details of expenditures (Jaguar Productions, a WB branch).28 pgs.38115/19/54Index and breakdown of sequence in final script. M.78 pgs.38125/17/54Shooting and movement schedules for cast and crew.20" × 11". 2 pgs.38135/21/54Notes on estimating budget. C.3 pgs.38147/9/54Notice of tentative writing credits, signed by DD. C.3815NDDrawing and notes of natural geological sandstone formations.3816NDlist of interviewed actors and actresses with potential for filling parts, PN.9 pgs.4/22/54Transcribed version of #7. C.8 pgs. PpN.38175/17/54Cover from final script binder.3818NDList of Actors from Jack Pomeroy Agency. with PN.8vo.3819NDPN on cutting, front and vso.Legal.38203/1/54List of free-lance actors and actresses under MCA artist Ltd. Agency. Printed.3 pgs.

+ List of actors Jack Pomeroy agency.

Folder B38214/19/54ANS George Lloyd to DD re: wants interview for part. 8vo.4/21/54TLC JIB to JLW re: censors' comments.2 pgs.4/22/54TNS William D. Pabst to DD re: personal.4/22/54TLS C. Wl Parry to DD re: offering his lodge in Kanab, Utah as filming site. Size X.4/22/54TLS Tita Brooks to DD re: wants part.4/22/54TLS Nick Thompson to DD re: has experience with and knowledge of Indian languages and wants part.NDANS Morgan Farley to DD re possible acting job.5 3/4" × 7 3/4" with envelope.4/26/54ANS Russell Simpson to DD re; acting job.6" × 9" with envelope.4/29/54TLS John M. Haffen to DD re: working as a dialogue director.7 1/4" × 10 3/4".5/3/54IOC Bill Kissel to Gordon Bau re: make-up for Indian extras, etc. C.5/3/54IOC Bill Kissel to F. C. Furhmann re: props and horses needed on location. C.5/3/54IOC Bill Kissel to Solly Baiano re: casting and wardrobe for various parts and when needed on location. C.5/3/54Bill Kissel to Joe Hiatt IOC re: wardrobe C.5/8/54IOC Bill Kissel to Solly Baiano re; hiring Indian extras who can ride bareback. C.8vo.5/10/54IOC-S Ray Heindorf to DD re: lyrics of a song for possible use in picture.8vo.5/10/54“Soldier's Farewell”-with p doodles.

Lyrics enclosed

5/11/54ALS Delores Larrimus to Hedda Hopper with envelope re: wants to try for Indian girl part.3 pgs.5/11/54B. Kissel to Joe Hiatt IOC re: costumes. C.5/15/54IOC Solly Baiano to Stacey-Hiatt-Bau-Schweibert re: schedule for film tests. C.5/19/54TLC JIB to JLW re: censor comments on final script.2 pgs.5/19/54TLC DD to Irene G. Bagge re: Indian actors.NDTNS Irene Bagge to DD re: talented Indian actor.5 1/2" × 8 1/2".5/24/54IOC Solly Baiano to Warner-Trilling-Orr-MacEwen-Daves-Bertholon-Stacey-Matthews re: final cast list. C.2 pgs.8/17/54TLS Frances Inglis to DD re: granting waiver of credits from Screen Writers' Guild for Drumbeat.8/18/54TLS J. C. Youngerman to DD re: granting waiver of credits from Screen Writers' Guild for Drumbeat.NDMemo Trilling to DD re: daily rushes excellent. P.8vo.NDALS H. E. Willmering (United Indian War Veterans) to DD re: offering services as consultant, with enclosure.

enclosed

NDPicture from newspaper of Wilmmering awarding medal.NDTLS Jack Rockwell (reporter for KFSI-Oregon) to DD re: prospective film site for Drumbeat.3822NDLocation notes with OPN.6 pgs.3823NDP drawings and 3 maps.11" × 17". 28 pgs.

These items not in box. Have vanished from collection.

NDMovement sheet with PN. P.NDP drawings with notes-area map.391NDModoc Ambush - an original SP by DD with OPN.145 pgs.392NDWarpath - an original SP by DD.149 pgs.393NDNo title - an original SP by DD.38 pgs.394NDModoc - an original SP by DD. M.62 pgs.395Modoc SP by DD M.138 pgs.396NDCaptain Jack - an original SP by DD.135 pgs.

titled Ambush on manuscript

397NDDrumbeat - an original SP by DD, shooting script with FPpNAD.139 pgs.398Modoc SP by DD M.127 pgs399NDThe Modoc War - research notes, outlines, pamphlets and maps.ca. 20 pgs.3910[10/8/40]Earl C. Reynolds to DD re: enclosing some pictures of Klamath Co., Oregon.39113/20/39TC - Captain Jack - synopsis,42 pgs. 2 copies39123/20/39Captain Jack - synopsis.13 pgs.3913NDCaptain Jack - SP by DD with FPpNAD.38 pgs.3914NDCharacter Research.13 pgs1954Drumbeat Pt. II401NDOriginal charcoal sketches of scenes.22 pgs.4024/19/50Notes on actor/actress interviews for casting with OPpN.[10] pgs.4034/13/54Motion picture weather outlook for Monument Valley, Ariz.404NDResearch Notes, list of roles and locations and P drawings-4pgs) 8 pgs. total.405NDDrumbeat - Final shooting script with FPpNAD and scene sketches in P(ca. 75 pgs, 3/pg, 2 1/2" × 7"). 197 pgs. M.Estimating406Final4075/17/54Estimating and final script with FPNAD.120 and 122 pgs respectively. M.4094/9/54Estimating script signed DD.120 pgs. M.1955Jubal Pt. I (Columbia)Folder A4010NDPhotocopy maps of Jackson Hole filming site. Legal.

MAPS ARE Different

4011NDLocation analysis-description of exterior scenes.6 pgs.4012NDScript analysis-length and cuts for each scene.4 pgs.40137/18/55Shooting schedule -2 copies. 13 pgs. each copy4014NDActors working schedule for arrival on set.NDcast and crew list with 1 pg on vso.-M., and 2 pgs. C. 3 pgs.411NDNotes on cowboy life and dialogue.412NDNotes on Jubal Troop.2 pgs.412NDCast list. P.8vo.4/16/55Notes on Jubal Troop.42 pgs.4134-27-55Notes on characters of Jubal Troop.30 pgs with PNAD.414ND2 Avis-Renta-A-Car receipts-duplicates, signed by DD.8 1/2" × 8 1/2",Folder B4154/14/55IOC-S JW to DD re: comments on original novel.4 pgs.4/15/55Conference notes on Jubal Troop with JW, Fadiman, DD and Hughes. C.5 pgs.4165/17/55Notes from Harry Cohn with DD PNAD.9 pgs.4175/24/55IOC JW to DD re: early script analysis with DD PN.18 pgs5/25/55IOC DD to JW re: response to #4 above.6 pgs.4186/13/55Telegram Harry Cohn to JW re: suggest changes, with DD PN.4 pgs.

copy of

4196/15/55IOC JW to Fadiman and DD re: general comments, with FPNAD by DD. C.28 pgs.41106/15/55Notes on 4th estimating draft by H. Cohn with FPNAD by DD.12 pgs.6/18/55Notes on Jubal scenes.41116/23/55IOC-S Fadiman to DD re: reminder of deadline of script revisions.8/3/55IOC-S JW to DD re: general comments.6 pgs.4112IOC-S Fadiman to DD re:scene by scene comments.a. 8/4/55,34 pgs.b. 8/9/55,5 pgs.c. 8/10/55,3 pgs.d. 8/11/55,1 pg.e. 8/12/55,2 pgs.f. 8/15/55,3 pgs.g. 8/16/55,2 pgs.h. 8/17/55,3 pgs.i. 8/19/55,3 pgs.41138/25/55IOC-S JW to Fadiman re: suggested changes. C.4 pgs.9/6/55IOC-S JW to DD re: dubbing in a voice.9/8/55IOC JW to Fadiman re: redoing a scene. C.NDIOC DD to Ben Kahane re: working itinerary for script and filming. C.2 copies, 4 pgs. each.NDVerification of writing credit for Jubal signed by DD.3 copies.Folder C6/4/55IOC-S UW to Fadiman with note from Fadiman to DD re: stills of Jackson Hole.6/7/55IOC Jack [Fief?] to Irving Brisking re: estimates of costs. C.3 pgs. with 1 pg. legal.6/10/55Teletype Cohn to JW re: cutting picture costs.8vo.6/15/55IOC-S Fadiman to DD re: budget with FPNA.6/20/66TLC Geoff Shurlock (Production Code Administration) to Cohn re: censors' comments.2 pgs.6/21/55IOC-S Fadiman to DD re: enclosing #5 above with compliments.8vo.6/24/55IOC-S Maxwell Arnow to DD re: test for Valerie French.6/30/55TLC Dr. W. A. Young, Jr. (American Humane Association, Director) to Jack Fier re: censoring use of animals in script.2 pgs.7/6/55IOC Fadiman to JW re: compliments from Geoff Shurlock. C.7/7/55IOC-S Fadiman to JW re: an old original Sears catalogue.8vo.7/14/55IOC-S Fadiman to DD re: Reaction of Shurlock office on script.8vo.6/20/55TLC Shurlock to Cohn re: censorship.7/7/55TLC Geoffrey Shurlock to Cohn re: censorship.7/23/55TNS Fadiman to DD in Jackson Hole re: production matters.8vo.7/25/55TLS Fadiman to DD re: production matters.7/25/55TLS Fadiman to DD re: production matters.7/26/55TNS Fadiman to DD re: production matters.8vo.7/26/55TNS JW to DD re: good location production Size X.7/28/55TLC G. Shurlock to H. Cohn re: approval of 3rd rev. script with note from Fadiman to DD on it.7/29/55TLS Fadiman to DD re: production and personal matters.8/4/55TNS Fadiman to DD re: pleased with Steiger scenes.8vo.8/4/55Telegram Fadiman to JW and DD re: same as #19 above.8vo.8/10/55ALS Ed Schultz to DD re: personal matters.8vo. 2 pgs.8/17/55Telegram JW to DD re: cutting budget.8vo. 2 pgs.8/15/55TLS JW to DD re: prodding Ford to give more dynamic performance.8/19/55TLS Fadiman to DD re: makepup and wardrobe for Valerie French.12/5/55TLS Mary Dorfmann to DD re: credit waiver from Screen Writers' Build, Inc.NDIOC Fadiman to DD re: glad on same film.8vo.NDTLS Fadiman to DD re:production.NDANS Eddie [?] to DD re: looking at locations.Sunday[?] ALS John S. Watters to DD re: personal. vso.Tuesday[?] TLS Fadiman to DD re: production.Folder D41146/23/55JUbal Troop - SP by Russell Hughes and DD; 7th draft C. with PN.ca. 130 pgs.41156/10/55Jubal Troop - Fourth estimating draft, [UNK] PNAD.140 pgs.

Fourth Estimating Draft

41165/14/553rd estimating draft with FPpNAD.152 pgs.41175/5/55Rev. script with FPpNAD.147 pgs.41184/27/55Notes on Jubal Troop by DD.58 pgs.41192/28/552nd estimating draft with FPpNAD.122 pgs.4212/21/501st estimating draft by Frank Nugent.140 pgs.4229/13/44Rev. final draft-a Sam Wood Production-Rev. final by Lawrence Stalling.168 pgs.1955Jubal Pt. II423NDJubal Troop by Paul I. Wellman, Pocket Books, Inc., copyright 1939. Paperback with PNAD.560 pgs.424NDSuggested sequence revisions by DD with OPNAD.ca. 150 pgs.425ND2 copies of photonegative of map of Teton location with P skecch on vso. of 1.Legal.NDPhotocopy-same as #3a. 11" × 14".426NDCharcoal interior scene sketches-4.2 pgs, 1 pg. 20" × 11".427NDRough sketches of scenesca. 50 pgs., 3 per pg., 2 1/2" × 7".428,9,107/22/553rd rev. final draft - 3 copies, director's, marked and copy with dubbing and cutting notes.124 pgs. each.4316/30/552nd rev. final script with FP sketches on pages. and PNAD.126 pgs.432,3NDRev. final script with FPNAD. Original plus T copy.133 pgs each.434NDCast list.435ND2 test scenes. M. 9 pgs.436NDBreakdown of working schedule for cast. M.NDCastingpossibilities selection list.3 pgs.1956The Last Wagon (20CF)4371/27/56Notes on The Last Wagon by DD plus Rev. final SP by James E. Grant from original story by Gwen Bagni Gielgud with PN. M.108 pgs.438,94/2/56Rev. Final script, 2 xerox maps (10" × 13") with FPpNAD, sketches on pages and 6 pgs misc small sketches in P.

143 pgs plus cast & staff lists.

Folder 8 (to page 75)

Folder 9 (after page 75)

4413/26/56Final scriptmarked with FPpNAD.142 pgs. with ca. 100 pgs P sketches, 3 per pg., 2 1/2" × 6 3/4".4423/12/56Writers' working script by DD with credit to Gielgud and Grant.152 pgs.4434/2/56Rev. final script.143 pgs.4444/4/56TNS JW to DD re: enclosing magazine cartoons.4" × 5".

(cartoon enclosed)

4414/4/56TLS Lester Oliver to DD re: can't help with hiring Apaches.445ND2 pgs. of rev. script. M.446NDBrief rev. continuity outline.4474-12-562-9 i/2" × 13 1/2" and 2-14 1/2" × 11" maps with fancy lettering inscription: To Dick in remembrance of the Last Wagon.448NDSketches of explosion sequence.449NDTLS Richard Widmark to DD re: comments on characters and script.4410NDList of work to be done at studio.44112/22/56Staff list,1 C pg. and 1-3" × 5" T.44124/10/56Rev. Final cross plot-working itinerary for cast and crew.Ph. 18" × 24".4413NDMiscellaneous notes on Last Wagon with OpNAD9 pgs.4414NDSequence outline.11 pgs.1956-19573:10 to Yuma (Columbia)4415,1611/21/562nd rev. final draft, SP by Halsted Welles from a story by Elmore Leonard, shooting script with FPpNAD and P sketches(ca. 200 pgs., 8/pg., 1 3/4"× 2 1/2") and 5 pgs of maps. 130 pgs. of script. M.

15 → to page 57

16 → page 60

441711/16/56Rev. final script, SP by Welles, with OPNAD.132 pgs. M.

(title page at end)

45111/21/562nd rev. final script with cast and crew list on backflap.130 pgs.4529/26/56Final draft by Welles with OPNAD.132pgs.453ND24 P maps and drawings of Arizona location.454NDCast and crew list with characters in order of appearance.3 pgs.455NDInterior and exterior locations breakdown with OPN.14 pgs.45611/8/56Cast and crew working schedule with sequence breakdown. 11 pgs verifax, copy leaving list for Arizona location.4 pgs.45711/19/56Scene by scene script comments by Harry Cohn with FPNAD. C.10 pgs.458NDMiscellaneous P sketches and notes.2 pgs. plus i pg. 3" × 5".1956-1957Run Silent, Run Deep459NDEnvelope with note on script sales.45103/24/584 film reviews from Hollywood Reporter.45114/3/58L.A. Examiner on Run Silent, Run Deep.4512NDNotes on movie-character conflicts, highlights and continuity outline, etc., with 1 pg. AN on questions.18 pgs.

Found

4513NDEstimating script by DD based on novel by Comdr. Edward L. Beach, USN, with P notes by C ry Grant.170 pgs.451410/6/551st draft SP by DD.183 pgs.4515NDTypescript with O revisions.149 pgs.461Oct.-Nov. 1955Rough draft-estimating script with FpNAD.ca. 170 pgs.Run Silent, Run Deep Pt. II4629/14/51Torpedo - shooting script by John Hecht, Hill, Burt Lancaster. M.144 pgs.463,4,5NDRun Silent, Run Deept- SP by DD. 3 copies. M.170 pgs.1957Kings Go Forth (United Artists)4654717/16/57SP by Merle Miller from book by David Brown-complete shooting script (133 pgs.-Frank Ross Productions) with scene sketches (46 pgs, 8 per pg., 3" × 1 3/4", some color), FPpNAD, staff anc cast lists (11/6/57), shooting schedule and breakdown and layout of French village (10 3/4" × 47") and filming set and notes.

6 to page 62

1 page 63 [UNK]

4727/16/57SP by Merle Miller.473NDBreakdown by DD with script and notes with FPpNAD.7 pgs and 133 pgs. respectively.474NDNotes on Script by DD with PpNAD.Ca. 30 pgs.47510/22/57IOC copy Frank Ross to Dick McWhorter re: specific changes to script.4768/31/57Actors' call sheet, props, extras, etc.12 copies-1 original T. 5 pgs, and 11 C copies, 4 pgs.477NDP. film notes.8vo. 2 pgs.47812/20/57Natalie Wood dialogue needed for loop lines and sequences to be discussed with director re: looping dialogue and scenes to be looped.3 pgs. C.479NDSchedule for wild tracks, cue tracks, pre-recorded music, narration and effect tracks made. C.5 pgs.4710NDParis hotel assignment and contacts for DD.4711NDLocations data for cast and crew-hotel assignments with telephone numbers.471210/31/57Line breakdown with PNAD.16 pgs.1957Cowboy (Columbia)47134/15/57Map of cattle drive, 1870.19" × 21".47141/11/57Work schedule for cast.47156/14/57IOC-S Hal Fisher to Jack Fier re: arrival of film from El Paso.47165/22/57Shooting schedule breakdown.2 copies. M. 24 pgs.4717NDLocation report-Reminiscences of a Cowboy.6 pgs.4718NDCast list.4719NDCamp talk (ad libs) and script revisions. With pNAD.12 pgs.4720NDNotes and comments on scenes and locations.NDNotes on Frontier from DD. C.3 pgs.[47?]16/7/573rd rev. final draft, SP by EdmundNorth-Reminiscences of a Cowboy. Complete shooting script with sketches(130 pgs., 8 per pg., 1 3/4" × 2 1/2") and 2 mpas, with FPpNAD. M. 127 pgs. of script.4825/15/572nd rev. final draft with OPpNAD.127 pgs.48311/28/52Frontier - title changed to Cowboy. M.208 pgs.1958The Hanging Tree (WB)4846/16/58Final script, SP by Wendell Mayes and Halstead Welles. M.115 pgs.4853/27/58Preliminary version of script by James Webb with notes by DD from the novel by Dorothy M. Johnson (including outline, 18 pgs. C.) with FPpNAD.121 pgs.4864/15/58SP by DD from 1st drafts by Webb with PN on cover of 1. 2 copies, 1 T and 1 M (4/17/58). 122 pgs and 125 pgs. respectively. Both with PpNAD4915/12/582nd rev. estimating script by Wendell Mayes, part 1. M.119 pgs.4925/7/58Shooting script-M and T with pNAD.149 pgs.493,46/16/58Final shooting script (with AN on the cover), scene sketches(120 pgs, 4 per page, 4 1/2" × 1 3/4", ca. 10 pgs in color), diagrams and FPpNAD.

3 to pg. 50

4 pg. 51 on

4955/22/58Index to breakdown and breakdown of sequences. M.118 pgs.4966/9/58Staff and cast list with addresses and phone numbers. M.2 copies. 2 pgs.497NDPhotoreproduction of scene sketches.8" × 10".4989/9/58Billing and credit list.8 1/2" × 10" 3 pgs4997/3/58Script revisions.2 pgs.4910ND3 maps of Washingtonnfilming site location. Ph. 2 pgs. plus 1 pg. legal.4911NDBlank application form-notice of location of placer claim. Printed.4912NDPossible opening scenes with color sketches.2 pgs.49137/16/58Shooting schedule.49147/15/58Call sheet for wardrobe and working ploys. M.4915NDANS from niece and nephew-Christmas card and photograph.4916NDExcerpts of film reviews of The Hanging Tree. C.2 pgs.49175/21/58TLS George Schrindell, Supt. of Oak Creek Game Range, Naches, Washington, to DD re: explaining park pictures and enclosing:NDMap of game range.49185/29/58IOC Charles Greenlaw to all depts.:re: budget meeting. M.7/1/58TLS Martin Jurow to DD re: Production budget and trimming down cost of extras.1958Badlanders (MGM)49192/12/58Work order-movement list for cast and crew travelling to location. M.4920NDStaff and crew list with addresses. M.4 pgs.NDCast list with addresses. M.3 pgs.492111/14/57The Badlanders-Arcola Pictures, by Richard Collins with OPNAD. M.128 pgs.5011/27/58The Badlanders-Arcola Pictures, by Richard Collins. Signed by DD.139 pgs.502,31/21/58Complete shooting script with revisions, FPpNAD, diagrams and scene sketches (140 pgs., 4 per pg., 1 3/4" × 4").139 pgs. script. M.

2 to p.70

3 p. 71 on

1958-1959A Summer Place (WB)504NDOriginal novel by Sloan Wilson with extensive notes, cut and pasted on paper.ca. 100 pgs both sides.505ND1st draft SP by DD with FPpNAD.137 pgs.50612/1/58Estimating script with OPpNAD.139 pgs.5071/5/59Rev. estimating script, [copy 1]M. 136 pgs.5111/5/59Rev. estimating script, [copy 2]M. 136 pgs.512,32/16/59Final script (original T plus M copy).136 pgs. each.5146/26/59Transcriptions by Julia Hermanson and Lillian Harr. C.Ca. 40 pgs.515NDCast list3 pgs.A Summer Place Pt. II51612/16/58TLC Geoffrey Shurlock to Jack L. Warner re: censorship with pNAD.3 pgs.7/14/59Memo [Shurlock] re:moral attitude of film, with frequent PNAD.2 pgs.1/16/59TLC Andrew Weinberger to DD re: comments on rev. estimating script and legal aspects of using the script as is.1/16/59Sloan Wilson to Andrew Weinberger (law counselor) TLC re: approval of script with minor criticisms.2 pgs.2/20/59TLS Dick Lederer to DD (on location in Monterey) re:production, some line changes, and 1 pg. on special trailer sequence for movie.3 pgs.3/20/59TLS Mary Dorfman to DD re: writing credits3/2/59Notice of tentative writing credits.3/23/59Data for records on A Summer Place.4/17/59IOC-S MacEwen to Obringer re: firing dialogue director Bert Steiner. C.8vo.9/23/59IOC Bill Hendricks to DD re: pre-release screening. M.8vo.11/3/59IOC HF (secretary to DD) to publicity dept. re: publicity stills for DD's private collection.Fan letters5173/8/60ALS Phil Davis to DD with envelope (Gt. Britain).6 3/4" × 9".5/2/60TNC answer to above.2/27/60ALS Susan Owens to DD.5/2/60TLC DD to Susan Owens-answer.3/24/60ALS Randall Haynes to DD re: trying to get screen test for friend.5/2/60TLC DD to Randall Haynes re: answer.3/31/60TLS Cecil Doll to DD re: fan letter.8vo.5/2/60TLC DD to Cecile Doll; re: answer.5/6/60ALS Mildred Krutsch to DD re: school report.6/20/60TLC DD to Mildred Krutsch re: answer.8/6/61Judy Hodges to DD. ALS.Miscellaneous5182/19/59Staff and cast list with addresses and telephone numbers.3 copies, M. 2 pgs. each.5195/14/59Final billing set-up. M.2 pgs. 8" X 12 1/2" taped edd on end.511010/4/58Adaptation notes.6 pgs5111NDSequence outline.3 pgs.51122/13/59Shooting schedule. Purple ink reproduction.2 pgs. 17" × 28".5113NDCast selection information, lists, and publicity, with FPNAD.24 pgs.511410/11/59LA Times reviews of movie.5115NDGroup photograph of cast and crew.5116ND/11/59LA Times review.51171/7/59Index to breakdown and breakdown of sequences. M.138 pgs.5118NDShooting schedule for interior and exterior scenes. M.46 pgs.5119NDTotal cost, set by set breakdown and description.2 pgs512012/31/58IOC Leo K. Kuter to C. Greenlaw re: using existing sets in movie, with 2C. pg. list of sets to be built and sets to be remoddled.3 pgs.51211/12/59Staging for automobile breakdown. M.5122NDPreliminary survey party travel itinerary to Monterey.5123NDAN on production dialogue, etc..8vo. 10 pgs.5124---Daily production report for 2/2/59, 2/4/59, and 2/16/59. C.3 pgs.5125NDMiscellaneous PN on production.2 pgs.51263/20/59Script changes. M.4 pgs.51273/3/59-4/23/59IOC George Grove to [all concerned] re: posting [UNK] retakes.24 pgs.5128NDPlacemat and brochure from Hotel Hunras.5129NDLocation and set diagrams. P.7 pgs.521NDXerox maps of location.33 pgs.522,32/16/59Complete shooting script and cutting notes with FPpNAD and P sketches(ca. 130 pgs, 8 per pg., 1 3/4" × 2 1/2").. Ca. 140 pgs. both sides.

Folder 2, beginning to p.50 ; Folder 3, p. 51 on

1959-1960Parrish Pt. I (WB)524,5NDOriginal novel cut up and pasted on paper with extensive PNAD.ca. 90 pgs. both sides.52612/2/591st rough draft SP by DD with FPNAD.ca. 200 pgs.52712/2/592nd draft SP by DD with FPNAD. M.156 pgs.5311/16/60Final draft SP with OPNAD. M.143 pgs.5322/11/60Rev. final SP with PNAD.142 pgs. M.533NDGeneral Sequence outline with 1 pg. foreword in pen.9 pgs.534NDSequence outline with emphasis on love, characters, sex.535NDScript development notes. P.12 pgs.53612/25/59TLS Mildred Savage to DD re: script changes.3 pgs. 8vo.12/30/59TLS Mildred Savage to DD re: more script changes.4 pgs.1/7/60TLS Mildred Savage to DD re: comments.2 pgs1/18/60ALS Mildred Savage to DD re: comments on 2nd section.5 pgs2/22/60ALS Mildred Savage to DD re: tightening script.4 pgs3/10/60TLS Mildred Savage to DD re: approval of rev. final script.8vo.537NDNotebook of photographs from Connecticut location.ca. 50 pgs.Parrish5385/5/60Staff and cast list (2 copies) with addresses and tlelphone numbers.M. - 1 pg. 8vo. and T. -4 pgs..4/21/60List of actors with P notes.4 pgs.5396/14/60Rev. final script changes. M.5 pgs.53107/6/60Shooting schedule and location notes for Hartford, Conn., with OPNAD. M10 pgs.53114/6/60Production notes for on location shooting with OPNAD. M.7 pgs.NDPrincipal photography list for location in Windsor area.13 pgs.5312NDPost-production and location (Windsor area) information. M.2 pgs. with P sketch on vso. of pg. 1.5313NDComplete shooting time schedule, purple ink mimeograph, with FPN.2 pgs., 1 pg. 22" × 17" and 1 pg. 16½" × 17".5314NDLocation maps, drawings and floor plans. Blue print.51 pgs. with 1 pg. 16" × 11" and 2 pgs. 16" × 22".5315NDMap of Windsor area with PN on location. Printed.39" × 50".5411/29/60TL-verifax copy with PNAD Shurlock to JLW re: censors' comments.2 pgs.2/3/60Same as #7a,2 pgs.2/23/60Same as #7a,3 pgs.3/29/60Same as #7a,1 pg. C.5426/24/60Notice of tentative writing credits. C.6/27/60Data sheet for records. C.5435/3/60Rev. movement list for Conn. locations.8 pgs544NDDialogue revisions and check list on revising script and translating novels to SP.4 pgs.545NDItemized list for wardrobe expenses for C. Colbert at Saks 5th Ave..Size X. 2 pgs.546NDList of tobacco growers in Conn. and misc. contacts, with PNAD.5478/3/60IOC-S T. Buchanon to C. Greenlaw re: enclosing notes for trailer scene and scene itself. C.NDTrailer scene with FPNAD.548NDMisc. Pp notes and sketches.4 pgs. both sides plus 3 pgs.549,102/10/60Rev. final SP by DD-complete shooting script with diagrams and scene sketchesca. 130 pgs., 8/pg., 1 3/4" × 2½"). M., with FPpNAD. 143 pgs. of script.

9 to p. 66

10 p. 6709

ParrishFolder A54115/5/60Staff list with addresses and telephone numbers. M.5/5/60Cast list with addresses and telephone numbers. M.NDList of casting options.2 pgs.5412ND8" × 10" photograph of Connie Stevens. BW.5413NDFinal and Rev. final cast lists with character descriptions.6 pgs.54145/2/60IOC-S Hoyt Bowers to Greenlaw-Bau-Hiatt-Schweibert re: screen test schedule.54152/24/60Biographical information on actors and actresses interviewed.7 pgs.5416NDFan club postcard photo(color) of Troy Donahue.4" × 6".5417NDBiography of Sharon Hugueny. M.2 pgs. 2 copies.5418NDBiography of Diane McBain. M.2 pgs. 3 copies.5419ND3 Test scenes (last 1=2 copies). M.10 pgs.54203/1/60Memo DD to HF re: duplicating test scenes.3/1/60IOC HF to Print shop re: print up test scene.ND3 test scenes, original.9 pgs.5421NDCancellations for Parrish screening, with PN.NDAcceptance list-C with pN. Original and copy with PpNAD.2 pgs.2/7/61IOC HF to E. L. de Pattie re: guest lists attached. C.8vo.2/7/61Misc. notes with PAD.4¼" × 6 1/8".NDGuest list for 2/7/61 screening.1/26/61IOC HF to R. Tafayre re: attached 2 guest list.1/26/61IOC HF to E. L. de Pattie re: guest list.NDSame as #13a-original.NDAcceptance List for Proj. 12.3 pgs.NDAcceptance list for for Proj. room 5. C.2 copies.1/26/61ANS Pat to HF re: clearing gate.1/18/61IOC-S HF to E.L. de Pattie re: wants to show print.2 copies.Folder B54225/6/60Set construction cost list.10" × 14".5423NDWomen's wardrobe plot, pgs. 15 - 18. M.54244/4/60Mens and women's wardrobe plot.2 copies. 41 pgs. each.54254/7/60Index to and breakdown of scenes. M.107 pgs.Folder C54264/6/60Pre-production and production information for on location filming. M.22 pgs. 2 copies.54277/8/60Movement list for 3rd Hartford locations with pN.4 pgs.5428NDItinerary for DD. C.54294/29/60Location information sheet for filmming unit.54304/28/60Tentative movement list for Conn. locations. M.6 pgs.5/30/60Rev. tentative movement list for Conn. locations. M.8 pgs.7/8/60Movement list for 3rd Hartford locations.2 copies, 4 pgs eachs5431NDHartford, Conn., locations for 3rd trip. M.4 pgs.54321/11/60TLS Frank P. Morse to DD re: wants them to stay at Statler Hilton.Size X.4/26/60TLS Frank P. Morse to DD re: will have rooms ready for them on return.Size X.4/28/60TLC DD to Frank P. Morse re: travel and accomodation arrangements.5/3/60TLS F. P. Morse to DD re: answer to #7c.Size X.5/30/60Correspondence between Ralph C. Lasbury Jr., Windsor Hill, Conn., and DD re: contracting local farmers and their farms for filming.a. 4/26/60 TLS R. C. Lasbury to DD.b. 4/27/60 TLS R. C. Lasbury to DDc. 4/28/60 TLC DD to R. C. Lasburyd. 4/29/60 TLC DD to R. C. Lasbury,2 pgs.Folder D54334/13/60-7/21/60Shooting schedule for all WB productions M.60 pgs. front and vso.5516/7/60-7/12/60Daily call sheets, M.23 pgs.Folder E5524/23/60-6/18/60Itemized weekly production costs.14 pgs.5534/18/60List of expense accounts.11" × 11". 2 pgs.5543/4/60-7/22/60Daily production and progress report. C.53 pgs.Folder F55511/2/59IOC-S Hal Hohlman to DD re: expense advances.8vo.11/10/59IOC HF to Hal Hohlman re: above. C.11/10/59IOC HF to Jay Goetzman re: replacing furniture.8vo.12/15/59IOC HF to Hal Hehlman re: personal financial reimbursement. C.8vo.12/14/59TLS DD to HF re: personal accounts and rock collection.Size X.1/18/60IOC-S HF to Fred Pappmeier re: personal financial reimbursement.8vo.1/14/60IOC HF to J. A. Smith re: pick up script.8vo.1/18/60IOC-S HF to Tom Murphy re: approval for mileage and overtime to pick up script.1/19/60IOC DD to Trilling, Greenlaw, and Bowers re: Conn. location shooting dates and production scheduling. C.2 pgs.1/19/60IOC HF to Johnny O'Steen re: script.8vo. C.11/30/59IOC HF to Jo Glendon re: Mimeographing script. C.8vo.11/18/59TNHF to Jo Glendon re: sending script in 3 parts.3" × 5".3/24/60IOC HF to Trilling re: minor word and direction changes. C.8vo.4/8/60IOC C. Greenlaw to all dept. re: pre-production meeting.4/27/60IOC C. Greenlaw to all dept. re: budget meeting for movie. C.8vo.5/6/60IOC HF to Meta Rebner re: word change in script. C.8vo.8/10/60IOC HF to Johnny O'Steen re: enclosing materials for file. C.8vo.5/10/60+11/10/59Store requisition receipts.2 pgs.1/16/60Records of scripts received.Folder G556---ALS and TLS with C. answers--10 fan letters for Parrish and A Summer Place.557---ALS and TLS unanswered fan mail.558---ALS and TLS 5 applications (answered) for position on WB staff.559---ALS and TLS 11 applications by local Conn. acting talent for small parts (business and personal).55104/25/60TLS Wolfram L. Lewis to DD re: personal-wishes to know arrangements for Parrish.Siz X.4/29/60TLC DD to Wolfram L. Lewis re: answer to above.4/27/60TLC HF to C. Colbert re: enclosing script changes.3vo.4/28/60Telegram DD to Colbert re: picture of herself.8vo.NDTLS Frederic Lynch to DD re: has large home which may be used for filming.5/2/60TLC DD to F. W. Lynch, Jr. re: answer to above.5/3/60TLC DD to Sam Lawrence Jr. re: [UNK] music lyrics.5/7/60ALS Ellen Corby to DD re: personal.6 1/4" × 7".5/9/60TLC HF to Ellen Corby re: answer to above.5/16/60TLC Harry Mayer to Vivienne Nearing re: contract for free lance-D. Knapp.6/14/60TLS Dale Olson to DD re: advertising-filled out form and envelope.6/20/60TLC HF to Dale Olson re: no.8vo.6/23/60IOC HF to Troy Donahue re: clearing up scandal of woman who ran away from husband with baby to come to Hollywood.8vo.7/28/60TLS Meta Rebner to DD re: personal.8/4/60TLC HF to Saundra Edwards, Karl Malden, Fred Marlon, C. Colbert (4 separate letters) re: enclosing Parrish group picture.8vo.8/9/62TLC DD to Charles Boyd re: thanks for Parrish promotional efforts.10/27/60TLS Capt. Milton Dickinson to DD re: personal.10/28/60TLS Arthur W. Lenzi to DD re: thanks for help.12/12/60IOC HF to Kenny Sebo re: several film cuttings to the Loomis School.2 copies. C. 8vo.12/12/60TLC DD to Mrs. R. Erickson re: enclosing film strip and thanks for help.2 copies.1/12/61TLS Doris Rockwell to DD re: wants to know when premiere is.10/3/61TLS Marjorie Bennett to DD re: Wants to work for DD.5/24/60ACS Meta Rebner to HF re: personal regards.NDList of phone calls and messages.8" × 9!1/2#.NDLyrics to poem or song.1960-1961Susan Slade (WB)551110/26/60-2/3/61Daily production and progress reports.[UNK] C.Folder 11210/3/60Casting suggestion selection list with PN. C.11/2/60Final cast and staff list with addresses and telephone numbers. M.551310/25/60Rev. index to breakdown and breakdown of sequences. M. 109 pgs. Incomplete.5514NDPortraits of Connie Stevens - 1 3"×5" color, 2 8" × 10" BW.5515NDBiography of Connie Stevens. M3 pgs.551612/17/60-12/27/6014 IOC Graves to all dept. re: post-synchronization retakes. C.8vo.55171/11/61IOC DD to Tom Buchanan re: enclosing original and 2 copies of suggested trailer. C.39 pgs.1/11/61Carbon copy of above.5 pgs.Folder 2551811/8/60-1/5/61Shooting schedule. M44 pgs.551911/4/60Locations information sheet for Monterey and San Francisco. M.2 pgs.552011/4/60Movement list. M.7 pgs.12/29/60Trona location movement list. M.2 copies, 2 pgs. each.NDAirline schedules to Monterey.552111/8/60-1/3/61WB shooting schedule for all productions. M.36 pgs.552211/29/60-1/3/60Call sheets for actors. M.26 pgs.Folder 3552312/15/60TLC HF to Golden Gate Bridge Authority re: payment for filming on bridge.12/15/60IOC HF to E. J. O'Carroll re: enclosing statement from bridge authority. C.8vo.12/8/60Statement of expenses incurred by DD while in San Francisco. C.2 copies. 3 pgs.12/8/60IOC-S HF to San Pasqua re: enclosing personal statement. C.2 copies. 2 pgs.12/2/60Original record and memo for #2. 1 pg. 5" × 7", 1 pg. regular, and 2 pgs. Size X.552410/23/603 hotel bills, Sheraton Palace, San Francisco.6 1/4" C 6 3/4".10/15/60Campus Camera Shop receipt.16mo.ND3 1/2" × 6" receipt for Avis-Rent-A-Car.Folder 45525NDALS and TLS-16 letters answered by HF-fan mail.552611/16/61Review of Susan Slade in Memphis Press Schmitar with accompanying explanatory card and envelope.Folder 5.55271/10/60IOC HF to Joe Barry re: enclosing 2 geological survey maps.8vo.10/5/60IOC Bill L. Hendricks to Steve Trilling re: production information on Deathmaker. C.10/6/60TLC John Alton to DD re: unable to accept offer.10/11/60TLS Meta Rebner to DD re: desire to work.10/11/60ALS both sides Lt. Maurice R. Reardon to DD re: photographing Spreckels Mansion.10/13/60TLS Cecilia Cremer to DD re: photographing mansion.12/21/60Enclosing note-returned by Joe Barry.3" × 5".10/16/60TLS Robert Cleaves to DD re: possible cast opening.5" × 8"10/18/60TLS Robert Cleaves to DD re: thanking him for answering.5" × 8 in.10/18/60TLS Patricia Burton to DD re: Capt. Topper-prize Shetland stallion.10/19/60ALS Susan Slade to DD re: coincidence of names.10/26/60TLS Joe Manchester to DD re: getting plays written for Manchester Productions.10/27/60IOC Carl Milliken jr. to DD re: clearance of proper names. M.10/27/60TLS Lew Jacobs, Jr. to DD re: seeking approval for article “Better Movie Making” written by himself.10/28/60TLS Harold Abramson to DD re: offering information for Red Cross (possible mention in picture).10/28/60TLC Shurlock to JLW re: censors' comments on final script.NDMemo sheet from Walter MacEwen, 4 1/4" × 5", addressed to DD.10/29/60TLS Lee Beinstoc to DD re: wants job as dialogue director.10/31/60TLS Nagene Searle to DD re: wants job as script footage estimator.11/2/60TLC DD to Adams (Golden Gate Bridge Authority) re: treatment of traffic problems due to shooting.11/14/60? to DD re: working for DD, plus enclosure.NDList of people from Hartford used for movie,.with PN.NDMary Lou Daves to HF ALS re: [UNK] addresses requested.2 pgs. C.11/22/60TLC HF to Mrs. Daves re: enclosing addresses for above.1/29/60TLS Jim Sidor to DD re: recommending Monica (friend) for acting.2 pgs. 6" × 9".NDTLC HF to Jim Sidor re: answer to above.12/6/60TLS Hillard Elkins to DD re: recommending Charles Strouse and Lee Adams for composing and lyrics.7 1/4" × 8 1/2".12/9/60TLC HF to Hillard Elkins re: no music or lyrics needed.12/60Telegram Kordovani to DD re: wants to observe American filming techniques.12/30/60TLC HF to Kordovani re: affirmative to above.1/13/61TLS Robert Cleaves to DD re: thanks for part.5" × 8".1/14/61TLS George Stuyvesant to DD re: thanks ofr part.Size X.10/5/61TLS John Husted (operator at [T]rona airport to DD re: regards and asks about Susan Slade, with T. note from DD to HF on it.10/9/61TLC HF to John T. Husted re: answer to above.11/20/61IOC HF to DD re: enclosing publicity stills (76).3/20/62TLS Ricardo H. Boada to DD re: technical error in movie.3/21/62Tl draft HF to Boada re:answer to above.NDSheet with information on American President Lines.3/21/62TLC HF to Boada, see #27b.3/15/63ALS Judy Klosterman to DD re: finding copy of novel.8vo. 2 pgs.6/4/63TLC HF to Judy Klosterman re: answer to above.9/20/63TLS Patricia Burton to DD re: requesting unused footage of Capt. Topper.9/24/63TLC HF to P. Burton re: answer to above.9/23/632-3" × 5" notes asking about negatives.5528NDEnvelope with newspaper articles.5529NDPhysical description of 5 actors.5530NDHold Harmless Agreement signed by DD-assuming responsibility for accidents at Trona airport while filming.55315/22/61Trailer opening-publicity short.553212/7/60Notice of tentative writing credits.553311/17/60+11/30/60Requisition to stores.553412/29/60IOC DD to Trilling re: final script changes.12/20/632 copies of changes.5535NDWB Christmas card list.Susan Slade561NDOutpages from 1st draft, “Susan's Sin”- SP by DD from novel by Doris Hume.ca. 30 pgs.56210/24/60Index to breakdown and breakdown of Rev. final script. M.ca. 25 pgs.56311/2/60Staff and cast list with addresses and telephone numbers. M.NDFinal cast list with options for minor roles.NDpgs.Interviews with actors with FPpNAD.9 pgs.NDCast in order of appearance with character descriptions., with pNAD. M.3 pgs.564NDSynopsis of Susan Slade.3 pgs.56512/19/60Official record of credits, data for records.56610/21/60IOC Joe Barry to C. Greenlaw re: reservations for accomodations. C.8vo.11/4/60Location information sheets, M.2 pgs.11/4/60Movement list. M.7 pgs.10/12/60Locations sheet. M.2 copies. 4 pgs. each.NDIndex and pgs. 104-105 to breakdown of rev. SP, 10/25/60. M.3 pgs.10/21/60Bit list. M.2 pgs.567NDFloor plans for SS. Pres. Cleveland and Wilson.2 copies. 27" × 31 1/2".11/10/60ANS Ray Obringer to DD re: clearance of names used in script.5" × 7".NDVerifax copies of floor plans for set.24 pgs.56811/1/60TLS James Adams to DD re: permission and terms for using Golden Gate for shooting purposes.11/9/60IOC-S Carl Milliken Jr. to Ray Obringer re: using a copyrighted National Geographic photograph. C.11/18/60TLC Leonard J. Grant to R. J. Obringer re: can't use photo wanted.11/21/60IOC-S Carl Milliken Jr. to Bill Kuehl re: enclosing above letter-get another picture.FridayALS Bill Kuehle to DD re: list of things done by writer.Legal.NDTest scene for Conn and Susan.11/4/60TL verifax James Jack Jr. to Charles Greenlaw re: proper treatment of animals while filming.12/2/60Production requisition for help and sets.Legal.1/31/61/IOC Tom Buchanan to C. Greenlaw re: some plans for trailers in advertisement. C.10/7/60TLC G. Shurlock to JLW re: censors' comments.2 pgs.1/20/61IOC-S R. A. Pease to DD re: enclsoing list of vehicle rentals.8vo.1/20/61List of auto, truck rentals at location.NDChristmas list for Susan Slade crew - C with PN.2 copies, 2 pgs each.NDTrailer suggested continuity script by DD. C.5 pgs.569NDMiscellaneous calling cards, notes and telephone numbers.10 items.5610NDData, addresses and notes-people and places involved in move, with OPN.7 pgs.5611,12NDShooting script with sketches, notes, cast list and FPpNAD.141 pgs. os script, ca. 135 pgs. sketches, 8/ pg., 113/4" × 2 1/2" M.

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12 p. 48 on

561310/24/60Final script with dubbing notes.141 pgs. M.56149/30/60Estimating script.155 pgs. M.561510/24/60Final script. M.141 pgs.5713/10/60The Sin of Susan Slade-Edward Small Productions. M.171 pgs.5721/27/60Outline of story beginning.3 pgs.NDNotes.2 pgs.57311/54American Magazine - tearsheet- the Sin of Susan Slade-original story by Doris Hume.Ca. 20 pgs. Printed.57411/54American Magazine.1939-1961Lovers Must Learn (WB)575NDHistory of Original SP of Lovers Must Learn from 1939 with changes referred by Breen office.4/26/39TLC JIB to David Loew re: censors' comments.3 pgs.4/28/39TLC JIB to David Loew re: script with changes now acceptable.NDTLC DD to JIB re: explanation of changes of script.5/1/39TLC David L. Loew to Raymond Crossett re: no more interest in script.5/2/39TLC DD to Loew re: lawsuit.5/4/39TLC Irving Fineman to Raymond Crossett re: doesn't want lawsuit.5/5/39TLS Alvin M. Asher (for Loeb and Loeb Law Firm) to DD re: consideration of suit.5/8/39TLC John McCormick to Loew re: comments on Loew's reneging and support of suit.2 pgs.5/9/39TLS Harry Sokolov to McCormick re: payment for handling suit.5/10/39TLS A. M. Asher to DD re: enclosing copy of letter from Loew.5/10/39TLC Loew to McCormick re: explanation of decision.5/10/39TLS McCormick to DD re: enclosing #10 above.8vo.5/13/39TLC DD to Loew re: explanation of minor changes reqauired by JIB.5/15/39TLC Loew to DD re: reconfirming decision to withdraw.5/31/39TLC DD to Loew re: informing of decision to prosecute.6/19/39TLS A. M. Asher to DD re: denies above #15.5769/18/39Synopsis of Lovers Must Learn,16 pgs.5771939Synopsis of censored adaptations of Lovers Must Learn by DD and Irving Fineman. M.21 pgs.NDNumber of changes suggested by JIB listed by pg. number.5787/17/61Kstimating script with commentaries by Fineman and reactions by DD with PpNAD.138 pgs. M.579,10--- Same as #19 with cnages dated 7/28/61 and 8/2/61.

9 - script

10 - changes

5711ND4th draft SP by DD with OPpNAD.122 pgs.571219542nd and 3rd drafts with changes and FPNAD. M.126 pgs.581ND4th Rev. draft-Italian version with PNAD.132 pgs.582ND4th draft-French Version.132 pgs.583NDLovers Must Learn - notes re; fall of 1939, war, synopsis, with script.118 pgs.584NDLovers Must Learn.118 pgs.5853/23/39SP with FPpNAD.111 pgs.1961Rome Adventure (retitled)9/7/61Final Script with cutting notes, pD.135 pgs. M.587NDSynopsis of Rome Adventure. M.2 pgs.588NDProduction notes. M.3 pgs.5897/17/61Estimating script with revisions. M138 pgs.591,29/7/61Complete shooting script with notes, diagrams, FPpNAD and sketches(ca. 130 pgs., 8/pg., 1 3/4" × 2 1/2").

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2 p. 117 on

593NDEarly location research; inventory of 35 mm. color slides, and [movement] in Italy, June, 1961.8vo. 53 slides.594NDLocation notes from Italy-bound notebook.3 3/4" C 5 1/2".595NDBreakdown of sequences for location shooting. M.66 pgs.5969/17/61-9/28/61Call sheets and shooting schedules.Legal. M. 66 pgs.5979/29/61+10/9/61Staff and cast list with addresses and telephone numbers.Folder 15988/24/61IOC HF to C. Greenlaw re: enclosing tape report transcript from DD in Italy.8vo.8/23/61Transcript for tape #1. C.22 pgs.8/25/61IOC HF to C. Greenlaw re: transcript #2.8vo. C.8/16/61Transcript #2. C.19 pgs.8/17/61Transcript #3. C.19 pgs.8/24/61Transcript #4. C.15 pgs.NDMemo-give copy of transcript #5 to wardlobe.3" × 5"8/27/61Transcript #5. C.16 pgs.9/12/61IOC HF to C. Greenlaw re: Transcript #6 C.8vo.9/8/61Transcript #6. C.18 pgs.10/3/61IOC HF to C. Greenlaw re: Transcript #9. C.8vo.9/8/61Transcript #9. C.11 pgs.9/14/61IOC HHF to C. Greenlaw re: transcript #7. C.8vo.9/7/61Transcript #7. C.19 pgs.9/21/61IOC HF to C. Greenlaw re:transcript #8. C.8vo.9/15/61Transcript #8. C.21 pgs.Folder #2599---Production correspondence between International Film Service, Rome (a European film for handling American filming abroad), director of service, Guy Longo and C. Greenlaw in Calif., G. L. Blattner in England and DD directing and producing. TLS 5/31/61-11/27/61-31 pieces.59106/6/61-11/61Cables to DD from WB staff in Calif. re: production and problems.23 pieces. 6 3/4" × 8 1/2".5911ND2 original cable drafts, DD to William Orr re: production aspects and problems.59128/2/61Telegram WB to DD re: received annual Laurel Award.8vo, 3 pgs.7/12/61TLC DD to G. L. Blattner re: production.7/19/61TLC DD to Irving Fineman re: script changes and comments.7/20/61TLC G. L. Blattner to Wm. Orr re: production information.8 pgs.7/21/61TLC G. L. Blattner to W. Orr re: screen credits for International Film Service.7/21/61TLC G. Shurlock to JAW re: censors' comments.3 pgs.7/27/61IOC C. Greenlaw to all dept.:re: budget meeting. M.8/2/61TLS G. L. Blattner to DD re: casting, credits and equipment for film.2 pgs.8/3/61IOC DD to C. Greenlaw re: filming and sound.8/3/61TLS Roger Dollarhide to HF re: enclosing [UNK] Learn.2 pgs.8/7/61TLS C. Greenlaw to DD re: production information and details.8/7/61TNS Michael DAves (son) to HF re: message for DD.3 in. × 5 in.8/7/61IOC-S HF to C. Greenlaw re: enclosing mail to be sent to DD.8vo.8/7/61IOC-S HF to DD re: putting ad in MP Exhibitor.8/8/61IOC Carl Milliken, Jr. to Roy Obringer re: clearance of proper names.8/9/61TLS Eugene Lerner to DD re: using Rossano Brazzi in film, with PN.8/10/61TLS V. Rollo to DD re: cooperation with ship scenes.8/11/61TLS C. Greenlaw to DD re: production matters and an enclosure.8/11/61TLC C. Greenlaw to Luongo re: technical production problems.8/11/61ALS Simon Mizrahi to DD re: arrangeing a meeting.8/12/61TLS G. L. Blattner to DD re: budget.8/14/61IOC-S HF to C. Greenlaw re: enclosing information of #31.8/14/61TLS Isadore Kessler to DD re: submitting music for film.NDVerifax sheet music,10 1/4" × 26".8/15/61TLS Max Bercutt to DD re: publicity for Alitalia.8/16/61TLC G. L. Blattner to Parker Harris re: Insurance policy agreements.2 pgs.8/17/61Memo CF (?) to DD re: information.4" × 6".8/17/61TLS Gene Lerner to DD re: recommending Letitia Roman as actors.8/17/61TLS R. Dollarhide to DD re: wants to work his song into film.8/18/61TLS Phil Gersdorf to DD re: regrets can't do film with DD.8/21/61TLC G. Sharlock to JLW re: censorship.8/21/61TLS HF to DD re: 2nd request for ad, see #28.8/23/61TLS CF [?] to DD re: ad, see #45.8/24/61TLS Dick Lederer to DD re: trailer advertising.2 pgs.8/29/61TLS Gayne Rescher to DD re: filming on board ship.9/5/61TLS Helen Boll to Mrs. DD re: care of home business in DD's absence.9/5/61TLS Guy Gadbois to Mrs. DD re: personal financial business.9/5/61TLS C. Greenlaw to DD re: general business and Troy Donahue's overspending.2 pgs.9/5/61TLS William Orr to DD re: technical matters of production.3 pgs.9/8/61ALS K. Kuter to DD re: art production and set matters.3 pgs.9/12/61TLC G. Shurlock to JLW re: more censoring.2 pgs.11/17/61TLC J. C. Youngerman to Walter MacEwen re: co-assistant director credit granted.11/24/61TLC DD to Hector Santee re: reimbursement for equipment damaged en route or lost.8/18/61ALS Tom Bessinger to DD with envelope re: meeting in Tialy.8vo.NDTelegram JW to DD and D. Greenlaw re: production.NDA. draft for telegram to Bill Orr re: give Troy Donahue rest before shooting.NDDraft to Louella[Parsons] from DD re: general news of production.NDDraft of letter, DD to Hedda [Hopper] re: general news.NDTN to DD re: Dollarhide wants part in film.11/17/61Verifax copy-verification of writing credits.8/14/61TLS? To D.D.2 pgs6018/1/61Shooting schedule for 9/61 and 10/61 on location. M.Legal. 9 pgs.6029/1/61Rev. shooting schedule (original with PN)&transcribed copy). T. and C.9 pgs.603NDLocations schedule with PN.6 pgs.NDLocations schedule. C.5 pgs.604NDShooting schedule - working days out of days. C.6058/19/613rd draft-tentative Italian Lire costs-2 copies. C. 7 pgs. each.6068/9/61Shooting schedule for secondary roles with PpN.607NDp. - talent needed by local Italians on location.608NDWardrobe schedule.6098/28/61Travel units-cast and crew list with addresses and telephone numbers. M.8 1/2" × 13".601012/12/61List of places to be dubbed. M.3 pgs.60117/10/61Actor/actress selection list with PN. M.2 pgs.9/29/61Staff and cast lists with addresses and telephone numbers.6012NDMiscellaenous notes, sketches, 2 calling cards.ca. 20 odd sized pgs. Pp.Rome Adventure60139/7/61Final script-Lovers Must Learn.135 pgs. M.Folder 16014NDRecord of work done by DD. C.2 pgs.6015NDExterior sets-list of Italian locations-original plus C. with PN.2 pgs. each.6016NDFootage per scenes - 1st cut. C.4 pgs.60171/24/62IOC-S DD to Orr-Trilling-Ziegler-Blau re: cutting suggestins.2 pgs.12/20/60IOC DD to Bill Orr re: updating film for preview.11/10/61IOC Obringer to Orr re: obtaining Marlon Brando's permission to use name inscript. C.8vo.10/18/61IOC-S DD to Bill Orr re: cutting and substituting scenes.12/18/61IOC-S Bill Orr to DD re: suggestins for minor changes.60178/3/61IOC DD to C. Greenlaw re: filming equipment needed. C.601812/12/61Dubbing material for C. I. T. Guide. C.3 pgs.60197/24/61Women's wardrobe plot. M.9 pgs.7/24/61Men's wardrobe plot. M.9 pgs.602010/16/61IOC-S HF to print shop re: make 20 copies of trailer scene. Svo.10/16/61Trailer scene. M.2 copies. 2 pgs. each.60218/1/61-1/30/62Daily production and progress reports.53 pgs. C. Legal10/4/61-11/9/61IOC C. Greenlaw to Bill Orr re: progress reports.8vo. 27 pgs.60229/6/61-10/31/61Shooting schedule for all WB productions M.12 pgs. both sides.602310/31/61-10/24/61Call sheet for actors on location. M13 pgs.Folder 260249/29/61Cast and crew lists with addresses and telephone numbers. M. and T. with pA.10/9/61Cast list with addresses and telephone numbers. M.60257/31/61IOC Hoyt Bowers to C. Greenlaw-Bau-Hiatt-Schweibert re: screen test. C.NDScreen test for Prudence. M.3 pgs.NDScreen test for Don. M.2 pgs.602611/1/61Staff and crew list invited to party. C.2 pgs.602710/10/61IOC Hoyt Bowers to JLW-Orr-Trilling-Benson, C. Greenlaw-DD re: final list for acting credits.602810/9/61List of actors, parts and addresses and telephone numbers.6029NDBiography of Troy Donahue. M3 pgs.60307/24/61Index to and breakdown of scenes. M.51 pgs.Folder 3603112/1/61Telegram JLW to DD re: pleased with film.3 3/4" × 8 1/2"9/26/61IOC-S Walter MacEwen to DD re: Bert Steiner as dialogue director.8vo.60326/27/61-2/2/62Telephone messages and appointments taken by HF.8vo. 41 pgs. both sides.6033NDList of interview requests.2 pgs.603410/22/62IOC-S Carl Combs to HF re: enclosure.8vo.8/22/62TLS Capt. J. F. Collins to WB re: wants information on movie.6035---Business correspondence to European personnel.a. 11/2/61 TLC DD to Luongob. 11/2/61 TLC DD to G. L. Blattnerc. 7/18/61 TCS HF to C. Greenlaw.3" × 5".d. 7/18/61 TLC DD to Luongo.2 pgs.e. 7/12/61 TLC DD to Luongo.5 pgs.f. 7/25/61 TLC DD to Hugh Gigault, Italian Lines,2 pgs.g. 7/18/61 TLC DD to Blattnerh. 7/19/61 TLC DD to Irving Finemani. 7/20/61 TLC DD to Luougo.3 pgs.60367/7/61TLS Gayne Rescher to DD re: getting film shots and enclosing 7 1/2" × 9" picture with idea for hidden camera.8/29/61TLS Joe Castor to DD re: advertising arrangement with North American Van